What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
These are the types of outfits worn by Jane Austen and contemporaries in English magazines, where French fashions were obsessively copied despite the two countries being at war for many years. In Jane Austen’s years, she and her contemporaries spent a lot of time walking outdoors. People were encouraged to partake in outdoor pursuits to maintain good health. Fragile slippers were worn for balls and evening events but for walking sturdier shoes were needed, In the early 1800s, these were typically made of leather, had a very small heel, slightly rounded toes and were laced up on the top.
What was fashionable in Bridgerton and Jane Austen’s times? Mourning, riding, daytime, evening fashion plus underclothing. #Bridgerton #JaneAusten #RegencyFashion https://books2read.com/SuziLoveFashion1810-1814
Somerset House, London, UK. London’s Best Places to Visit. Home to Royal Academy and The Great Institutions.
Demolition of the old house, between the Strand and the River Thames, began in 1775 and continued in stages as the new Somerset House was constructed around it. When the new building rose from the rubble, the Royal Academy, which had been one of the last occupants of the old Somerset House, became one of the first occupants of the apartments which fronted the Strand, providing tangible continuity between the old and the new.
Timeline
1547 Edward Seymour, Lord Protector and Duke of Somerset, starts building a palace for himself on the banks of the Thames
1552 Seymour is executed at the Tower of London; ownership of his palace, nearly complete, passes to the Crown
1553 Aged 20, Princess Elizabeth moves to Somerset House; she lives there until 1558, when she’s crowned Queen Elizabeth I
1603 Anne of Denmark, wife of James I of England (James VI of Scotland), moves to Somerset House, which is renamed Denmark House in her honour
1604 The Treaty of London, ending the 19-year Anglo-Spanish War, is negotiated and signed at Denmark House
1609 Anne of Denmark invites Inigo Jones and other architects to redesign and rebuild parts of the palace; work continues until her death in 1619
1625 Charles I is crowned king; his wife, Henrietta Maria of France, commissions Jones and others to undertake more construction and renovation work, including a lavish new Roman Catholic chapel completed in in 1636
1642 The English Civil War begins; soon afterwards, General Thomas Fairfax takes over the palace as the headquarters for the Parliamentary Army
1649 The Civil War ends and Charles I is executed; Parliament tries and fails to sell Denmark House, but successfully sells its contents for the then-huge sum of £118,000
1652 Inigo Jones dies at Denmark House
1660 After Charles II, her son, is crowned king at the start of the Restoration, Henrietta Maria returns to Denmark House; more new construction follows
1665 The Plague sweeps London; Henrietta Maria moves back to France, where she dies in 1669
1666 The Great Fire of London destroys much of the City of London, but stops just short of Denmark House
1685 Charles II dies and his wife, Catherine of Braganza, moves into Denmark House; Sir Christopher Wren oversees yet more construction and renovation work
1693 Catherine of Braganza leaves Denmark House, the last royal to live in the palace
early 1700s Denmark House is used as grace-and-favour apartments, offices, storage and stables
c.1750 Canaletto paints two views from the terrace
1775 After decades of neglect, the original Somerset House is demolished; architect William Chambers immediately starts work on its replacement
1779 The Royal Academy of Arts becomes the first resident of new Somerset House in what’s now known as the North Wing
1780 The Royal Society and the Society of Antiquaries take up residence in the North Wing; Somerset House hosts the first Royal Academy Exhibition
1786 The Embankment Building, known today as the South Wing, is completed; the East and West Wings are completed two years later
1789 The Navy Board completes its move to Somerset House and eventually occupies one-third of the site; the Stamp Office, responsible for taxing newspapers and other documents, joins the board in the South Wing
1795 William Chambers, then aged 72, retires; James Wyatt replaces him as the building’s architect
1801 The new Somerset House is deemed complete, its construction having cost a mammoth £462,323
1829 Sir Robert Smirke starts work on King’s College, which opens in 1831 and is finally completed in 1835
1836 The General Register Office, responsible for births, deaths and marriages, is established here
1837 One year after the final Royal Academy Exhibition at Somerset House, the academy moves to Burlington House on Piccadilly
1849 Having merged in 1834, the Stamp Office and the Board of Taxes join with the Board of Excise to form the Inland Revenue, which remains in residence for more than 150 years
1856 Seven years after James Pennethorne started work on its design, the New Wing is completed
1857 The Royal Society moves out of Somerset House to join the Royal Academy of Arts at Burlington House; the Society of Antiquaries follows 17 years later
1864 Work begins on the Victoria Embankment, designed by Sir Joseph Bazalgette; the embankment is completed in 1870
1873 The Admiralty leaves Somerset House; its offices are taken over by the Inland Revenue
1940s Near the start of World War II, the Inland Revenue temporarily moves out of Somerset House; the Ministry of Supply takes its place
1950 Sir Alfred Richardson starts a two-year project to rebuild the Navy Staircase, known today as the Nelson Stair, which had suffered terrible bomb damage in 1940
1970 After 134 years at Somerset House, the General Register Office moves out
1989 The Courtauld Institute of Art moves into the North Wing
1997 The Somerset House Trust is established to preserve and develop Somerset House for public use
2000 The River Terrace opens to the public for the first time in more than a century; the Hermitage Rooms and the Gilbert Collection both open; then, in December, Somerset House installs a temporary ice rink for the first time
2001 American band Lambchop plays the first gig in the Edmond J. Safra Fountain Court; a full programme of shows follows in 2002 and continues today as the Summer Series
2009 London Fashion Week takes place at Somerset House for the first time
2011 The HMRC (formerly the Inland Revenue) closes its offices at Somerset House
The Royal Academy of Arts
George III, described as an “enthusiastic if undiscriminating collector and patron of the arts”, provided invaluable patronage for the three learned societies. When old Somerset House was relinquished by the Crown, the King reserved to himself the right to appropriate sufficient space in the new building for the Royal Academy of Arts, the Royal Society, and the Society of Antiquaries.
The Great Exhibition Room
1808 The Exhibition Room at Somerset House.
The most important part of the building for the Royal Academy was its Exhibition Room. Situated at the top of the steep, winding staircase, it was roughly 53 x 43 feet and 32 feet high including the lantern, and was described by Joseph Baretti as, “undoubtedly at that date the finest gallery for displaying pictures so far built.” It was here that George III was given a preview of the first Royal Academy Exhibition held at his command in 1780.
Year by year, the exhibits increased. There were 547 in 1781, 1,037 in 1801, and 1,165 in 1821, so that the pictures had to be hung almost from floor to ceiling and with the frames touching one another. From 1832 onwards there was talk of the Royal Academy moving to more spacious rooms in what is now the National Gallery, which was being built at the north end of Trafalgar Square. Accordingly, the last exhibition at Somerset House was held in 1836.
When the Academy moved, the most valuable decorations were taken down and reused in their new quarters. Later they were moved to Burlington House, the Royal Academy’s present home, where the ceiling paintings by Benjamin West and Angelica Kauffmann can now be seen in the entrance hall. The Academy’s old rooms at Somerset House were occupied by the Department of Practical Art, or Government School of Design.
The Royal Society
In 1776, they discovered they were to share the building to the east of the Strand entrance with the Society of Antiquaries, and complained to William Chambers that the accommodation would be inadequate; that the library would be too small and that there would be no room for the Society’s museum.
One of the first discoveries announced to the Society in its new quarters was that of a new planet, first observed by William Herschel in 1781. He wished to call the new planet Georgium Sidus in honour of the King, but other astronomers disagreed and today we know the planet as Uranus. Fellows of the Royal Society were keen to prevent war and politics interfering with the advancement of scientific discovery.
During the Napoleonic Wars of 1796-1815, the President of the Royal Society, Sir Joseph Banks, used his influence both in England and France to ensure that explorers of the two nations were not obstructed by the conflicting armed forces, and that French scientists should continue to be elected Fellows of the Society. When Sir Humphry Davy became president in 1820, the Society became oriented more towards pure scientific enquiry, to which ends, George IV founded two Gold Medals.
After the Royal Academy left Somerset House in 1837, the Royal Society remained there until 1857 when it joined the Academy at Burlington House.
The Society of Antiquaries
In 1776, the Antiquaries heard about the proposed new building at Somerset House, they decided to apply to George III, their Patron, for rooms there. After some intense lobbying by the President, the Reverend Dr Milles, the Society’s request for accommodation was favourably considered, and the King was, “most graciously pleased to order that the Society be accommodated with apartments in the new buildings at Somerset House.”
The resident Secretary of the Society was accommodated in the attic with three rooms “with deal dadoes, and Sienna marble and Sicilian jasper chimney-pieces”. The basement was hotly contested between the Royal Society and the Antiquaries, who were eventually allowed a kitchen, cellar, two vaults, and a privy. However, the lobby, originally intended for the footman in waiting, had to accommodate the Antiquaries’ porter as the Royal Society had taken possession of the Porter’s Lodge!
In the 1850s there was a proposal to move the Royal Society and the Antiquaries from Somerset House but, when the Royal Society moved out in 1857, the Antiquaries decided to remain, taking the opportunity to secure sole use of the disputed rooms, until they joined the other two learned societies at Burlington House in 1874.
The Navy Board
When the Admiralty moved into new premises in Whitehall in 1725, it was decided that the Navy Board, over whom the Admiralty had responsibility, should move to a site much closer; from Seething Lane behind the Tower of London to new offices at Somerset House. Chambers proposed to house the Navy Board on the west side of the south wing of the new building, in the part facing the river, with the Seamen’s Waiting Hall in the centre of the building providing an imposing entrance.
The related Sick and Hurt, Navy Pay, and Victualling Offices were to occupy the range of buildings on the west side of the courtyard. By 1789 the move was completed and, for nearly a century, more than a third of Somerset House was home to the various branches of the Navy Board.
General Register Office
In 1836 the General Register Office was created to set up a comprehensive system for the registration of Births, Marriages and Deaths and appoint the first Registrar General based at Somerset House. It was not until 1970, after slightly less than a century and a half at Somerset House, that the General Register Office moved out.
Principal Probate Registry
The Inland Revenue Stamp duty on documents, including newspapers, was only one of many revenue-raising methods administered by the Stamp Office, one of the government departments which moved to the new Somerset House in 1789. In 1834 the Stamp Office united with the Affairs of Taxes and in 1849 Stamps and Taxes joined the Excise to form a new Board of Inland Revenue. The Board of Inland Revenue today still occupies the east and west wings of Somerset House.
Somerset House, London, UK. London’s Best Places To Visit in Bridgerton and Jane Austen years. #Bridgerton #JaneAusten #London #RegencyEra #BritishHistory https://books2read.com/ROver
1804 Parliamentary Robes For Titled Men from the King downwards. 1804 Kearsley Complete Peerage of England, Scotland, Wales.
1804 Kearsley’s Complete Peerage. Google Books (PD-180)1804 Baron in his parliamentary robes. via Kearsley’s Complete Peerage. via Google Books (PD-200)1804 Viscount in his parliamentary robes. via Kearsley’s Complete Peerage. via Google Books (PD-200)1804 Earl in his parliamentary robes. via Kearsley’s Complete Peerage. via Google Books (PD-200)1804 Marquis in his parliamentary robes. via Kearsley’s Complete Peerage. via Google Books (PD-200)1804 Duke in his parliamentary robes. via Kearsley’s Complete Peerage. via Google Books (PD-200)RL_1_D2D_Regency Overview RetailerLinks
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1788 Armchair or bergère en cabriolet. Part of a set by Jean-Baptiste-Claude Sené (French, 1748–1803). Made for Marie Antoinette, Queen of France, for her Cabinet de Toilette in Palace of Saint-Cloud, France. Carved, painted and gilded walnut; modern cotton twill embroidered in silk. Made for Marie-Antoinette’s dressing room at the château de Saint Cloud. The queen’s initials are carved on the top rail.
The Palace of St. Cloud belongs to the Duke of Orleans, is situated on the declivity of a mountain washed by the Seine. . . . The view from the house is delightful. By Harry Peckham, A Tour through Holland and Part of France
Louis XVI purchased the country residence of the duc d’Orléans a few miles west of Paris for Marie-Antoinette in 1785. Being in need of renovation, the palace was enlarged and altered for the queen, and many pieces of furniture were commissioned from Jean-Baptiste-Claude Sené. A member of an important dynasty of Parisian chairmakers, Sené had been appointed menuisier to the Crown in 1784.
A 1788 description of this set, four matching armchairs and a stool, shows that it was for one of Marie-Antoinette’s private rooms at Saint-Cloud, her Cabinet Particulier. Frame of the daybed embellished with carving of ivy and garlands of roses, ionic capitals on the short legs and Egyptian female half-figures on tapering supports. These figures express the queen’s taste for ornaments from ancient Egyptian art, well before Napoléon’s North African campaign made it fashionable. The bergère, or armchairs, has a medallion on top with Marie-Antoinette’s initials framed by myrtle branches and roses. The matching screen has classical female figures on its feet and top rail.
The 1789 inventory of Saint-Cloud records the entire suite in the queen’s Cabinet de Toilette, or dressing room. The set is upholstered in white cotton twill, embroidered with a small floral ornament in silk. Known to have worked on needlepoint projects all her life, Marie-Antoinette did the embroidery herself. The colorful floral embroidery on the light cotton ground conveys a sense of summer, the season Marie-Antoinette preferred to spend at Saint-Cloud. via Epigraph. Peckham 1788, p. 199.
HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions.
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1811-1820 Regency Era Overview. The British Regency was the period from 1811-1820. King George III was deemed mad and unfit to rule so his son became his proxy, the Prince Regent, or Prinny to his close friends. This was the era during which Jane Austen wrote her books. Books that are still read and discussed today.
As a period in Britain’s official history, the Regency lasted less than ten years, although scholars apply the term Regency to a much longer period. It began in 1811, when George Ill was declared mad and the Prince of Wales was appointed Regent. It ended in 1820 when the King finally died and the Regent was crowned George IV. However, the Regency was a period in Britain’s history that had an effect on the social and cultural life for four decades, from the start of the French Revolution in 1789 to the passing of Britain’s Great Reform Act in 1832.
The decision to make George IV the Regent took a lot of political debate. After nearly two and a half months of political wrangling, the British government agreed to grant the title of Prince Regent on George. The Act of Parliament was finally passed by a commission in the House of Lords on February 5th 1811 and the Prince was formally sworn in as Regent at Carlton House the next day. He continued to rule as Regent until 1820 when, on his father’s death, he assumed the title George IV and reigned until his own death in 1830.
During the Regency, royalty and upper class ladies and lords, or the Beau Monde, lived elegant and extravagant lives that also allowed excesses and depravity. Britain was united behind exceptional heroes in long wars against France, but internally divided by class distinction and political agitation. The foundations of a modem industrial nation were laid by engineers, inventors and scientists. while Romantic poets and visionary artists dreamt of escape to earlier times and more ideal worlds. From: Queen’s Gallery, London, U.K.
While writing about perfumes and oils, a favourite subject of mine, for my book, Scenting Scandal, I sniffed out some fascinating snippets on the history of early perfume suppliers in London. I have a nose for these things ( He He!) as in my past life I also blended oils and perfumes. One name stood out in historic London- Juan Floris.
He opened his shop at 89 Jerym St. in the elegant quarter of St. James’ London soon after his arrival from the Mediterranean in 1730. After starting as a barber and comb-maker, he missed the aromas of his Mediterranean youth and began blending oils, essences and fixatives, from Europe, into the first Floris fragrances.
‘ Purveyors of The Finest Perfumes & Toiletries to the Court of St James’ Since the Year 1730.’
In the same manner that Fortnum & Mason held Royal Warrants to supply groceries to the Royals, Floris held Royal Warrants to supply perfumes, shaving items and toiletries.
The first Royal Warrant granted to J.Floris Ltd was in 1820 as ‘Smooth Pointed Comb-makers’ to the then newly appointed King George IV. Then, the social elite followed the court until the Floris ledgers held accounts for an array of public figures, including practically every European Royal. Combs, tooth brushes and mouth washes were greatly valued by the company’s elite clientele.
These days, and at the same premises, Floris still supplies royalty and world celebrities with an array of fragrances and bathroom accessories.
The Floris archives hold letters from famous customers detailing their preferences and their thanks, including the following examples:
Winston Churchill, according to records held by Floris, purchased Special No. 127 Eau de Toilette and Stephanotis in 1934.
Marilyn Monroe was also known to have purchased from Floris on at least one occasion, having made a purchase of Rose Geranium while staying at the Beverly Hills Hotel, California in 1959.
Florence Nightingale wrote a 25 July 1863 letter thanking Mr Floris for his ‘sweet-smelling nosegay’.
Mary Shelley, whilst abroad, sent friends instructions to purchase her favourite combs and toothbrushes from Floris.
Beau Brummell in the early 19th century would discuss his current fragrances at length with Mr Floris.
19th Century Early Caroline Bonaparte Murat, Wife and Queen Consort Of Joachim, King Of Naples. Wearing a Grand Parure, or jewelry set of tiara, necklace, earrings etc, of red coral, pearls and diamonds. By Salomon-Guillaume Counis, after Nicholas-Francois Dun.
