sewing Archives - Page 13 of 18

1820 Brown Evening Dress Of Figured Silk Muslin With Brown Gauze Trim. #RegencyEra #HistoricalFashion #England

Posted on September 5, 2024 by Suzi LoveAugust 25, 2024

1820 Brown Evening Dress Of Figured Silk Muslin With Brown Gauze Trim. An evening dress of tobacco coloured figured silk muslin, warp float, small sprig repeat design. Shallow, round neckline, short puffed sleeves, high, empire-style waistline and long tubular skirt. Bodice has narrow cream lace trim above a band of self fabric edged with cream silk braid and brown silk taffeta piping. Bodice front has brown silk gauze joined on at side seams with 3 van dyke points down sides of centre front. Edges of points bound with silk taffeta and trimmed with ball buttons covered in brown silk floss.

Centre front panel has brown silk cord lacing through 17 handworked eyelets bordered by 2 v-shaped strips of same silk taffeta rouleaus. Self fabric waistband is trimmed with cream braid and piping, with two van dyke points either side of centre back. Bodice laced at back from neck to waistband while gauze overlay from front forms a band tucked over the waist, which extends over skirt to form a narrow peplym, also van dyke pointed and bound with taffeta. Two self fabric epaulettes attached at sleeve seams and trimmed with brown silk passmenterie tassel, at shoulder and with same braid and piping. Short sleeves overlaid with brown silk gauze ruched between rouleaux bands stitched to lining. Cuff bands piped and braided and cut into 8 van dyke points above overlay. Points are trimmed with braid, piping and silk covered ball buttons. Skirt of dress falls to the ground, trained at back, and flounce of satin striped silk gauze falling from corded seam. Bodice lined with cream cotton. Via Powerhouse Museum, Sydney, Australia. collection.maas.museum.

Passementerie: Art of making elaborate trimmings or edgings (in French, passements) of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings.Styles of passementerie include the tassel, fringes, ornamental cords, galloons, pompons, rosettes, and gimps, as well as other forms. Tassels, pompons, and rosettes are point ornaments, and the others are linear ornaments.

1820 Brown Evening Dress Of Figured Silk Muslin With Brown Gauze Trim. An evening dress of tobacco coloured figured silk muslin, warp float, small sprig repeat design. Shallow, round neckline, short puffed sleeves, high, empire-style waistline and long tubular skirt. Bodice has narrow cream lace trim above a band of self fabric edged with cream silk braid and brown silk taffeta piping. Bodice front has brown silk gauze joined on at side seams with 3 van dyke points down sides of centre front. Edges of points bound with silk taffeta and trimmed with ball buttons covered in brown silk floss.

1820 Brown Evening Dress Of Figured Silk Muslin With Brown Gauze Trim. #RegencyEra #Fashion #England https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X

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https://books2read.com/SuziLoveFashionWomen1815-1819 — Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819

1805 Typical Regency Era, or Early 1800s, Muslin Dress With Palm Tree Embroidery. #JaneAusten #RegencyFashion #HistoricalFashion

Posted on September 4, 2024 by Suzi LoveAugust 25, 2024

1805 Typical Regency Era, or Early 1800s, Muslin Dress. Long sleeves, square neckline, and decorated with Palm Tree embroidery. via Whitaker Auction whitakerauction.smugmug.com Typical of the Empire dresses worn by Jane Austen and her contemporaries. Square necklines, long sleeves, and skirts that started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. These high-waisted dresses were worn most days and cotton, silk or taffeta were the popular fabrics.

1805 Typical Regency Era, or Early 1800s, Muslin Dress With Palm Tree Embroidery. #JaneAusten #RegencyFashion #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X

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https://books2read.com/SuziLoveFashionWomen1805-1809 — Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809

1800-1810 ca. Knitted Pineapple Reticule, or Bag. Style of handbag made by women known to Jane Austen and Bridgertons #JaneAusten #Reticule #France

Posted on September 1, 2024 by Suzi LoveSeptember 1, 2024

1800-1810 ca. Pineapple Reticule, or Bag. A knitted pineapple with long strings. In Jane Austen’s times, pineapples were a luxury imported item that most people in Great Britain had never seen, let alone tasted. When more pineapples were imported from hotter countries, or English gardeners started to grow some, pineapples became a much desired novelty and an exotic experience. Pineapple motifs appeared on dresses, furniture, household goods etc. Knitting pineapple reticules was part of this obsession with pineapples. via Kyoto Museum, Japan.

Definition Ridicule, Reticule, Indispensable, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc. http://books2read.com/suziloveReticules

1800-1810 ca. Reticule, or Bag. A knitted pineapple with long strings. via Kyoto Museum, Japan.
books2read.com/suziloveReticules — 1800-1810 ca. Reticule, or Bag. A knitted pineapple with long strings. via Kyoto Museum, Japan.

In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.

1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.

1800-1810 ca. Knitted Pineapple Reticule, or Bag. Style of handbag made by women known to Jane Austen and Bridgertons #JaneAusten #Reticule #Francehttp://books2read.com/suziloveReticules Share on X

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1825 Brown Cotton Stays With Embroidered Hearts, Back lacing and Shaping #Corset #Regency #Romantic

Posted on August 28, 2024 by Suzi LoveAugust 21, 2024

1825 Brown stays with center front busk, back lacing, hip shaping, breast gussets, widely spaced straps, cotton embroidered in ivory silks with hearts. via Kerry Taylor Auctions. kerrytaylorauctions.com https://books2read.com/SuziLoveCorsetBook17

The main purpose of corsets was to support and shape the breasts. Though they still slimmed the midriff, this was not the prime purpose of a corset in the 1820s. The waistline of dresses had lowered to below the bust line and nearer to the true waist so corsets were longer and were given added shaping by stitching and cording and by shaping the breasts with pleated or gathered cups.

1825 Brown Cotton Stays With Embroidered Hearts, Back lacing and Shaping #Corset #Regency #RomanticrEra https://books2read.com/SuziLoveCorsetBook17 Share on X

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1800-1830 ca. Bridgerton and Jane Austen Times Reticule, or Bag, Shaped Like A Basket, American. #Bridgerton #JaneAusten #RegencyFashion #America #reticule

Posted on August 28, 2024 by Suzi LoveAugust 28, 2024

1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

1800-1830 ca. Bridgerton and Jane Austen Times Reticule, or Bag, Shaped Like A Basket, American. #Bridgerton #JaneAusten #RegencyFashion #America #reticule #America books2read.com/suziloveReticules Share on X

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1817 January English Carriage Costume As Worn by Bridgerton Family and Jane Austen. #Bridgerton #Regencyfashion #JaneAusten #historicalFashion

Posted on August 27, 2024 by Suzi LoveAugust 24, 2024

1817 January Carriage Costume, English. Red velvet pelisse trimmed with ermine to match muff, tops of sleeves caught up à la Mancheron with military silk chain work, Russian hussar cap of ermine with gold military chain, Limerick gloves and matching kid half-boots.

The ‘General Observations on Fashion and Dress’ describes this fashion plate as, ‘The truly elegant and costly carriage costume of which we have given so beautiful a specimen in our Plate, while it confers the highest honor on the taste of the inventress, is likely to be a most prevailing out-door covering for the carriage amongst ladies of wealth and fashion, being particularly adapted for the open barouche, as the manner in which it is made, with warm hussar cap of light and valuable fur, shields the fair wearer from all the severity of the pinching frost or cutting north wind.’

The Fashion Plate was invented by Mrs. Bell, a relative of the publisher, John Bell, and most likely also the writer of the general observations. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.

Definition: Coat or Redingote Or Pelisse: Long fitted outdoor coat worn over other garments for warmth. French word developed from English words, riding coat.

Definition Sleeve à la Mancheron: An ornamented trimming or puff attached to the upper sleeve.

1817 January Carriage Costume, English. Red velvet pelisse trimmed with ermine to match muff, tops of sleeves caught up à la Mancheron with military silk chain work, Russian hussar cap of ermine with gold military chain, Limerick gloves and matching kid half-boots. The ‘General Observations on Fashion and Dress’ describes this fashion plate as, ‘The truly elegant and costly carriage costume of which we have given so beautiful a specimen in our Plate, while it confers the highest honor on the taste of the inventress, is likely to be a most prevailing out-door covering for the carriage amongst ladies of wealth and fashion, being particularly adapted for the open barouche, as the manner in which it is made, with warm hussar cap of light and valuable fur, shields the fair wearer from all the severity of the pinching frost or cutting north wind.’ The Fashion Plate was invented by Mrs. Bell, a relative of the publisher, John Bell, and most likely also the writer of the general observations. Fashion Plate via John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London. Definition à la Mancheron: An ornamented trimming or puff attached to the upper sleeve.

1817 January English Carriage Costume As Worn by Bridgerton Family and Jane Austen. #Bridgerton #Regencyfashion #JaneAusten #historicalFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X

1817 November White Walking Dress and Brown Spencer As Worn In Bridgerton and Jane Austen Times. #Bridgerton #RegencyFashion #JaneAusten

Posted on August 26, 2024 by Suzi LoveAugust 24, 2024

1817 November Cambric Muslin Walking Dress, English. As would have been worn by Jane Austen and her female contemporaries when out walking. Row of pointed work forms a narrow pelerine, high on the bosom, and ends in a point in front. The skirt has a deep muslin flounce beneath a row of soft muslin bouffone. Brown Spencer of gros de Naples has figured buttons which are intermixed with an elegant trimming. Sleeves ends are like the hem with a double row of buttons and trimming. The newly fashionable epaulette is edged and finished with buttons on the shoulder. Autumnal bonnet has a large front, low crown, and ties under the chin with a large bow. Swansdown muff, lilac sandals and pale lemon kid gloves finish the ensemble. ‘We have been favored this month with both our dresses by a lady, one of our subscribers, who purchased them, we understand, at Mrs. Bell’s in St. James’s Street.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

1817 November. Walking Dress, English. Brown Spencer over a white Empire style, high-waisted, walking dress with frilled hem, large white muff, brown bonnet with ruffles and ribbon to match. Fashion Plate via Rudolph Ackermann's 'The Repository of Art — 1817 November. Walking Dress, English. Brown Spencer over a white Empire style, high-waisted, walking dress with frilled hem, large white muff, brown bonnet with ruffles and ribbon to match. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Art

1817 November White Walking Dress and Brown Spencer As Worn In Bridgerton and Jane Austen Times. #Bridgerton #RegencyFashion #JaneAusten #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X

What did travelers take with them to make long journeys easier in Bridgerton and Jane Austen times? #Bridgerton #JaneAusten #RegencyEra #HistoricTravel

Posted on August 20, 2024 by Suzi LoveAugust 20, 2024

How did people travel in past centuries? What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. Travel and Luggage By Suzi Love History Notes Book 10 books2read.com/SuziLoveTravel

Horse Power To Steam. Various alternatives to horse power were tested in London’s streets during the 19th century. Steam powered road engines and trams proved too heavy and damaged the roads. Stationary steam engines were used to haul trams attached to a cable but these were only really effective on hills that we too steep for horses. There were also experiments with trams driven gas engines and battery electric power. but was successfully developed. Petrol engines were still primitive and unreliable in the 1890s. In 1900 the reliable horse still dominated the streets of London but new technology was to revolutionize road transport.

What did travelers take with them to make long journeys easier in Bridgerton and Jane Austen times? #Bridgerton #JaneAusten #RegencyEra #HistoricTravel books2read.com/SuziLoveTravel Share on X

HN_10_D2D_RetailerBuyLink_HN_10 — HN_10_D2D_RetailerBuyLink_Travel and Luggage By Suzi Love History Notes Book 10 #History #travel How did people travel in past centuries? What did they take with them to make their long journeys easier? books2read.com/SuziLoveTravel

1810 Yellow Silk Dress With Ivory Puffs on Top Of Sleeves. #RegencyFashion #JaneAusten #BritishHistory

Posted on August 15, 2024 by Suzi LoveAugust 13, 2024

1810 Yellow Dress, British. Plain woven silk, silk crêpe and silk satin. High-waisted dress of yellow silk, ivory colored silks billow out of four openings at sleeve tops. The puffed trimmings are inspired by the fashionable slashing of garments in the Renaissance period when the top fabric was cut to reveal a colored lining or garment worn underneath. A long rectangular strip of ivory silk on inside of sleeve head and excess gathered into pudds through openings. The 19th-century version of slashing is much more controlled by cut, stitching and piped edges, rather than the raw cuts in fabric seen in the 16th century.

Long sleeves narrow at wrists with double bands at cuffs and trimmed with ivory silk satin frills, yellow silk crêpe, cream ribbon and cording. Trimming around lower hem of skirt of applied vandyked border of ivory silk.

Length center back neckline to hem of train length: 158cm Front length shoulder to hem length: 139cm

via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1810 Yellow Dress, British. Plain woven silk, silk crêpe and silk satin. High-waisted dress of yellow silk, ivory colored silks billow out of four openings at sleeve tops, long rectangular strip of ivory silk on inside of sleeve head and excess gathered into pudds through openings. Long sleeves narrow at wrists with double bands at cuffs and trimmed with ivory silk satin frills, yellow silk crêpe, cream ribbon and cording. Trimming around lower hem of skirt of applied vandyked border of ivory silk. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk. — 1810_YellowSilkDressBritish_Plain wovensilk, silk crêpe and silk satin. High-waisted dress with shoulder decoration and contrasting hem trim_HemView_vam.ac.uk

1810 Yellow Silk Dress With Ivory Puffs on Top Of Sleeves. #RegencyFashion #JaneAusten #sewing https://books2read.com/SuziLoveFashion1810-1814 Share on X

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1817 June Lady Reading Wearing Bridgerton Or Jane Austen Style Morning Dress and Marlborough Cap. #Bridgerton #RegencyEra #JaneAusten #HistoricalFashion

Posted on August 7, 2024 by Suzi LoveAugust 3, 2024

1817 June Morning Dress as worn in Bridgerton and Jane Austen’s times in England. A round dress composed of jaconet muslin; the bottom of the skirt is trimmed with an intermixture of tucks and embroidery. The body is perfectly novel, it is a three-quarter height, and displays the whole of the throat and a little of the neck: it is composed of the same material as the dress, and is formed to the shape, in a manner at once singular and becoming, by bands of letting-in lace; it is also profusely ornamented with lace, which is set on very full. Long full sleeve, the fullness confined by a tasteful cuff, which is finished by a lace ruffle. Head-dress the Marlborough cap, composed of white lace, ornamented with full-blown roses and blush colored satin ribbon. For the form of this elegant cap, which is perfectly in the English style, we refer our readers to our print. The hair is parted in front so as to display a little of the forehead, and curled lightly over the temples. Necklace and ear-rings white cornelian mixed with gold. White kid slippers and gloves. We are indebted to the elegant taste of Mrs. Marchant of 40, Gerrard-street, Soho, for both our dresses this month. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

Definition Morning or At-Home Dress: Loose and comfortable dress and soft lace cap to be worn at home for reading, painting, sewing or for walking in the garden. To be seen by family, servants and close friends. Not accessorized enough to be out in the wider public, although the pretty pink roses and trim on the cap suggest this outfit may have been worn for receiving visitors at home.

1817 June Morning Dress as worn in Jane Austen's times in England. A round dress composed of jaconet muslin; the bottom of the skirt is trimmed with an intermixture of tucks and embroidery. The body is perfectly novel, it is a three-quarter height, and displays the whole of the throat and a little of the neck: it is composed of the same material as the dress, and is formed to the shape, in a manner at once singular and becoming, by bands of letting-in lace; it is also profusely ornamented with lace, which is set on very full. Long full sleeve, the fullness confined by a tasteful cuff, which is finished by a lace ruffle. Head-dress the Marlborough cap, composed of white lace, ornamented with full-blown roses and blush colored satin ribbon. For the form of this elegant cap, which is perfectly in the English style, we refer our readers to our print. The hair is parted in front so as to display a little of the forehead, and curled lightly over the temples. Necklace and ear-rings white cornelian mixed with gold. White kid slippers and gloves. We are indebted to the elegant taste of Mrs. Marchant of 40, Gerrard-street, Soho, for both our dresses this month. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
https://books2read.com/SuziLoveFashionWomen1815-1819 — 1817 February Pelisse, or Redingote, English. Carriage dress of white poplin with a deep blond flounce. Blue levantine pelisse or walking dress, or Redingote in France, edged with floss silk, blonde lace neck ruff, ermine ruff and a pink shawl. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.

1817 June Lady Reading Wearing Bridgerton Or Jane Austen Style Morning Dress and Marlborough Cap. #Bridgerton #RegencyEra #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X

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