I'm an Australian author of contemporary and historical romances, plus history non-fiction. My books range from sexy to erotic, late 1700s to the mid 1800s, and with a dash of Australia thrown into the mix. My heroes and heroines challenge tradition and my stories often expose the seamier levels of life. I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback. I hope my books bring history alive and you have fun adventuring with my roguish heroes and feisty heroines.
1809 Hand Embroidered Cotton Muslin Dress, England. Hand-embroidered cotton muslin, cotton (bobbin lace), shell (button), linen tape Measurements 143.0 cm (centre back) 68.8 cm (sleeve length) Credit Line National Gallery of Victoria, Melbourne. https://www.ngv.vic.gov.au/explore/collection/work/50825/
1799 Gentleman’s daily outfit of brown cutaway coat and baggy white trousers. #GeorgianEra #FashionPlate #France https://www.books2read.com/suziloveFashMen1700
Continue reading →1800 ca. Gentleman’s White Dimity Waistcoat, England. This vest is typical of the move away from the 18th Century’s formal styles and fussy fabrics and matched the shift of women’s fashions towards lighter and airier styles and fabrics. via Whitaker Auction whitakerauction.smugmug.com Typical of a gentleman’s waistcoat, or vest, worn during the early 1800s, or Regency Era, or Jane Austen’s times.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
1818 January Fancy Mourning Dishabille. A lady reading a pink book while wearing Dishabille, or morning dress, though as this labeled ‘Fancy’, it was most likely more formal than any normal At-Home morning dress. Dress of crepe with a lavishly decorated hem, worn over a white cambric Spencer, ornamented with fine muslin, embroidered at the edge with black, finished at neck with a triple ruff of muslin, tied in front with black love. Black sarsnet French apron, edged round with a newly invented trimming of black love. Cornette, or hat, of fine muslin, crowned with a garland of black flowers. Black chamois slippers. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. The magazine’s General Observations on Fashion and Dress tries to explain why the outfit is labeled ‘Fancy’, ‘However little versatility can possibly be attached to the sable garment of sorrow, yet the Print we have presented to our readers representing the home costume of a lady of high fashion, will prove to them how busy Fancy is in her endeavors to throw a changeful hue over the tinct of solid black.’
I can picture Jane Austen and her female friends and family wearing this sort of dress if they were in half-mourning yet wanted to look fashionable. .
1818 January Lady Reading Book In Fancy Mourning Dishabille Of Blue Dress. #RegencyEra #HistoricalFashion #Mourning. https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
1818 May Morning and Evening Fashionable Dresses, English. Pale blue dress, heavily decorated with lace, matching hat and with hand held glasses. Lavender dress with low cut bodice, tiny sleeves, lace decoration on the hem, white paisley shawl, long white gloves and large bonnet. Fashion Plate via Lady’s Magazine.
Definition: Morning Walking Dress: Worn out shopping, walking in a city park or the country estate. Presentable and warm, more fashionable than relaxed Morning Dress but not heavily accessorized apart from a shawl that was usually added for warmth.
Definition Evening Dress: There were minute distinctions between ball, dinner, evening and opera gowns, which meant different quality of fabrics and designs. A Ball Gown differed from an evening dress as expensive silk fabrics were usually worn, light or heavy, decorated with lace, embroidery or beading, with low-cut bodice, short or no sleeves, and full skirts. In the early 1800s, white cotton dresses were considered suitable for many evening events, but not for balls. And definitely not for an evening event in a palace. White dresses with white embroidery for evening were considered fashionable and exclusive as only the wealthy could afford them.
1808 French Lady With Head Coverings. Bonnets and jockey caps that tie under the chin and different hairstyles. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions like this were copied by English magazines so these styles of hats would have been worn by Jane Austen and her contemporaries.
1800-1810 ca. Gentleman’s Green Silk Coat, France. #Regency #Fashion
Continue reading →1816 December. Promenade Dress, or Pelisse, English, also called a Redingote in France. High cambric muslin dress trimmed at the bottom with a single flounce of work, shaped without any fulness to fit the body, plain long sleeve finished by a triple fall of narrow lace. Over this is the Angouleme pelisse of crimson velvet, lined with white Sarsnet, and trimmed with a single Welt of crimson satin, a shade lighter than the pelisse. Shaped the to the body and without much fullness, confined at the short waist with narrow velvet band, edged to match. Small stand-up collar, supports a rich lace ruff, which is worn open in front of the throat. Sleeve has little fullness and is confined at the wrist by three narrow bands of puckered satin. Bonnet of white satin a la Royale with a large bunch of flowers and tied under the chin with satin ribbon and finished in front with a full quilling of tulle. Black silk ridicule, exquisitely worked in imitation of the ends of an India shawl and trimmed with black silk fringe. White kid gloves and black walking shoes. Fashion plate, hand-colored engraving on paper. Published in Rudolph Ackermann’s ‘The Repository of Arts’, London.
Promenade Dress, Pelisse, Redingote, Or Walking Dress. Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters.
1770 Yellow Silk Corset, Italian. Front and Back Lacing. By the 1770s, steel was being used in stays, which increased their strength, though not their flexibility. Credit Line: Gift of The Metropolitan Museum of Art, 1940 Accession Number:C.I.40.173.6a–e Metropolitan Museum, N.Y.C, U.S.A.
By the 1770s, steel was being used in stays, which increased their strength, though not their flexibility. With the tight lacing made possible by stronger stays, doctors and others voiced health concerns, such as this comment from a 1775 correspondence: “I hope Miss Sparrow will not fall into the absurd fashion of ye wasp-waisted ladies. Dr. Pringle declares he has had four of his patients martyrs to that folly (indeed wickedness), and when they were opened it was evident that their deaths were occasioned by straight lacing.” Although admonitions on the dangers of straight lacing are common in the eighteenth and nineteenth centuries, recent scholarship by Valerie Steele has called into question the reality of the many “death by tight lacing” stories of the period.
History Notes Book 15 shows how body wraps, stomachers and stays were worn during the 1700s, or Georgian Era, to create a variety of fashionable silhouettes to suit the elaborate fashions worn for court and daily life. https://books2read.com/SuziLoveCorsetBook15
1808 Richard Trevithick’s Steam Circus, Bloomsbury, London, U.K. Site where Trevithick ran his locomotive ‘Catch Me Who Can’. Trevithick wanted to prove that traveling by train was faster than on horseback. Locomotive ran at top speed of 19 km per hour and people paid a shilling to sit in an attached car and be pulled around. Via Wikimedia Commons commons.wikimedia.org (PD-ART) This was the start of the railway expansions across England in Jane Austen’s time.
