I'm an Australian author of contemporary and historical romances, plus history non-fiction.
My books range from sexy to erotic, late 1700s to the mid 1800s, and with a dash of Australia thrown into the mix. My heroes and heroines challenge tradition and my stories often expose the seamier levels of life.
I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback.
I hope my books bring history alive and you have fun adventuring with my roguish heroes and feisty heroines.
1804-1814 ca. Breeches, French. Cream silk and linen. Buttoned waist, drop down front flap, or fall, extra fullness in the back for ease of movement, ties at the knees to keep in place. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Definition Pants – Breeches: Men’s close-fitting pants that fastened just below the knees or above the ankles with buttons, drawstrings, or buckles. They had a horizontal front flap called a ‘fall’ which unbuttoned to drop down. Some falls were narrow and some wide. Breeches were worn with stockings. In Jane Austen’s times, or the Regency Era, breeches were worn tighter to show off a gentleman’s manly physique, often leaving nothing to the imagination.
Disgust suddenly flooded Viscount Hawkesbury’s body and the heart Justin had assumed was frozen in his chest clenched, hard. Despite being forced into unseemly money-making ventures, the three of them had vowed to remain, at heart at least, gentlemen. They all needed to take their places in society, which was why Justin never usually entertained this sort of female at his house. Too many watching neighbors and too many wagging tongues in this respectable neighborhood.
Had he now passed the point of no return? Had the indecent acts he’d committed, all to either survive or earn his some of the ready, tainted his thinking to this extent? It terrified him that his morals were as lost as those idiots who assumed a title and riches gave a man leeway to be rude, arrogant, and even to inflict pain on those they considered inferior. He’d picked out this woman and had intended using her as an example, encouraging her to pass along his message to the long line of societal whores who would continue to plague him. He wanted to stand in the street and scream and yell, “The Virile Viscount is finished!”
Behavior such as his here showed the arrogance he’d always deplored. Rude attacks on a woman were despicable, and it was especially ill-bred of him to tease and taunt what he now suspected was a well-bred lady. But he’d underestimated the woman’s pluck, or perhaps her determination to make herself heard.
“Be warned, my lord, I shall return. Tomorrow. Early. Very early. And if you refuse to speak with me, I’ll haunt your house until you are prepared to listen to me.” Her ferocious expression made him burst out laughing again.
Bart wiggled his eyebrows in a suggestive manner and held out his hand to encourage the woman to take a seat on the thigh of the woman he still held.
“I like her, Justin. Can I have her?”
“Feel free, Bart. If you dare! Though I suspect Thomas is correct. I’ve come to the unwilling, and unfortunate, conclusion that she’s not here to audition for the Harem.”
“Certainly not.” Her tone was icy. “I’m offering you an exchange. Your skill in tutoring my friends in return for information.”
“Regrettably, my services are no longer for hire.”
She inhaled so sharply he swore her ribs vibrated. Then she made her announcement.
“If I leave this room, I’ll take with me what may be your last chance to see your mother. Alive, at any rate.”
1809 September. Garden Promenade Dresses. Empire style gowns, shawls, hats, and parasols for walking in the park, to see and be seen, in London or at fashionable resorts. More elegant than walking dresses, which are usually morning dresses with outerwear and more elaborate headdresses. These are the sort of ensembles that Jane Austen and her family and friends would have gone walking in. Foreground lady has a silk shawl mantelet trimmed with an amber silk fringe and fastened on the bosom with a pebble brooch, amber hoop earrings, white Morocco leather shoes, York tan gloves and a blue parasol with a fringe. Straw hat with flowers. Background lady wears a Nun’s hood that falls over her shoulders and holds a purple parasol. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1800-1815 ca. Unusual Skirt and Over Gown As Worn In Europe In Jane Austen’s Lifetime. From Holland. Gathered underdress and overdress with short puffed sleeves. via Dutch Museum – Gemeentemuseum Den Haag
The dresses worn in Holland and other parts of Europe were the same style as dresses worn by Jane Austen and her contemporaries. Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the loose gowns adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s in France to the period when Napoleon built his French Empire.
An early 1800’s glimpse into both the frivolous and more serious occupations filling a young lady’s day in the lifetime of Jane Austen, or the Regency Era. Historic images and historical information show her fashions and frolics. Shows the often-frivolous life and fashions of a young lady in the early 1800’s, plus a glimpse into the more serious occupations a young lady may undertake. Through historic images, historical information, and funny anecdotes, it shows how a young lady fills her day. Young Lady’s Day Regency Life Series Book 4 by Suzi Love. https://books2read.com/suziloveYLD
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility. In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917. After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.1900 Friendship, or, Hoof #Faberge #Easter Egg. Presented by Tzarina Alexandra to one of her friends. Red gold bowenite, diamonds, rubies and pearls. Faberge Easter Egg, Russia.
1900 Friendship, or, Hoof Faberge Egg. Presented by Tzarina Alexandra to one of her friends. Red gold bowenite, diamonds, rubies and pearls.
1916 Steel Military Surprise Easter Egg. Gift from Nicholas II to his wife Tzaritsa Alexandra Fyodorovna. Surprise is a miniature painting on an easel of the Tzarin planning with his generals in field. Faberge Easter Egg, Russia.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
1900 Cockerel Faberge Easter Egg, or, Cuckoo Clock Egg was given by Tsar Nicholas II to Empress Maria Feodoronova. Mechanism on top rear enables its bird to come out and move. The egg is part of the Viktor Vekselberg Collection, owned by The Link of Times Foundation, and housed in the Fabergé Museum in Saint Petersburg, Russia. Faberge Easter Egg, Russia.
1912 Imperial Napoleonic Faberge Surprise Egg. Made by Henrik Emanuel Wigström, miniatures by Vassily Ivanovich Zuiev. Gold, guilloch enamel, rose-cut diamond, platinum, gold, ivory, gouache, velvet, silk. For Tsar Nicholas II Alexandrovich Romanov to give to Empress Maria Feodorovna. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
Ordinary people began to celebrate Easter by sending postcards as gifts. At first, mainly religious pictures appeared on postcards. Then postcards images became more about real life and people. In the early 1900s, postcards became more fanciful and pretty for young children. Religious images were gradually replaced by images that children could understand and relate to about Easter
. Postcards then concentrated on images of chickens and eggs, symbolic of birth and rebirth such as chickens emerging from cracked shells as Christ emerged from the tomb. Children were then added to the images so cards became for something for the whole family. Children with chickens and eggs became very popular on postcards. Bunny rabbits became associated with Easter and children could relate to these as it fitted with their idea of the Easter bunny.
Ellen Clapsaddle (1865 – 1934). An American illustrator from the late 19th and early 20th centuries and recognized as the most prolific postcard and greeting card artist of her time. Her greatest success was single-faced cards that could be kept as souvenirs or mailed as postcards. These cards were highly prized particularly during the peak of the golden age of souvenir postcards from 1898 to 1915. She is credited with over 1000 designs in post cards and souvenir cards. Cards in the mid 1900s were created to send personal Easter messages to loved ones such as mothers and fathers, grandparents, aunts and uncles and siblings. Artists from around the world began creating beautiful cards to share at Easter. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.
Vintage Easter Egg Cards. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEgg With Flowers. Easter Greetings.
Suzi Love – suzilove.comEaster Egg Vintage Cards. #Easter #Vintage #Cards. https://books2read.com/suziloveEaster Share on X
Jenny Nystrom (1884-1946) Vintage Easter Cards. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.
