1812 Red Dress, French. High-waisted red Merino wool dress with short puffed sleeves, high Chako hat with a plume long white gloves and white shoes. Jane Austen and her family and friends would have worn this style of dress. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1809 June Evening Full Dress, English. Lemon dress with white underskirt, short sleeves, braid decorated bodice, zig-zag hem, long white gloves, plumed headdress, full Parure of necklace, bracelet and earrings, evening slippers and a fan. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Definition Full Evening Dress – Ball, dinner, evening and opera gowns but with every possible accessory added to make the most impressive display possible, such as adding a Grand Parure, or full jewelry set and including headpieces as with the feathered headdress above.
1800s Early Tattersall’s Horse Auctions, London, U.K.. Top sporting venue for Regency Life in London. ‘A mixture of persons of nearly all ranks’. By Pierce Egan. Via Wikimedia Commons (PD-ART)
In Jane Austen’s and Bridgerton times, or the Regency Era, horse riding was a vital mode of transport and Tattersall’s was the best place to buy and sell horses. Tattersall’s was established in 1773 near Hyde Park Corner for the sale by auction of horses, carriages, hounds and harnesses. Sales during the winter months were every Monday and Thursday, and on Mondays only during the spring and summer. On the mornings when there was no sale, Tattersall’s was a meeting place for fashionable sporting gentlemen.
Pierce Egan’s Description of Tattersall’s
A masquerade could scarcely exhibit more motley groups than the attendants of this place of fashionable resort. There were Peers, Baronets, Members of Parliament, Turf gentlemen and Turf-servants, Jockies, Grooms, Horse-dealers, Gamblers, &c. There you might see the oldest and some of the best blood in England, disguised like coachmen.
From: 1820 Sporting Anecdotes by Pierce Egan via Google Books (PD-150)
Lover of Jane Austen and the Regency Era fashions? History Notes Book 25. #JaneAusten #RegencyFashion #HistoricalFashion books2read.com/SuziLoveFashionWomen1801-1804
Continue reading →1800-1870 ca. Stocking Purses, British. Beaded stocking purses crocheted in silk and steel beads,
with steel rings with tassels and fringes. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
Definition Miser or Long or Stocking or Ring Purses: Long, narrow, tubular shape, often wider at ends and narrow in middle, which had a short slit opening. Popular in England and France from the mid-18th century through the early 20th century.
From the Curator Victoria and Albert Museum, London: Stocking purses are also known as misers’ or wallet purses. The majority were netted, but some were knitted or crocheted, like this one. Once worked, the elongated tube was put on an expandable purse stretcher to shape it. It was then sewn up, leaving a central opening, and squeezed through a pair of rings known as sliders, which were used to secure and separate the different coins stored at either end. It could be carried in the hand, bag or pocket, or tucked over a belt. Many stocking purses were made as presents, and were thought a suitable object to give to a gentleman.
Crochet is a type of needlework with an open, lacy appearance, which is formed with a hook and single length of thread making a series of loops, chains and knots. The technique developed out of ‘tambouring’, a type of embroidery, after the tambour hook began to be used to create series of loops, free from a ground fabric. This could then be used as a separate trimming, like lace, or made to form items like this purse. Crochet was thus added to the varieties of fancy needlework available to ladies, and instructions for making it can be found in manuals from the 1820s onwards.
1800-1870 ca. Beaded Stocking Purses, British #RegencyFashion #RomanticEra #HistoricFashion books2read.com/suziloveReticules
1816 August. Morning Dress in Bridgerton or Jane Austen style, English. White high-waisted dress worn with a blue striped spencer, blue boots, and a white hat white blue trim. Fashion Plate via Lady’s Magazine.
Description Spencer: Short jackets worn for warmth over the high-waisted Empire style gowns that were popular after the French Revolution, where there was a shift away from opulence and decadence to simpler fashion. This jacket with very short bodice and long sleeves was known as a Spencer and was named after the male coat made famous by the Earl Spencer and said to have originated in accident to Lord Spencer in hunting when coat tails torn off and a cropped jacket was invented. The dresses in the early 1800s therefore became looser, lighter, and flowing and women became cold due to their very low cut and short bodices. Short fitted jackets that went easily over the dresses and provided extra modesty and some warmth. As Europe and many other parts of the world were deep in wars in the late 1700s and early 1800s, men in uniform were found everywhere. In support of these military men, fashions leaned towards military style shoulder paddings, shoulder embellishments, loops, buttons, and braids.
1818 ‘The Stamford Dandy or A Modern Peeping Tom’. Lord Stamford rides past a row of houses looking through his
glass at a woman who stands at an open first-floor window. Other women watch him from the two other windows. Dressed as a dandy with red tailcoat, high white collar and cravat, black top hat and wearing loose white trousers. Artist not known. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1816 Crossing The Pont des Arts, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) suzilove.comThis plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV’s famous battle cry, “Ralliez-vous à mon panache blanc!” and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back various styles, especially those denoting luxury, from the Ancien Regime. The woman on the left wears an ‘old-fashioned’ lace collar and the resurgence of luxury materials, such as fur are indicative of feminine styles of the Restoration period. (PD-Art) Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes De Paris
1806 Nankin Riding Habit, French. Red scarf, green gloves, riding boots, straw hat decorated with taffeta. The type of outfit Jane Austen and her friends would have worn if they went horse riding. Nankeen Or Nankin Fabric: Durable, buff colored cloth, made of Chinese cotton which is naturally brownish yellow. Originally brought from Nanking.
1819 Typical Gentleman’s Outfit, French. The type of outfit worn by Jane Austen’s male family and friends. Brown cutaway coat with extra long tails, white trousers, high white cravat, heeled black boots with spurs, gloves, black top hat and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
