I'm an Australian author of contemporary and historical romances, plus history non-fiction. My books range from sexy to erotic, late 1700s to the mid 1800s, and with a dash of Australia thrown into the mix. My heroes and heroines challenge tradition and my stories often expose the seamier levels of life. I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback. I hope my books bring history alive and you have fun adventuring with my roguish heroes and feisty heroines.
1840-1880 ca. Burgundy and White Silk Jacket, Russian. #Romantic #Fashion #Russia via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 French Gentleman. Riding outfit of double-breasted brown coat, tight pants with a side button decoration, jaunty black hat, gloves, and a crop. As Worn by Gentleman in Jane Austen Families. #RegencyFashion #JaneAusten Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Pantaloons: When tailcoats lengthened, breeches extended below the knees to accommodate the longer tails and were gradually replaced with slimmer fitting, longer pants, or pantaloons, that ended at the ankle. Pantaloons were close-fitting and sometimes buttoned all the way down the leg. To make them hug the leg tighter, knitted fabrics were used, or fabrics like nankin and kerseymere were cut on the bias.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
1820 ca. Cream Pelisse, English. Empire, or high-waisted, coat, long sleeves, collar, shoulder extensions over the sleeves and elaborate front decoration, corded cotton, cotton thread, and shell buttons. via National Gallery of Victoria, Australia. ngv.vic.gov.au books2read.com/suzilovePelisse
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1812 Man’s Overcoat With Layered and Rounded Capes, French. Black breeches tied at the knees, white stockings, blue waistcoat, black shoes and carrying a bicorn, or two-cornered black hat. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
1816 Ball Dress, French, as worn by the Bridgertons and Jane Austen. White short length dancing dress, multiple frills above hem, black bodice with a back bow, hair braided and pinned into an upswept evening style. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Women’s clothing came in the late 1810s came in a wide range of styles to suit every season and occasion. When attending assemblies or balls, ladies in Jane Austen’s times women wore Empire style dresses which were usually of light fabric and floaty in style and often of a shorter length suitable for dancing.
1802-1812 ca. Bored Women at Longchamp Races Series, French. Three young women sit amidst mass of empty chairs and converse with the woman who is clearing them away. Le Bon Genre, Plate 18.
1819 Pale Blue Redingote, Pelisse or Walking Dress, French. Blue redingote with pink bow showing off gorgeous neck frills and bonnet of castor decorated with tassels. The type of outfit young Regency Era ladies would have worn if they were out shopping on Bond Street, walking in a park, or taking a carriage ride through Hyde Park. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
Pleasure House Ball: Brenton, Lord Mallory, attends his first courtesan’s ball in ten years to appease his concerned friends, though he’d rather stay home and read to his motherless daughter. Though mortified that Brenton unmasks her at a scandalous ball, Lady Lillian Armstrong doesn’t regret their night together. Book 3 Irresistible Aristocrats books2read.com/suzilovePHB
Excerpt
‘Lillian,’ Brent hissed through gritted teeth. ‘Have you been paying attention to me? I know most of the gentlemen attending this ball and there isn’t one of them that’s good enough for you.’
‘Not even you?’ At his shocked look, she waved her hand between them. ‘Sorry. I know you’re not interested in me. Not in that way, anyway.’
She watched his Adam’s apple bob as he swallowed, hard. Was she mistaken? Did he find her attractive, after all? Because, Lord knew, she found him, and his muscled body, very enticing. Many a time she’d ridden behind him purposely so she could watch his taut behind rise and fall in the saddle, his thighs stretched tight as he rose slightly in the stirrups and his coat pulling across wide shoulders. She’d secretly been pleased that he wouldn’t allow visitors to his house, declaring that he and his daughter were still grieving. Though she knew that was a fabrication to prevent his mother from bringing a constant stream of eligible ladies to visit, she enjoyed being the only woman who saw him dressed down and carefree as they rode together. Which they did often.
With her head tilted to one side so she could peer up at him, she said, ‘Are you? Interested in me that way? As a woman.’
She heard the hiss of his indrawn breath and sensed she was about to be rejected. Being rejected by her husband had wounded her feminine pride, though even that pain hadn’t destroyed her. By contrast, if her best friend, the man that knew her better than her mother, turned away from her, the pain would kill her. She spun towards the door, desperate to escape.
‘Ah, there you are.’ Her companion, Maggie, stepped through the balcony doorway and strode towards her. She eyed Brenton, slowly appraising him from top to toe, before turning her back to him. ‘I was worried when I couldn’t find you. Are you all right?’
Brenton stepped around Maggie and gave her the same disdainful look as she’d given him. He gave a small bow and said, ‘I’m Brenton. And your name is…?’
Maggie rolled her eyes. ‘I know better than to reveal myself here. And I already know who you are, my lord.’
Lillian squirmed when Brent’s gaze flicked towards her and back to Maggie. ‘I’ve told my friend about you, Brent.’
‘I see.’ He turned to Maggie and leaned in close. ‘And what sort of friend are you that you brought a young woman to an event that caters to less than respectable ladies?’
‘The best sort, my lord.’ Maggie didn’t flinch form Brent’s blunt question. ‘The sort of friend who recognizes that a woman has been scarred by men and life and needs a chance to enjoy herself without censure. Needs a night of fun and frolic, rather than one of fear and loneliness.’
‘Loneliness?’ Brent repeated the word in surprise and looked at Lillian. ‘Is she correct? You’ve been lonely.’
‘In my marriage, yes, I was lonely. Geoffrey didn’t like me to see my own friends or family too much. He wanted me at home, where he could keep me under control, or attending events on his arm. A decorative addition to enhance his reputation as a man who purchased only the best quality goods. Immaculate clothing, flashy carriage, well-bred horses, and a household where he ruled supreme. There was little room for me to breathe.’
He touched her arm. ‘I’m sorry to have failed you so badly. I was so swept up in my own misery and battling to keep my wife’s affairs under wraps that I gave no thought to how your life was when in London.’
1807 White High-Waisted Dress, French. Black zig-zag edging and decoration, lemon draping shawl, long gloves, orange Fichu, yellow slippers, pink bonnet. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Empire Style Dress: High-waisted white gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s.
1775-1777 ca. Snuffbox With Medallion, Russian. Made by Johann Baltasar Gass St Petersburg, Russia. Gold, silver, cut diamonds; chased, engraved and pounced. via liveinternet.ru
18th Century Snuff Boxes. Not only were boxes made to serve a purpose, but decorative boxes of all types were prized, especially in the 18th Century when everything decorative and extravagant was in vogue and taking a pinch of snuff was fashionable. Snuff is made from ground or pulverized tobacco leaves and is sniffed from a pinch of snuff placed on the back of the hand. Flavorings were added to the tobacco to give a fast hit of nicotine and a lasting scent. Snuff began in the Americas and was used in Europe by the 17th Century.
Snuff became popular from the mid 1600s to the mid 1800s and was more popular than smoking. Inhaling snuff, or snuffing, was first seen by a European missionary in 1493 in Christopher Columbus’s new world within Haiti’s indigenous Taino. Until then, tobacco had been unknown to Europeans, but its use spread quickly throughout Europe during the 1500s. By the second half of the 17th century, ornate boxes started being produced to keep the precious powder dry and an entire industry making accessories blossomed around the fashion of taking snuff. Noblemen, and some women, carried extravagantly decorated snuff boxes with them at all times and would offer a pinch of their own particular blend to friends and family. Therefore, these boxes were always on display and so it became a competition to see who could have the most bejeweled or expensive box possible.
