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Home » Fashion » 1800s women's fashion 1 2 3 … 48 49 >>

Category Archives: 1800s women’s fashion

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1802 Bridgerton and Jane Austen Style Dress Bodices and Two Cute Bonnets. #Bridgertons#Regency #Hats #JaneAusten

Suzi Love Posted on April 29, 2026 by Suzi LoveApril 25, 2026

1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionWomen1801-1804

1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1802 Jane Austen Style Dress Bodices and Two Cute Bonnets. #RegencyFashion #Hats #JaneAusten https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
HN_25_D2D_Fashion Women 1801-1804 
https://books2read.com/SuziLoveFashionWomen1801-1804
25_D2D_Corset_1790-1810
Posted in 1800s, 1800s women's fashion, Dress Or Robe, France, hats, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, Fashion Plate, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion

“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote

Suzi Love Posted on April 28, 2026 by Suzi LoveFebruary 27, 2026

“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote https://books2read.com/SuziLoveFashion1810-1814

"There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me." Jane Austen Pride and Prejudice (1813)
"There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me." #PrideandPrejudice (1813) #JaneAusten #RegencyEra #Quote… Share on X
HN_27_D2D_fashwomen1810-1814
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, Jane Austen, Quotations, Regency Era, Suzi Love Images | Tagged 1800s Or 19th Century, Jane Austen, Quotations, Regency Fashion

1826 Silk and Linen Riding Habit, American. #RegencyEra #HistoricalFashion #Riding

Suzi Love Posted on April 24, 2026 by Suzi LoveMarch 15, 2026

1826 Silk and Linen Riding Habit, American. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1826 Silk and Linen Riding Habit, American. via Suzi Love ~ suzilove.com & Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1826 Silk and Linen Riding Habit, American. #RegencyEra #HistoricalFashion #Riding https://books2read.com/suziloveYLD Share on X
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s women's fashion, Dress Or Robe, Regency Era, riding, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Dress Or Gown, Metropolitan Museum NYC, Regency Fashion, riding, USA
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman’s Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory

Suzi Love Posted on April 23, 2026 by Suzi LoveMarch 8, 2026

1830-1840 ca. Woman’s Corset, English.  Cotton sateen, quilted, with cotton twill and cotton plain-weave tape.  Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA.  via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory. https://books2read.com/SuziLoveCorsetBook18 Share on X
HN_18_D2D_Corsets 1830-1850
HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18
Posted in 1800s, 1800s women's fashion, Corset, England, Romantic Era, Suzi Love Images, underclothing, Victorian Era | Tagged 1800s women's fashion, Corset, Los Angeles County Museum, Romantic Era Fashion, underclothing

18th Century Late – 19th Century Early Bodice and Corset Ensemble, European. #RegencyEra #GeorgianEra #Corset

Suzi Love Posted on April 22, 2026 by Suzi LoveFebruary 27, 2026

18th Century Late – 19th Century Early Bodice and Corset Ensemble, European. Cranberry silk faille with polychrome floral brocade, the square-neck bodice having folded front collar, narrow double breast and short sleeve with pleated and pointed cuff, peplum back. Corset front pieced with cranberry brocade and a tan dotted sawtooth stripe, the back in a similar dotted stripe. Both pieces trimmed in aqua ribbon and lined in linen. via Whitaker Auctions. whitakerauction.smugmug.com

18th Century Late - 19th Century Early Bodice and Corset Ensemble, European. Cranberry silk faille with polychrome floral brocade, the square-neck bodice having folded front collar, narrow double breast and short sleeve with pleated and pointed cuff, peplum back. Corset front pieced with cranberry brocade and a tan dotted sawtooth stripe, the back in a similar dotted stripe. Both pieces trimmed in aqua ribbon and lined in linen. via Whitaker Auctions. whitakerauction.smugmug.com
18th Century Late – 19th Century Early Bodice and Corset Ensemble, European. #Regency #Georgian #Corset. https://books2read.com/SuziLoveCorsetBook16 Share on X
HN_16_D2D_Corsets 1790-1810https://books2read.com/SuziLoveCorsetBook16
HN _16_D2D_Corsets 1790-1810 https://books2read.com/SuziLoveCorsetBook16
Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Corset, Georgian Era, Regency Era | Tagged 1800s women's fashion, Corset, Georgian Fashion, Jane Austen, Regency Fashion, Suzi Love Images, Suzi Love Research

1813 April White Carriage Dress In Jane Austen and Bridgerton style with Pomona Green Mantle. #RegencyFashion #JaneAusten #Bridgerton

Suzi Love Posted on April 22, 2026 by Suzi LoveFebruary 27, 2026

1813 April Carriage Dress, English. Green coat over white Empire style dress of jaconet or cambric muslin, plaited bodice, long sleeve, deep frill, with a vandyke of needle-work. Russian mantle is made of Pomona or spring green sasnet, lined with white satin, trimmed with a rich frog fringe and closed with a cord or tassel. Close-fitting cottage slouch bonnet of the same material and edged with scalloped lace, tied on the left under the chin with ribbon, and decorated with a small cluster of spring flowers. Reticule, or bag, of the sam fabric, slippers of green kid, and gloves of primrose kid. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. 

1813 April Carriage Dress, English. Green coat over white Empire style dress of jaconet or cambric muslin, plaited bodice, long sleeve, deep frill, with a vandyke of needle-work. Russian mantle is made of Pomona or spring green sasnet, lined with white satin, trimmed with a rich frog fringe and closed with a cord or tassel. Close-fitting cottage slouch bonnet of the same material and edged with scolloped lace, tied on the left under the chin with ribbon, and decorated with a small cluster of spring flowers. Reticule, or bag, of the sam fabric, slippers of green kid, and gloves of primrose kid. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
1813 April White Carriage Dress In Jane Austen and Bridgerton style with Pomona Green Mantle. #RegencyFashion #JaneAusten #Bridgerton https://books2read.com/SuziLoveFashion1810-1814 Share on X
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HN_27_D2D_fashwomen1810-1814 https://books2read.com/SuziLoveFashion1810-1814
Posted in 1800s, 1800s women's fashion, Bridgerton, Coat or Pelisse Or Redingote, Dress Or Robe, fashion accessories, hats, Jane Austen, London, Regency Era, Regency Fashion, Reticule or Bag, sewing, shoes | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, Regency Fashion, reticule or bag, sewing, Shoes, The Repository Of Arts

1860-1870 ca. Pink Silk Bag, Or Reticule, Italian. #VictorianFashion #Handbag #Reticule #Italy

Suzi Love Posted on April 10, 2026 by Suzi LoveMarch 8, 2026

1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Ridicule, Reticule, Indispensable, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc. http://books2read.com/suziloveReticules

The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.

In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.

1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.

1860–1870 ca. Pink Silk Bag,  Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Suzi Love suzilove.com andMetropolitan Museum New York City, U.S.A. metmuseum.org
1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Suzi Love suzilove.com andMetropolitan Museum New York City, U.S.A. metmuseum.org
1860-1870 ca. Pink Silk Bag, Or Reticule, Italian. #VictorianFashion #Handbag #Reticule #Italy. http://books2read.com/suziloveReticules Share on X
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Posted in 1800s women's fashion, Decorative Item, Europe, fashion accessories, Reticule or Bag, sewing, Suzi Love Images, Victorian Era | Tagged 1800s women's fashion, europe, Italy, Metropolitan Museum NYC, reticule or bag, sewing, Victorian fashion

1840 Group Of Two Men, Woman and Child In Outdoor and Riding Clothes, French. #RomanticEra #HistoricalFashion #France #Riding

Suzi Love Posted on April 10, 2026 by Suzi LoveJanuary 31, 2026

1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps’. Men’s outfits, a woman’s riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via  Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps'. Men's outfits, a woman's riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via Suzi Love suzilove.com Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1840 Group in top hats and riding habit in an outdoor setting, French. #HistoricalFashion #RomanticEra #Riding https://books2read.com/suziloveROver Share on X
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RL_1_D2D_Regency Overview RetailerLinks https://books2read.com/suziloveROver
Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, Children, children, Coat or Pelisse Or Redingote, Dress Or Robe, Europe, fashion accessories, France, Group, hats, pants, riding, Romantic Era, shoes, Suzi Love Images | Tagged 1800s men fashion, 1800s women's fashion, British history, Dress Or Gown, England, europe, fashion accessories, Fashion Plate, gloves, group, Hats And Hair, pants, riding, Romantic Era, Shoes, Suzi Love Books, Vest or Waistcoat

1818 September White Morning Dress, Blue Spencer and Two Hats As Worn By The Bridgerton Ladies. #bridgerton #RegencyFashion #Spencer

Suzi Love Posted on April 7, 2026 by Suzi LoveFebruary 19, 2026

1818 September Morning Dress and Spencer, English. Empire style, high-waisted white dress with elaborate blue decoration above hem, short blue Spencer, or jacket, with puffs at the shoulders and straight sleeves, cap with plumes, or feathers, tied under her chin and holding another plumed bonnet, blue walking boots, and wearing blue gloves. Fashion Plate via Ladies Magazine.

Definition Empire Style Dress: High-waisted white gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s.

Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.

1818 September Morning Dress and Spencer, English. Empire style, high-waisted white dress with elaborate blue decoration above hem, short blue Spencer, or jacket, high bonnet with plumes, or feathers, and holding another plumed bonnet, blue walking boots, and wearing blue gloves. Fashion Plate via Ladies Magazine.
1818 September White Morning Dress, Blue Spencer and Two Hats As Worn By The Bridgerton Ladies. #bridgerton #RegencyFashion #Spencer https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
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Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, fashion accessories, hats, London, Regency Era, Regency Fashion, sewing, shoes, Spencer | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, London, Regency Fashion, Shoes, The Lady's Magazine

Light-hearted look at Young Lady in Bridgerton and Jane Austen’s times, or early 1800s. #Bridgerton #RegencyEra #JaneAusten #Nonfiction

Suzi Love Posted on April 6, 2026 by Suzi LoveFebruary 21, 2026

Light-hearted look at Young Lady in Jane Austen’s times, or early 1800s. A glimpse into both the frivolous and more serious occupations filling a young lady’s day in the lifetime of Jane Austen, or the Regency Era, or the early 19th Century. Historic images and historical information show her fashions and frolics.
https://books2read.com/suziloveYLD

RL_4_YLD_Young Lady's Day_4_ Regency Life Series Book 4 by Suzi Love.
Light-hearted look at Young Lady in Bridgerton and Jane Austen's times, or early 1800s. #Bridgerton #RegencyEra #JaneAusten #Nonfiction https://books2read.com/suziloveYLD Share on X
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s women's fashion, art, Australia, Bridgerton, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Customs & Manners, dancing, Decorative Item, Dress Or Robe, England, Europe, fashion accessories, Google Books, hats, History, Jane Austen, London, mourning, Music, Pastimes, Quotations, Regency Era, Regency Fashion, Regency Life Series, Reticule or Bag, riding, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Book 4, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, mourning, music, pastimes, Regency Fashion, Regency Life Series, Regency London, Regency Women, reticule or bag, riding, Shoes, Suzi Love Books

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  • 1780-1820 ca. Brown Leather Boots, British, As Worn In Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #Shoes

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