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Auld Lang Syne Traditionally Sung To Farewell the Old Year. #NewYear. #2025 #Scotland #BritishHistory

Suzi Love Posted on December 31, 2024 by Suzi LoveDecember 30, 2024

Auld Lang Syne is traditionally sung to farewell the old year at the stroke of midnight on New Year’s Eve. It’s a poem written by Robert Burns in 1788 in Scotland, but based on an older Scottish folk song. In 1799, it was set to the traditional tune.

The song begins by posing a rhetorical question: Is it right that old times be forgotten? The answer is generally interpreted as a call to remember long-standing friendships.[9] Alternatively, “Should” may be understood to mean “if” (expressing the conditional mood) referring to a possible event or situation.

George Thomson‘s Select Songs of Scotland was published in 1799 in which the second verse about greeting and toasting was moved to its present position at the end.[9]

Most common usage of the song involves only the first verse and the chorus. The last lines of both of these are often sung with the extra words “For the sake of” or “And days of”, rather than Burns’s simpler lines. This makes these lines strictly syllabic, with just one note per syllable.

Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne?


(Chorus)
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne.


And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.


We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.


We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.


And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.

English version

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And old lang syne?


(Chorus)
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup of kindness yet,
For auld lang syne.


And surely you’ll buy your pint cup!
And surely I’ll buy mine!
And we’ll take a cup o’ kindness yet,
For auld lang syne.


We two have run about the slopes,
And picked the daisies fine;
But we’ve wandered many a weary foot,
Since auld lang syne.


We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since auld lang syne.


And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
For auld lang syne.

Robert Burns
Robert Burns Robert Burns, engraving from A Biographical Dictionary of Eminent Scotsmen, 1870.

Xmas_NewYear_AuldLangSyne_Sml
Auld Lang Syne Traditionally Sung To Farewell the Old Year. #NewYear. #2025 #Scotland #BritishHistory books2read.com/suziloveHOCP Share on X

Posted in Christmas, Georgian Era, History Of Christmases Past, Music, Regency Era, Suzi Love Images | Tagged British history, Christmas, Customs and Traditions, music, New Year, Scotland

1800s Silver and Carved Mother-of-Pearl Writing and Desk Set As Found In The Houses Of the Bridgertons and Jane Austen. #Bridgerton #RegencyEra #JaneAusten #Writing

Suzi Love Posted on December 10, 2024 by Suzi LoveNovember 16, 2024

1800s Silver and Carved Mother of Pearl Writing and Desk Set, French. Wax Seal, Dip Pen and Letter Opener in the style that Jane Austen would have used to write her novels and her letters. via Ruby Lane Antiques. rubylane.com

1800s Silver and Carved Mother of Pearl Writing and Desk Set, French. Wax Seal, Dip Pen and Letter Opener. via suzilove.com and Ruby Lane Antiques. rubylane.com
1800s Silver and Carved Mother-of-Pearl Writing and Desk Set As Found In The Houses Of the Bridgertons and Jane Austen. #Bridgerton #RegencyEra #JaneAusten #Writing books2read.com/SuziLoveWritingTools Share on X
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
Posted in Box Or Container, Decorative Item, Europe, France, History, household, Jane Austen, Regency Era, Suzi Love Images, Writing Tools | Tagged France, household, Jane Austen, Ruby Lane Antiques, Writing Tools

1750 ca. Spanish Colonial ‘Escritorio’, Or Writing Desk, Columbia. #GeorgianEra #History #Antiques #Desk

Suzi Love Posted on December 8, 2024 by Suzi LoveNovember 26, 2024

1750 ca. Spanish colonial ‘escritorio’, or writing desk, Columbia. Bone and mother of pearl inlay, hand etched sgraffito and original hand forged iron hinges. Interior has checkerboard drop front and ten compartments, each with original 18th century drawer pulls. Facade over-layed in mother of pearl with hand etched city-scapes, cathedrals, geometric patterns and foliate motifs. Interior has hand carved and gilt wood columns. Via Live Auctions ~ liveauctioneers.com


1750 ca. Spanish colonial 'escritorio', or writing desk, Columbia. Bone and mother of pearl inlay, hand etched sgraffito and original hand forged iron hinges. Interior has checkerboard drop front and ten compartments, each with original 18th century drawer pulls. Facade over-layed in mother of pearl with hand etched city-scapes, cathedrals, geometric patterns and foliate motifs. Interior has hand carved and gilt wood columns. Via Live Auctions ~ liveauctioneers.com

1750 ca. Spanish Colonial 'Escritorio', Or Writing Desk, Columbia. #GeorgianEra #History #Antiques #Desk books2read.com/SuziLoveWritingTools Share on X
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Posted in 1700s, Box Or Container, Decorative Item, Europe, furniture, Georgian Era, History, household, Suzi Love Images, travel, Writing Tools | Tagged antiques, Box Or Container, europe, furniture, Georgian era, History, Live Auctions, travel, Writing Tools
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com

1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion

Suzi Love Posted on December 6, 2024 by Suzi LoveNovember 26, 2024

1799-1810 ca. Cotton Muslin Gown, Probably American. White cotton embroidered muslin, probably Bengal, all over sprigged broderie anglaise decoration,short sleeve with three pairs of inside ties to adjust the double-puff, ruffled edge, back tie at neckline and waist, ruched band above the slightly trained hem with scalloped sawtooth border and with cotton bodice lining. via whitakerauction.smugmug.com

These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.

The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashionbooks2read.com/SuziLoveFashionWomen1800 Share on X
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images, U.S.A | Tagged 1700s Women's Fashion, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, USA, Whitaker Auctions
1800-1820_9_MansOatmealGentlemansSuit9_Sml

1800-1820 ca. Bridgeton Or Jane Austen Era Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Bridgerton #RegencyEra #MensFashion #JaneAusten

Suzi Love Posted on December 5, 2024 by Suzi LoveNovember 17, 2024

1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. Can you picture Jane Austen’s male relatives and friends wearing this? Oatmeal colored double breasted cutaway style coat with velvet collar, steel buttons, rear flap pockets, back vent flanked by stitched down pleats having top and bottom button detail, glazed linen lining. Fall front tan breeches having three button front, small side buttons, back lacing waistband with pocket, four buttons above buttoned cuff, front lined in green linen. via Whitaker Auction whitakerauction.smugmug.com

  • 1800-1820_9_MansOatmealGentlemansSuit9_Sml1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
  • 1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
  • 1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
  • 1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
  • 1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
  • 1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
  • 1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
  • 1800-1820 ca. Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Regency #Fashion
1800-1820 ca. Bridgeton Or Jane Austen Era Man’s Everyday Oatmeal Colored Wool Suit With Breeches. #Bridgerton #RegencyEra #MensFashion #JaneAusten https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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Posted in 1800s, 1800s Mens Fashions, Coat or Pelisse Or Redingote, England, Jane Austen, pants, Regency Era, Regency Fashion, Suit, Suzi Love Images | Tagged 1800s men fashion, breeches, Bridgerton, Jane Austen, pants, Redingote Or Pelisse Or Coat, Regency Fashion, Suit, Tailcoat, Whitaker Auctions
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping. #RomanticEra #Fashion #BritishHistory

Suzi Love Posted on December 4, 2024 by Suzi LoveNovember 26, 2024

1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping, English. Cotton printed in soft pink, red, white, and green floral motif on light brown, edged with green silk satin piping and lined with linen and cotton. Sleeves tightly gathered, loose at elbow, skirt gathered from tight fitting bodice edged with green satin piping. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.From the Museum: Soft colours and floral patterns are a distinctive feature of many 1830s day dresses. Here, pink, red and white flowers harmonise with the brown ground and green piping. The construction of the sleeves is also interesting as they are tightly gathered at the top and loose around the elbow. This accentuates the slope of the shoulder and the tightness of the wrist.

1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping. #RomanticEraFashion #HistoricalFashion #BritishHistory https://www.bookbub.com/profile/suzi-love Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, Romantic Era, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, Romantic Era, sewing, Victoria and Albert Museum, Victorian fashion

1797 Elegant Couple Dancing At A Ball. #GeorgianFashion #FashionPlate

Suzi Love Posted on December 4, 2024 by Suzi LoveNovember 17, 2024

1797 Elegant Couple Dancing At A Ball. Man: Bottle green tailcoat, yellow knee breeches, white stockings, red vest and black dancing slippers. Lady: White spotted dress with a pale pink overdress open at the front, high belted waist, red and green turban and a parure, or jewelry set. via Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1797 Elegant Couple Dancing At A Ball_ManBottlegreentailcoat_CP_Sml
1797 Elegant Couple Dancing At A Ball. #GeorgianFashion #FashionPlate books2read.com/suziloveFashWomen1700s Share on X
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Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, Coat or Pelisse Or Redingote, dancing, Dress Or Robe, fashion accessories, France, Georgian Era, Georgian Fashion, hats, pants, shoes, Suit | Tagged 1700s Mens Fashion, 1700s Women's Fashion, breeches, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, pants, Shoes, Tailcoat

1800-1815 ca. Fan of Bone and Silk AsCarried by Jane Austen and the Bridgerton Women. #Bridgerton #RegencyFashion #JaneAusten #Fan

Suzi Love Posted on December 2, 2024 by Suzi LoveNovember 17, 2024

1800-1815 ca. Fan of Bone and Silk, French. Jane Austen and her family and friends would have carried this style of fan when attending assemblies, musical evenings and balls. Metropolitan Museum New York City, U.S.A. metmuseum.org

1800-1815 ca. Fan of Bone and Silk, French. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1800-1815 ca. Fan of Bone and Silk, French. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1800-1815 ca. Fan of Bone and Silk AsCarried by Jane Austen and the Bridgerton Women. #Bridgerton #RegencyFashion #JaneAusten #Fan https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s, 1800s women's fashion, Europe, fashion accessories, France, Jane Austen, Regency Era, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, fans, fashion accessories, Jane Austen, Metropolitan Museum NYC, Regency Fashion

1808 January Two Women and Gentleman In Half Dress Walking Ensembles In Jane Austen Style. #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on December 1, 2024 by Suzi LoveNovember 26, 2024

1808 January Trio In Half Dress Walking Ensembles, English. Lady on left wearing a pink dress and green coat and carrying a reticule. Lady on right in a white trained dress, long draping shawl and fitted hat. Gentleman in a blue tailcoat, white vest, extra high white cravat, knee breeches, shoes, and black top hat. Fashion Plate via Le Beau Monde. The sort of outfits ladies and gentlemen in Jane Austen’s times would have worn while out walking, shopping, or going to visit friends.

1808 January Trio In Half Dress Walking Ensembles, English. Lady on left wearing a pink dress and green coat and carrying a reticule. Lady on right in a white trained dress, long draping shawl and fitted hat. Gentleman in a blue tailcoat, white vest, extra high white cravat, knee breeches, shoes, and black top hat. Fashion Plate via Le Beau Monde.
1808 January Two Women and Gentleman In Half Dress Walking Ensembles In Jane Austen Style. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, Coat or Pelisse Or Redingote, Dress Or Robe, England, fashion accessories, hats, Jane Austen, London, pants, Regency Era, Regency Fashion, Reticule or Bag, shoes, Suit, Suzi Love Images, Vest or Waistcoat | Tagged 1800s men fashion, 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, Le Beau Monde, pants, Redingote Or Pelisse Or Coat, Regency Fashion, Shoes, Tailcoat, Vest or Waistcoat

1813 The Theatre In Jane Austen’s and Bridgerton Years. From Poetical Sketches of Scarborough By Thomas Rowlandson. #JaneAusten #bridgerton #RegencyEra #Art #BritishHistory

Suzi Love Posted on December 1, 2024 by Suzi LoveNovember 17, 2024

1813 The Theatre. From Poetical Sketches of Scarborough By Thomas Rowlandson. Aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication. Via Suzi Love suzilove.com
& Wikimedia Commons commons.wikimedia.org (PD-ART)

1813 The Theatre. From Poetical Sketches of Scarborough By Thomas Rowlandson. Aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication. Via Suzi Love suzilove.com & Wikimedia Commons commons.wikimedia.org (PD-ART)
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1813 The Theatre In Jane Austen's and Bridgerton Years. From Poetical Sketches of Scarborough By Thomas Rowlandson. #JaneAusten #bridgerton #RegencyEra #Art #BritishHistory https://books2read.com/suziloveROver Share on X
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Posted in 1800s, art, cartoon, Customs & Manners, History, Pastimes, Regency Era, Suzi Love Images | Tagged art, Bridgerton, British history, Cartoons, England, Jane Austen, pastimes, Regency Era, Regency Life, theatre, Thomas Rowlandson | Leave a reply

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  1. Suzi Love on Book Hooks: Earl of Winchester has no time for mad scientist Lady Jamison yet when he’s with her, desire explodes. #HistoricalMystery #RomCom #VictorianRomance #RegencyRomance
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  3. Maggie Blackbird on Book Hooks: Earl of Winchester has no time for mad scientist Lady Jamison yet when he’s with her, desire explodes. #HistoricalMystery #RomCom #VictorianRomance #RegencyRomance
  4. Suzi Love on Book Hooks: Earl of Winchester has no time for mad scientist Lady Jamison yet when he’s with her, desire explodes. #HistoricalMystery #RomCom #VictorianRomance #RegencyRomance
  5. Jana Richards on Book Hooks: Earl of Winchester has no time for mad scientist Lady Jamison yet when he’s with her, desire explodes. #HistoricalMystery #RomCom #VictorianRomance #RegencyRomance

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