1812 Tailcoat of Blue Drap, French. White Nankin trousers with ankle openings, knotted white cravat, short hair with sideburns, black shoes, holding a black hat and walking stick. Fashion Plate via Journal des Dames et des Modes, Costume Parisien. By 1812, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and a cravat, either elaborately tied or simply knotted. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends on a daily basis.
Definition Drap: French equivalent for the English word cloth or stuff and generally applied to fabrics of wool or silk.
Definition Nankeen Or Nankin: Durable, buff colored cloth, made of Chinese cotton which is naturally brownish yellow. Originally brought from Nanking.
HN_23_D2D_Fashion Men 1800-1819 History Notes Book 23
https://books2read.com/SuziLoveFashionMen1800-1819
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe, so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.
The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits.
This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.
Fashion Women 1800-1819 Box Set History Notes Book 24
An overview of the first twenty years of the 19th century. These books look at what was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28.
https://books2read.com/SuziLoveFashionWomenBoxSet
1804-1810 ca. Empire style, or high-waisted, French Court Dress called ‘Joséphine’, Attributed to embroiderer Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, and cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Musée des Tissus et musée des Arts décoratifs, Lyon.
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
About 1800 Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases, Muslin embroidered with cotton thread Fabric made in India, gown made in England Given by Miss Frances Vickers Museum no. 444-1888 (2013) Victoria and Albert Museum, London.
By the end of the 18th century, rigidly tailored garments for both men and women were replaced by styles made for ease and comfort, resulting in the neoclassical style of the 1780s. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
1785–1800 ca. Cotton Breeches, American or European. Man’s cotton breeches, drop down, or fall, front opening, button fastening at the waist, extra material in the back allows more movement for riding etc., and buttons secure the leg openings so they can be fitted to wear with boots for riding. via Metropolitan Museum, NYC, U.S.A. These are the sort of pants that the men Jane Austen knew would have worn for riding or in the country.
1820 Ball Gown of Embroidered Net, British. Silk satin and silk net embroidered with metal and trimmed with silk blonde bobbin lace, hand sewn. Short-sleeved ball gown comprising of an underdress of silk satin and an overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. The dress has a low oval neckline, puffed short sleeves, a wedge shaped front bodice panel, and a medium high waist. The skirt has a central front panel, wedge shaped panels and the centre back panels are tightly gathered at the waist.
From the Museum Curator: ‘Women saved their most elaborate dresses for special occasions such as balls. Lavish gowns embellished with gold thread or sparkling beads glittered in the artificial light of the dancing room. Thin, gauzy materials created a soft dreamy look. These light materials also prevented the wearer from getting too hot while dancing in stuffy, overcrowded spaces’. Victoria and Albert Museum, London, UK
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
19th cent. Early. Reticule, or Bag, of silk, metal and glass, French, as carried in Jane Austen’s times. Silk ribbon work, with rosy glass beads, and silver purl flowers and backgrounding to the wreath motif. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
19th Century. Early. Reticule. Silk, metal and glass. French. Silk ribbon work, with rosy glass beads, and silver purl flowers and backgrounding to the wreath motif. via Metropolitan Museum New York City, U.S.A. metmuseum.orgHN _3_D2D_RetailerBuyLink_HN_3
1730-1760 ca. Yellow Silk Embroidered Bag, Russian. From: Collection of Natalia de Shabelsky (1841-1905), Russian noblewoman preserving vanishing folk art traditions of her country. Traveling extensively throughout Great Russia, she collected textile art of wealthy peasant class. via Metropolitan Museum, NYC.
18th Century bags, or purses, were usually designed to hang from the waist or wrist to carry essential daily items on the person rather than making the long walk back through a castle or grand house to fetch things like coins, personal seals, toiletries or medicines.
1805 Pink Redingote, French. Also called a Pelisse, a Walking Dress, or a Carriage Costume, in England. High-waisted, short puffed sleeves over long straight sleeves with elaborate embroidery to decorate, and close-fitting gold hat tied under her chin. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Jane Austen and her contemporaries would have worn long coats like this one to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters, so coats of some sort were added, plus colorful accessories like this shawl and the hat to add color and another layer of warmth.
Definition Redingote Or Coat Or Pelisse: Long fitted outdoor coat worn over other garments for warmth. French word developed from English words, riding coat. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1817-1820 ca. Spencer, English. Green silk, brown satin puffs, silk cord on deep V collar and sleeves. With the rise of fashionable waistlines in women’s dresses after around 1800, women’s outerwear followed suit. This jacket with very short bodice and long sleeves was known as a Spencer and was named after the male coat made famous by the Earl Spencer. The jacket is said to have originated in an accident to Lord Spencer in hunting when his coat tails were torn off and a cropped jacket was invented. via Museum of London, UK. museumoflondon.org.uk. books2read.com/suziloveSpencers. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Spencer over her dress in the cold British winters.
Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
1817-1820 ca. Spencer, English. With the rise of fashionable waistlines in women’s dresses after around 1800, women’s outerwear followed suit. This jacket with very short bodice and long sleeves was known as a spencer. via Museum Of London. HN_4_Spencers Or Regency Jackets.
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