1810 ca. Pineapple Dress, French. High-waisted, Empire style dress with embroidered pineapple motifs, short wide neckline, puffed sleeves and long train. via Palais Galliera, Musée de la Mode de la Ville de Paris.


1810 ca. Pineapple Dress, French. High-waisted, Empire style dress with embroidered pineapple motifs, short wide neckline, puffed sleeves and long train. via Palais Galliera, Musée de la Mode de la Ville de Paris.


Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. This is the world Jane Austen lived in and the fashions she wore. books2read.com/SuziLoveFashionWomen1800


1808 Gentleman’s Ensemble, French. Drap Redingote or coat, black hessian boots with heart shaped front, black top hat. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien. Typical gentleman’s outdoor ensemble as worn by men in Jane Austen’s time, or the Regency Era. https://books2read.com/SuziLoveFashionMen1800-1819
Hessian Boots: Named after German mercenaries who fought alongside British. Soft, highly polished calfskin, knee high, heart-shaped top and decorated with tassel. Boot shaped like stirrup so rider could insert feet into stirrups and be kept securely in place. Tassels were designed to wear with breeches and didn’t suit tight fitting new trousers that dandies like Beau Brummell wore in 1800s so Hessians replaced by other boots e.g. Wellington.


1819 Pink Redingote, French. Also called a Walking Dress or Pelisse in England. Vertical front has pink satin bows, high white collar, matching pink satin hat and pink slippers. Short puffed sleeves over long straight, as was the fashion in 1819 across Europe. The type of outfit young Regency Era ladies would have worn if they were out shopping on Bond Street, walking in a park, or taking a carriage ride through Hyde Park. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionWomen1815-1819
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.


1810 French Gentleman. Riding outfit of double-breasted brown coat, tight pants with a side button decoration, jaunty black hat, gloves, and a crop. As Worn by Gentleman in the Bridgerton and Jane Austen Families. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Pantaloons: When tailcoats lengthened, breeches extended below the knees to accommodate the longer tails and were gradually replaced with slimmer fitting, longer pants, or pantaloons, that ended at the ankle. Pantaloons were close-fitting and sometimes buttoned all the way down the leg. To make them hug the leg tighter, knitted fabrics were used, or fabrics like nankin and kerseymere were cut on the bias.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.


1813 French Couple In Morning Dress. Man: Brown overcoat and tan trousers. Lady: White dress and bonnet, long yellow gloves and holding a watering can. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. books2read.com/SuziLoveFashionMen1800-1819


1809 White Walking Dress, French. Green paisley shawl, green shoes and close-fitting hat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.
Definition Paisley Shawl: Made of intricately woven and delicate wool with a teardrop motif that originated in Persia and India.

Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
1809 White cotton walking dress with a green paisley shawl and green shoes. #RegencyEra #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
1806 White Bodice and Red Scarf. Various Hats, Bonnets and an evening headdress. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. French fashions like this were copied by English magazines so these styles of hats would have been worn by Jane Austen and her contemporaries. https://books2read.com/SuziLoveFashionWomen1805-1809


‘Omnibuses, under the name of carrosses a cinq sous, were started in Paris in 1662. Seven vehicles to carry eight passengers each, all inside, were built, and on March 18th, 1662, they began running. The first one was timed to start at seven o’clock in the morning, but an hour or two earlier a huge crowd had assembled to witness the inauguration ceremony, which was performed l)y two Commissaires of the Chatelet, attired in their official robes. Accompanying them were four guards of the Grand Prevot, twenty men of the City Archers, and a troop of cavalry. ‘
In 1828, George Shillibeer, a London coach builder, visited Paris where he was impressed by the efficiency of the new horse-drawn bus service. The following year, he started a single horse-drawn omnibus connecting Paddington and Regent’s Park to the City of London. Passengers were picked up and set down anywhere along the route and fares were paid on board, in contrast to short-stage coaches which had to be booked in advance.
This new omnibus was pulled by three horses and carried 22 passengers who sat inside and were protected from the weather. Fares were sixpence and one shilling, less than a hackney cab or short-stage coach, but still too expensive for the lower classes.

In 1832, the London City monopoly of hackney carriages was removed, so horse buses expanded and within two years there were 620 licensed horse buses in London. By the Great Exhibition in 1851, London’s increase in visitors meant this number doubled and the number of routes increased to 150. By 1856, several bus operators were taken over by the new London General Omnibus Company until, with 600 omnibuses, they were the largest bus company in the world. In 1833, the first real steam omnibuses, the ‘Era’ and ‘Autopsy’ were invented by Walter Hancock, of Stratford, and started on the London roads. The ‘Era’ was the better omnibus of the two, and the most flattering things were said and predicted of it. Enthusiasts declared that omnibuses of this type would enable passengers to be carried at a cheaper rate and greater speed. The ‘Era’ ran from Paddington to the Bank, the same route as the horse-drawn omnibuses, and carried fourteen passengers, the fare being sixpence all the way. It travelled at the rate of ten miles an hour. Travel on these roads was also dangerous as highwaymen stopped and robbed anyone who came along. Male or female made no difference to highwaymen in Britain, nor to the bushrangers in Australia or the gangs on American roads, as they robbed indiscriminately and often with violence.
By the end of the 18th Century, however, travel as a pleasurable pursuit came into vogue and numerous guides were written for traveling all over the British Isles as well as on the continent. The 1812 ‘Tour Of Dr. Syntax’ was an ironic look at the new obsession of travel and travel guides. Before he set off for the Lake District, Dr. Syntax said to his wife, “You well know what my pen can do, and I’ll employ my pencil too: I’ll ride and write, and sketch and print and thus create a real mint: I’ll prose it here, I’ll verse it there and picturesque it everywhere. I’ll do what all have done before; I think I shall and somewhat more.” Georgian and Regency travelers were envious of aristocrats, even if they were of the nobility themselves, and loved to view all the British Great Houses.
A gentleman and his wife would even drive up to the front door of a mansion house and demand to be given a tour of the house. If they weren’t admitted, they would write in their journals of the inhospitable nature of the people on a particular estate. Thomas Pennant, William Mavor, and others, loved to write about these bad experiences and have them published. Paterson’s British Itinerary, a travel guide had 17 editions between 1785-1832 – it outlined the roads used by the stage and mail coaches, the tolls, the bridges, etc. This new touring craze created an industry of hospitality that encompassed more than simple mail coach trips from place to place, and more than a noble family traveling from their country seat to the Metropolis of London for parliamentary sittings. Inns had to improve the quality of the linens and meals if they wanted to attract the wealthier traveling class. Before that, many travelers carried their own linen, crockery, glasses, and utensils, as they didn’t trust the hygiene or standards of country inns.
Travel became something written about by poets with many sonnets written to the beauty of places like the Lake District in England, or the pyramids in Egypt. Inns became cleaner and more respectable so they could welcome travelers of the upper classes. This also meant that women could travel more as roads were slowly improved from rutted tracks that were only suitable for horse riding to roads that family coaches could travel along, though these roads were still narrow and subject to extremes of weather, such as flooding. The race was on to travel from places like London to Edinburgh in the fastest possible time.
1800s Omnibus History, France and England. #RomanticEra #VictorianEra #BritishHistory #Travel books2read.com/SuziLoveTravel Share on X
1802 Full Dress of Blue Court Suit, French. Man’s grand parure, or full dress, with white lace on the tailcoat and ruffles on the shirt, jewels, white stockings, black dress shoes, sword and a bicorn hat under his arm. Fashion Plate via Journal des Dames et des Modes, Costume Parisien. Typical menswear for court in most parts of Europe in the early 1800s, or Regency Era, or Jane Austen’s times, included a tailcoat, a vest or waistcoat, breeches, stockings, dress shoes, and hat.

