I'm an Australian author of contemporary and historical romances, plus history non-fiction.
My books range from sexy to erotic, late 1700s to the mid 1800s, and with a dash of Australia thrown into the mix. My heroes and heroines challenge tradition and my stories often expose the seamier levels of life.
I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback.
I hope my books bring history alive and you have fun adventuring with my roguish heroes and feisty heroines.
1805 January Two Ladies In White Paris Dresses, English. Two interesting bodices, long gloves, necklaces, shawl, fan and adorable hats. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex, London. These are the types of outfits worn by Jane Austen and contemporaries and were seen in English magazines, where French fashions were obsessively copied despite the two countries being at war for many years.
A sedan chair is a portable enclosed chair for a single passenger. It was generally carried by two “chairmen” holding poles attached to either side of the chair. Sedan chairs were fashionable in England and Europe during the 17th, 18th and early 19th centuries and were an important part of the social life of the times. They were very useful for negotiating crowded, unsafe, narrow, winding and often filthy streets and were particularly used by “invalids, ladies and party goers”. Sedan chairs had the advantage of being able to be carried up and down stairs and could deliver the passenger from inside their own home to inside their destination without having to step outside.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
The 19th century English author, Elizabeth Gaskell, described the use and function of the sedan perfectly in her novel “Wives and Daughters” when she reminisced how the Browning sisters chose to be transported to a ball by sedan chair, which ‘came into the parlor, and got full of the warm air, and nipped you up, and carried you tight and cosy into another warm room, where you could walk out without having to show your legs by going up steps, or down steps.’
The Bath Chair was invented in Bath, England, in the mid 18th Century to transport the wealthy and the sick around the city. It could be steered by the passenger and rivaled and then outdid the Sedan Chair as only one chairman was needed to operate it. The last Bath Chairman retired in 1949.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
The longest journey recorded in a sedan chair was made by Princess Amelia, youngest daughter of King George III, who in 1728 was carried by 8 chairmen working in reliefs from London to Bath, a distance of 172 kms (107 miles). This sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”.
1845-1865 ca. Cream Silk Evening Slippers, British. Cream evening shoes with ankle ties and lace trim. Trim is unusual because mid 19th Century ladies’ shoes were often plain as only toes showed beneath fashionable long skirts. Designed By Hobbs, famous London shoemaker, and with a label attached to lining with a regal crest to show maker’s royal patronage. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
19th Century Early. Gilt and Patinated Bronze Inkstand , or Encrier, or a little reservoir of ink. Rectangular base mounted with a round lidded ink pot with a porcelain container and a sand pot, each raised on winged lion feet, centered by a palm decorated columnar carrying handle, with two pen holes. via 1st Dibs Auctions 1stdibs.com
The type of inkstand that households woulds have in Bridgerton and Jane Austen households for writing letters and keeping track of estate matters.
1806 Young French Gentleman. Brown Castorine Coat Over Blue Tailcoat, French. White cashmere breeches, white stockings, yellow gloves, black hat and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life.
Le Beau Monde magazine made suggestions for men’s fashion in November 1806.
“The neckcloth should, by no means, be too greatly puffed out; but should be neatly united in front with a large unspread bow. Dark bottle green coats will be as generally worn this season, as those of brown colours were last winter.
“For morning dress frock coats will be prevalent: those of an olive hue, with a black velvet collar, will be the most universal. Fancied waistcoats of all manufactures may be worn with this kind of coat; but fashion ordains the invariable use of dark blue or light-coloured kerseymere pantaloons, and half-boots. The boots must rise somewhat higher in the leg than has recently been the custom, and the toes of them should be formed into a perfect semi-cirlce.
“Full dress coats will likewise be made of dark green cloth, double-breasted, and will possess the similar ornament of a black velvet collar. Single-breasted white waistcoats, and light-coloured kerseymere breeches will be in much estimation. Either flesh-coloured or now-white silk stockings fashion now considered as elegant.
“The hair, for morning dress, should be cut à la Titus; for full dress, it should be powdered. Buckles for the shoes are employed in full dress; but ribbands are allowed in afternoon or dinner dress.”
1823 Hackney Cab, London, U.K. This small cabriolet was built by coach builder, David Davies, and licensed for public convenience. Name ‘hackney’ derived from village of Hackney, Middlesex, famous for horse drawn carriages. French word cabriolet was shortened to cab, hence ‘Hackney Cab’. In 1813, there were 1100 hackney coaches for hire in London. Designs changed constantly and in 1834 Joseph Hansom registered his design for a cabriolet named ‘Hansom Cab’.
1819 White Dress With Short Sleeves, English. Styled after the Court of France. Yellow skirt with long train decorated with flowers. Flowered headdress, long white gloves, necklace.Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1819 White Dress With Short Sleeves Styled after the Court of France.#RegencyEra #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
1818 Redingote Or Overcoat French. Blue tailcoat, red waistcoat, straight blue trousers, black boots, knotted kerchief and black top hat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.