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Home » Archives for August 2025 » Page 6 << 1 2 … 4 5 6

Monthly Archives: August 2025

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1804-1815 ca. Collage Fawn Cotton Dress with Bead Embroidery, Austrian.

1804-1815 ca. Fawn Cotton Dress With Embroidery Beading In Jane Austen Style. #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on August 8, 2025 by Suzi LoveJuly 13, 2025

1804–1815 ca. Fawn Cotton Dress With Embroidery Beading, Austrian. Simple Empire style dress with A-line skirt from a high waistline and short bodice as Jane Austen and contemporaries across Europe would have worn. Fawn colored cotton with deep bead embroidered hem, embroidery on the wrists and around the wide scooped neckline. Transparent fabrics of the early were beginning to be replaced with fabrics with more weight that were less likely to tear. Plain silks in vivid colors were at first made up in the simple lines of muslin dresses but then plain gowns began to be decorated with intricate contrasting applications and beading. This dress was part of “The Fine Art of Costume” exhibition, 1954 October 15th at the Met Museum, N.Y.C. via Metropolitan Museum, NYC, U.S.A. metmuseum.org.

Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics.

1804-1815 ca. Front Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Front Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Back Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Back Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Side Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Side Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Black and White. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Black and White. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Black and White Group. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Black and White Group. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Beading View. Fawn Cotton Dress with Bead Embroidery, Austrian.
1804-1815 ca. Fawn Cotton Dress With Embroidery Beading, Austrian. #Regency #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, Europe, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, europe, Jane Austen, Metropolitan Museum NYC, Regency Fashion, sewing, Suzi Love Images | Leave a reply

1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’ By James Gillray. #Cartoon #RegencyEra #BritishHistory #medical

Suzi Love Posted on August 6, 2025 by Suzi LoveAugust 3, 2025

1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner’s cowpox vaccination program begun in 1796 in England. Recipients of the vaccine developing cow-like appendages. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1802 'The Cow Pock or The Wonderful Effects Of The New Inoculation'. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner's revolutionary cow pox vaccination. Via Suzi Love - suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
1802 'The Cow Pock or The Wonderful Effects Of The New Innoculation'. #RegencyEra #JaneAusten #cartoon #BritishHistory #medical books2read.com/suziloveOLD Share on X
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Posted in 1800s, cartoon, household, medical, Regency Era, Suzi Love Images | Tagged 1800s women's fashion, British history, British Museum, Cartoons, England, Jane Austen, medical, Regency Era, Regency Fashion, Regency Life

19th Century Early Women’s Lightweight Cotton Caps As Worn By Jane Austen Or Bridgerton Women. #Hats #Bridgerton #RegencyFashion #JaneAusten

Suzi Love Posted on August 5, 2025 by Suzi LoveJuly 13, 2025

19th Century Early Women’s Cotton Caps. Worn as morning caps, night caps, or under other hats. The proper 19th century woman wore various forms of headwear throughout the day and evening. Unstructured, finely decorated cotton caps were worn in the morning hours with the informal attire appropriate for the early part of the day. Jane Austen and her family and female friends, and the Bridgerton family, would have worn caps like these, sometimes during the morning at home, to bed to keep their long hair from becoming knotted, or under a bonnet to hold a hairstyle in place. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Boudoir Or Morning Cap: worn by women in the privacy of their ‘boudoir’ and was not a simple night-cap but a lightweight, decorated cap which covered the hair before it was dressed for daytime activities or for at-home pursuits. 

Definition Cornette or Morning Cap: Muslin or other lightweight material, worn to cover hair during at-home pursuits such as reading or sketching, tied under chin and sometimes worn under bonnet. 

Definition Lappets: Two long strips of material, often lace, hanging from top of head down back or over  shoulders. Sometimes extensions of a headdress and a requirement for court dress.

19th Century Early Women's Cotton Caps. Worn as morning caps, night caps, or under other hats. via Museum of Fine Arts, Boston, U.S.A. mfa.org
19th Century Early Women's Lightweight Cotton Caps As Worn By Jane Austen Or Bridgerton Women. #Hats #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1800s, 1800s women's fashion, Australia, bedroom fashion, Canada, England, Europe, fashion accessories, hats, Regency Era, Regency Fashion, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Hats And Hair, Jane Austen, Museum Of Fine Arts, Regency Fashion, sewing

1817 Couple In Jane Austen and Bridgerton style Walking Dress and Gentleman in Same Green Redingote. #bridgerton #janeausten #RegencyFashion

Suzi Love Posted on August 4, 2025 by Suzi LoveAugust 3, 2025

1817 Couple In Jane Austen and Bridgerton style Walking Dress and Gentleman in Same Green Redingote.

Lady: Blue satin Spencer over a white dress with puffed trimming around hem, pink bonnet, white ruff and tucker. Man: Long green Redingote, or overcoat, in the English style.  Long brown trousers, striped waistcoat or vest, top hat, gloves and boots. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Definition Redingote Or Coat Or Pelisse: Long fitted outdoor coat worn over other garments for warmth. French word developed from English words, riding coat. French fashion plates call these coats a Redingote and English plates call them a Pelisse, Or Walking Dress, or Carriage Costume. These are the types of outfits worn by Jane Austen and contemporaries in English magazines, where French fashions were obsessively copied despite the two countries being at war for many years.

This same Fashion Plate is seen below for the gentleman.  

1817 Couple In Walking Dress, French. Lady in a blue satin Spencer over a white dress with puffed trimming around the hem, pink bonnet, white ruff and tucker around her neck. Man in a full length dark green Redingote, or overcoat, over loose, or Cossack style, brown trousers, striped waistcoat, black boots, and top hat.
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1817 Long Green Straight Redingote, or Greatcoat, French. Gentleman wearing an English style overcoat, long brown trousers, striped waistcoat or vest, top hat, gloves and boots. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.https://books2read.com/SuziLoveFashionMen1800-1819
1817 Long Green Straight Redingote, or Greatcoat, French. Gentleman wearing an English style overcoat, long brown trousers, striped waistcoat or vest, top hat, gloves and boots. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1817 Couple In Jane Austen and Bridgerton style Walking Dress and Gentleman in Same Green Redingote. #bridgerton #janeausten #RegencyFashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, Bridgerton, Coat or Pelisse Or Redingote, Couple, Dress Or Robe, England, Europe, fashion accessories, France, hats, Jane Austen, London, pants, Regency Era, Regency Fashion, shoes, Spencer, Suit, Suzi Love Images, Vest or Waistcoat | Tagged 1800s men fashion, 1800s women's fashion, Bridgerton, cravat, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, pants, Redingote Or Pelisse Or Coat, Regency Fashion, riding, sewing, Shoes, Spencer, The Repository Of Arts, Vest or Waistcoat

1808 Hats, Capotes, Caps as worn by Jane Austen and contemporaries. #Regencyfashion #JaneAusten #Hats

Suzi Love Posted on August 4, 2025 by Suzi LoveAugust 2, 2025

1808 Hats, Capotes, Caps as worn by Jane Austen and contemporaries. #Regencyfashion #JaneAusten #Hats Velvet, Satin and Crepe. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.


French fashions like this were copied by English magazines so these styles of hats would have been worn by Jane Austen and her contemporaries.

1808 Hats, Capotes, Caps. Velvet, Satin and Crepe. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1808 Hats, Capotes, Caps. Velvet, Satin and Crepe. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1808 Hats, Capotes, Caps as worn by Jane Austen and contemporaries. #Regencyfashion #JaneAusten #Hats https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s, 1800s women's fashion, Europe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion

1816 May. Wedding Dress of Princess Charlotte as Worn in Bridgerton and Jane Austen Years. #Bridgerton #JaneAusten #Royalty #WeddingDress

Suzi Love Posted on August 3, 2025 by Suzi LoveJuly 12, 2025

1816 May Wedding Dress Of Princess Charlotte of Wales (1796-1817). Worn at her wedding to Prince Leopold Saxe-Coburg. Silk satin high-waisted bodice with short puffed sleeves, dipping neckline, underskirt, overskirt, train and apron. Created by Mrs Triaud, London dressmaker although this may not be the original skirt. Metallic embroidery was very fashionable for court dress in early 19th Century despite the cost and delicacy but was an unusual choice for Princess Charlotte who preferred to dress simply. via Museum of London, UK. museumoflondon.org.uk

The wedding dress of Princess Charlotte Augusta as described in La Belle Assemblee magazine for May, 1816.

“As we have been gratified with a sight of the wedding dresses of this amiable and illustrious female, a particular yet concise account of them cannot but be acceptable to our fair readers. The Royal Bride, happy in obtaining him whom her heart had selected, and whom consenting friends approved, wore on her countenance that tranquil and chastened joy which a female so situated could not fail to experience.

 Her fine fair hair, elegantly yet simply arranged, owed more to its natural beautiful wave than to the art of the friseur; it was crowned with a most superb wreath of brilliants, forming rosebuds with their leaves. Her dress was silver lama [lamé] on net, over a silver tissue slip, embroidered at the bottom with silver lama in shells and flowers.  Body and sleeves to correspond, elegantly trimmed with point Brussels lace.  

The manteau was of silver tissue lined with white satin, with a border of embroidery to answer that on the dress, and fastened in front with a splendid diamond ornament. Such was the bridal dress … The jewellery of the royal bride is most superb; beside the wreath, are a diamond cestus, ear- rings, and an armlet of great value, with a superb set of pearls. 

1816 May Wedding Dress Of Princess Charlotte of Wales (1796-1817). Worn at her wedding to Prince Leopold Saxe-Coburg. Silk satin high-waisted bodice with short puffed sleeves, dipping neckline, underskirt, overskirt, train and apron. Created by Mrs Triaud, London dressmaker. Metallic embroidery was very fashionable for court dress in early 19th Century despite the cost and delicacy but was an unusual choice for Princess Charlotte who preferred to dress simply. via Suzi Love suzilove.com & Museum of London, UK. museumoflondon.org.uk
1816 May. Wedding Dress of Princess Charlotte as Worn in Bridgerton and Jane Austen Years. #Bridgerton #JaneAusten #Royalty #WeddingDress https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, England, Jane Austen, London, Regency Era, Regency Fashion, Royalty, weddings | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, Jane Austen, La Belle Assemblee, Museum Of London, Princess Charlotte, Regency Era, Regency Fashion, Regency Royalty, weddings

19th Century Early Silk Reticule, Or Bag, With Embroidered Flowers As Carried In Jane Austen Or Bridgerton Times. #Bridgerton #JaneAusten #RegencyFashion #Reticule

Suzi Love Posted on August 3, 2025 by Suzi LoveAugust 2, 2025

1800 ca. White Silk Reticule. Gathered into square top with filigree edge, piped with green satin. Embroidered with green velvet ivy sprays applied with gold couching. Lined with white silk. Handmade. bowesmuseum.org.uk http://books2read.com/suziloveReticules

1800 ca. White Silk Reticule. Gathered into square top with filigree edge, piped with green satin. Embroidered with green velvet ivy sprays applied with gold couching. Lined with white silk. Handmade. bowesmuseum.org.uk
http://books2read.com/suziloveReticules
1800 ca. White Silk Reticule. Gathered into square top with filigree edge, piped with green satin. Embroidered with green velvet ivy sprays applied with gold couching. Lined with white silk. Handmade. bowesmuseum.org.uk

The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.

In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.

1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.

19th Century Early Silk Reticule, Or Bag, With Embroidered Flowers As Carried In Jane Austen Or Bridgerton Times. #Bridgerton #JaneAusten #RegencyFashion #Reticule http://books2read.com/suziloveReticules Share on X
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Posted in 1800s, 1800s women's fashion, Bridgerton, Decorative Item, England, fashion accessories, History, Jane Austen, London, Regency Era, Regency Fashion, Reticule or Bag, sewing, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, British history, fashion accessories, France, Jane Austen, Regency Fashion, reticule or bag, sewing, The Bowes Museum
corset_1868-1874 Blue Silk Corset. Collage View. via FIDM Museum, Los Angeles.

1868-1874 ca. Blue Silk Corset #Corset #VictorianEra #VictorianFashion

Suzi Love Posted on August 3, 2025 by Suzi LoveAugust 2, 2025

1868-1874 ca. Blue Silk Corset #Corset #VictorianEra #VictorianFashion. https://books2read.com/SuziLoveCorsetBook19

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Posted in 1800s, 1800s women's fashion, Corset, U.S.A, underclothing, Victorian Era | Tagged 1800s women's fashion, Book 19, Corset, fabrics, FIDM Museum LA, History Notes, Suzi Love Books, underclothing, Victorian fashion

1802 Jane Austen Style Blue Castor Riding Habit Worn With a Fichu Of White Lace To Cover Her Chest. #RegencyEra #Hats #JaneAusten

Suzi Love Posted on August 1, 2025 by Suzi LoveJuly 10, 2025

1802 Jane Austen Style Riding Habit, French. Blue riding habit made of castor, worn with a Fichu of white lace to cover her chest and preserve her modesty and carrying a long riding whip. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.

Riding Habit: Early 1800s riding habits still copied men’s riding fashion and usually made by male tailors. They were often a close-fitting jacket worn over a shirt, or with a fichu covering the neck. A skirt with train had either a waistband or straps over the shoulders to keep it in place. Sometimes, habits were made in one piece with the skirt and bodice joined.

1802 Jane Austen Style Riding Habit, French. Blue riding habit made of castor, worn with a Fichu of white lace to cover her chest and preserve her modesty and carrying a long riding whip. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
1802 Jane Austen Style Blue Castor Riding Habit Worn With a Fichu Of White Lace To Cover Her Chest. #RegencyEra #Hats #JaneAusten https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, Europe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, riding, shoes, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, fichu, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion, riding, Shoes

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