1811 Typical Regency Era Man’s Overcoat or Driving Coat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Overcoats were called many names: Greatcoat, Carrick or Garrick Coat, Coachman’s or Driving Or Box Coat. With many shoulder capes, or pelerines, to keep rain and snow off the body.
1812 June Couple In Fashionable Jane Austen style Walking Dress, English. Lady wears a green cape and hat over a high-waisted, or Empire style, white dress with a pink parasol. Man wears a tailcoat over fawn breeches,
yellow gloves, black shoes and hat and a walking stick. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
By the end of the 18th century, tailored garments for both men and women were replaced by styles made for ease and comfort, resulting in the neoclassical style of the 1780s. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomized by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown.
1800 Gentleman In Morning Dress French. Looking In Mirror, Double breasted, long coat high black boots with tan tops red cravat walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
During the early 1800s skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes were replaced with boot, such as the tan topped boots worn here, and fussy neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life would have worn an elegant outdoor ensemble like this for everyday excursions around the countryside.
1815-1820 ca. Man’s Blue Wool Tailcoat, English. Chest View. Blue wool, lined with wool, brass buttons, and hand sewn. Double-breasted coat of blue wool, cut away in the front. With a fairly deep roll collar, a double row of five brass buttons, and four further brass buttons at the back. The wrists fasten with two cloth-covered buttons. With oblique false pocket flaps, one on each side, with deep pockets below them entered vertically, and another deep pocket inside entered horizontally. Lined with wool. Hand-sewn. Marks and Inscriptions: ‘Hammond Turner & Sons, Extra Superfine’ (Stamped behind the brass buttons) The cut-away coat remained formal daywear for men until the 1850s. This example has long tight sleeves, puffed at the shoulder, a style typical of the period 1815-1820. The roll collar has an M-shape notch, introduced about 1803, and a waist seam. via Victoria and Albert Museum, London, UK. Given by Lady Osborn.
1809 July Opera Dress. I can picture aristocratic women wearing this sort of gorgeous outfit to the opera or an evening event.
Round convent robe of Egyptian brown tissue worn over white satin underdress, ornamented at feet, bosom and sleeves with broad Antique lace, out on full, and narrowing in front, white satin appliqued stomacher embellished with gold lattice work and continued in a straight line down to the hem. Headdress is a gold net caul, enclosing the hair at the back and finished in front with a Mechlin veil displaying the hair on the forehead and falling over the left shoulder. Necklace and armlets are a single row of Bohemian pearl with topaz or diamond snaps. Grecian scarf of rich Andalusian silk, contrasted with the robe and wrought at the ends in a deep Tuscan border of gold or colored silks. White satin slippers, trimmed with brown foil or gold, French kid gloves, opera fan of white crepe with a border of jessamine. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1808 Jane Austen Style Blue Redingote Over A White Dress. Green turban and lace veils. Bodice. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions like this were copied by English magazines so these styles of hats would have been worn by Jane Austen and her contemporaries.
1800s Early Women’s Fashions Collage . Typical of the outfits worn by Jane Austen and her contemporaries for daytime and evening activities. An Empire style, or high-waisted white cotton dress worn under a Spencer or short jacket, a Redingote, or coat, for warmth and with pretty hats, shawls and shoes.Women’s Fashions By Suzi Love. High-waisted dresses, hats, muff, parasol, cape, reticule or bag and shoes.
Regency Era women’s fashions are elegant, pretty, and sometimes afford a gentleman a tiny glimpse of a well-turned ankle. Though to me, that sounds more like the lady has sprained her ankle rather than her ankle looking fashionably slim. High-waisted, or Empire style, white gowns defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s.
Dress fabrics were thinner, sometimes almost transparent, which meant outerwear needed to be thicker and more practical. A coat, called a Redingote in France, a Pelisse in England, and a Walking Dress or Carriage Dress in Rudolph Ackermann’s fashion plates, became a necessity to keep out the chilling cold. Half cloaks, cloche or close-fitting hats, and accessories such as oversized fur muffs were very popular.
1795 August Mother and Daughter walking in the country wearing white morning dresses and matching hats. Mother wears short blue gloves, aqua blue ribbons and a shoulder shawl, or fichu. Daughter wears long yellow gloves, a straw hat with pink ribbons and carries a fan. via Nikolaus Heideloff’s Gallery of Fashion.
1813 October Morning Dress, English. Jane Austen and her family and friends would have worn this style of relaxed dress and cap. White At-Home dress with morning lace cap and a red shawl. Plain cambric underdress, three-quartered muslin or Chinese silk robe trimmed round the bottom and up the front with Indian border, or needle-work, and finished with a deep flounce of lace. Convent hood and pelerine of white net lace, confined under the chin with a silk cord and tassel. Hair in irregular curls with a fancy flower in the front. Short rosary and cross, plus bracelets, of coquilla beads. Buff or lemon kid slippers and pale tan gloves. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
This is a typical outfit worn at home in the morning in the house, to be seen only by family or close friends. A lady might wear this while writing having breakfast, writing letters, or reading. Called by the various names of Undress, to At-Home dress, or Morning dress, it is the most relaxed ensemble a lady will wear all day. The sort of outfit Jane Austen would have worn when writing her books.
1803 Bodice and Turbans, French. Turbans in red pink purple and blue. Worn over short curled hairstyles. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.) https://books2read.com/SuziLoveFashionWomen1801-1804
Definition Turban: Early 19th-century etiquette required a lady’s head to be covered at all times, even with evening dress. In Jane’s Austen’s world, a lady wore some sort of hat or bonnet during the day when out and about, a cap during the night to keep her hair in place and for relaxed morning dress e.g. for breakfast, and for evenings either a small hat or turban. From 1800 to 1820, hats came in every shape, color, and size. Turbans, jockey caps, and straw bonnets were decorated with flowers, ribbons, lace, and feathers. Turbans, especially decorated with feathers were popular.
