1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via Suzi Love – suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)1799 November 24th 'Parisian Ladies in Their Full Winter Dress for 1800'. Caricature By Isaac Cruikshank. #GeorgianEra #Cartoon #BritishHistory books2read.com/suziloveFashWomen1700s Share on XHN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions.
books2read.com/suziloveFashWomen1700s
1821 December Green Promenade Dress, English. High waisted coat over white dress with ruffled collar, vertical front bows, short puffed sleeves over long straight sleeves, matching ruffled bonnet and yellow gloves. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’, London, U.K.
1810-1815 ca. Salmon Pink Empire Style Dress, Norway. Typical Regency high-waisted dress. Long sleeves with puckered sleeve cap. Deep neckline with short shirred bodice. Long full skirt. via Digital Museum, Norway. digitalmuseum.no Regency fashion at its prettiest. The style of Empire style, or high-waisted, dress worn by Jane Austen and her contemporaries.
The Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given in France to the period when Napoleon built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s. Jean-Jaques Rousseau advocated copying peasants and returning to a simpler life and more natural fashions. Unrestricting clothing was part of the new Democracy in France and these simpler and flowing fashions were adopted all over Europe, including Britain and despite the continual wars being fought against France during the early 1800s. Not even war stopped fashions from being copied everywhere.
1817 December Black Walking Mourning Dress, English. Black bombazine dress with a black crepe hem, with tight bodice wrapping across to the right side, trimmed with a piping of black crape that looks like braiding and finished by rosettes of crape, in the center of each of which is a small jet ornament. Long sleeves trimmed similarly at the wrists, half-sleeve of a new form trimmed with crape, high standing collar displaying a mourning ruff. Claremont bonnet, named because it is the same shape as one worn by the Princess, whose home with her husband, Prince Leopold, was called Claremont. Black crape over black sarsnet and lined with double white crape. Low crown but large front and tastefully finished by black crape with a bunch of crape flowers on one side. Black shamois gloves, and black shoes. “We have again to acknowledge our obligations to the lady who favored us last month; and we understand that the dresses from which our prints this month have been taken were also purchased from Mrs. Bell of St. James’s-street.” Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Mrs. Bell ‘invented’ fashion plates and as well as publishing in La Belle assemblee, she also sold them to other magazines. Hence the crossover we often see where the same plate, or a similar version, appears in different magazines.
1808 Gorgeous Women’s Fashion In The Times Of Jane Austen. Fashion plates from Journal des Dames et des Modes or Costume Parisien. Dresses, coats or Redingotes, Spencers in purple and red, shawls, fichu or shoulder cape, shoes, hats and headdresses, gloves, and Reticules or bags. https://books2read.com/SuziLoveFashionWomen1805-1809
1808 High-Waisted White Dress, French. White Fichu over the shoulders, pale blue shoes, pink striped hat.1808 White Dress With Purple Spencer, French. 1800 White Dress, French. Black ribbon criss-crossing the back bodice. 1808 White Dress With Train Under A Red Spencer, French. Pointed shawl bodice and long sleeves.1808 Negligee Or At-Home Dress, French. Orange redingote, or coat, white shawl, blue gloves and shoes.1808 Lady in a white At-Home dress and cap sitting at her dressing table, French. 1808 Gorgeous Women's Fashion In The Times Of Jane Austen. #Regency #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on XFashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
1812 Dress of Yellow Virginie, French. High waisted dress trimmed with lilacs, cashmere shawl, high white neck frill, high flowered bonnet. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
Typical of the Empire dresses worn by Jane Austen and her contemporaries. Low necklines and skirts that started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. These high-waisted dresses were worn most days and cotton, silk or taffeta were the popular fabrics.
1814 April Morning Dress and Lace Cap. ‘”A petticoat and bodice of fine jaconet muslin, finished round the bottom in vandykes and small buttons. The Rochelle spencer composed of the same material, appliqued with footing lace down the sleeve, and trimmed at each edge with a narrow but full border of muslin. Double fan frill of muslin round the neck, very full, continuing round the bottom of the waist, where it is gathered on a beading of needle-work. Bourdeaux mob cap, composed of lace, with treble full borders, narrowed under the chin. A small flower placed backward, on the left side. Hair much divided in front, and in full waved curls on each side. Necklace of twisted gold and pearl, with pendant cross in the center. Spring Green kid slippers and gloves of the same.”
“This dress is from Mrs. Gill, of Cork-street, to whose taste and invention this work as well as the world of fashion, are under continued obligations.” Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
Definition Jaconet: Cotton fabric of medium thickness made in England, lighter than shirting and heavier than mull.
Definition Muslin: Thin fabric said to take its name from Mosul or Moosul, a large town in Turkish Asia where it was first made.
1814 April Promenade or walking dress of fine cambric with a high bodice and long sleeves, embroidered stomacher front and high collar, trimmed with muslin or lace, Tuscan border of needle-work the feet. A Cossack mantle of pink velvet lined with white sarsnet and trimmed with light sable, ermine, seal, or American squirrel. Short tippet of the same, mantle tied at throat with a silk cord and tassels. Pink velvet hat finished with narrow vandyke trimming and a small flower in the hair on the left side. Pink half boots and gloves of primrose kid or pale tan. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.1814 April White Spencer Over Morning Dress Of Jaconet Muslin Finished With Vandykes. #RegencyEra #JaneAusten #FashionPlate https://books2read.com/SuziLoveFashion1810-1814 Share on XHN_27_D2D_fashwomen1810-1814
1812 Young Lady Playing Devil On Two Sticks, or, the “diabolo” game. The game was known as “The Devil on Two Sticks” in England at the time as the name “diabolo” was only invented later. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1814 April Morning Dress and Lace Cap. ‘”A petticoat and bodice of fine jaconet muslin, finished round the bottom in vandykes and small buttons. The Rochelle spencer composed of the same material, appliqued with footing lace down the sleeve, and trimmed at each edge with a narrow but full border of muslin. Double fan frill of muslin round the neck, very full, continuing round the bottom of the waist, where it is gathered on a beading of needle-work. Bourdeaux mob cap, composed of lace, with treble full borders, narrowed under the chin. A small flower placed backward, on the left side. Hair much divided in front, and in full waved curls on each side. Necklace of twisted gold and pearl, with pendant cross in the center. Spring Green kid slippers and gloves of the same.” “This dress is from Mrs. Gill, of Cork-street, to whose taste and invention this work as well as the world of fashion, are under continued obligations.” Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
Definition Jaconet: Cotton fabric of medium thickness made in England, lighter than shirting and heavier than mull.
Definition Muslin: Thin fabric said to take its name from Mosul or Moosul, a large town in Turkish Asia where it was first made.
1812 April Morning Walking Dress, English. White dress with high ruffled collar under a green military style pelisse, or Redingote, with long sleeves and braiding across the bodice, boots and short yellow gloves.
Definition Redingote, Pelisse, Walking Dress: The term, Redingote, was used more in France and other parts of Europe and Pelisse or Walking Dress was used more in England. While the terms Redingote and Pelisse are often used interchangeably, the Redingote usually features a close fitted top and flares out at the hemline with a more tailored or military look than a Pelisse.
Redingotes or Pelisses were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years to provide warmth and some protection from windy conditions when gowns might lift and cause modesty issues. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Pelisse or coat in the cold British winters.