1800-1815 ca. Sprigged Mull Dress. Typical of the white cotton high-waisted dresses in vogue in the early 1800s. They replaced the more formal gowns from the end of the 18th Century and moved away from heavier and more decorative fabrics. This is the type of dress Jane Austen and her contemporaries would have worn on a daily basis. via Whitaker Auctions.
1816. June Blue Merino wool riding dress with high waist and embroidered and ornamented round the bust and cuffs and fastens on the back of the shoulder. Double ruff of fine Vandyke lace is separated from shirt collar by a Chinese silk handkerchief of blue and white. Small round hat made of fine beaver or moss silk, the half boots are of blue kid with Limerick gloves worked and seamed with blue and she is carrying a riding whip. These riding habits were usually designed by men and were in two pieces, a jacket and a skirt, worn over a shirt but this is in one piece and the full skirt falls from directly under the bust. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. https://books2read.com/SuziLoveFashionWomen1815-1819
Typical of the riding costumes worn by Jane Austen’s female contemporaries. The style is still in the Empire fashion of a high-waist with the full skirt falling from just under the bust and with a frill and small decorations on the wrists and shoulders to make it look unique.
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Top Hat Styles Chart. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides.
Top Hat Styles Chart. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides. https://books2read.com/SuziLoveFashionMen1800-1819
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. Via Augusta Auctions – augusta-auction.com
Tailcoat: A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life would have worn a black tailcoat like this for everyday wear. https://books2read.com/SuziLoveFashionMen1800-1819
19th Century First Half Front View. 19th Century First Half Back View. 19th Century First Half. Side View. 19th Century First Half Collar View. 19th Century First Half Monogram View. 19th Century First Half Lining View. 23_d2d_fashionmen1800-1819
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What Sort Of Pianoforte or Piano Was Played By Jane Austen and Contemporaries? Pianos, pianofortes and more. History Notes Book 7 Music Pianos books2read.com/suziloveMusicPiano
Definition Pianoforte or Piano: ‘Stringed keyboard instrument with a hammer action, as opposed to the jack and quill action of the harpsichord. Capable of gradations of soft and loud, the piano became the central instrument of music pedagogy and amateur study. By the end of the nineteenth century, no middle-class household of any stature in Europe or North America was without one.’ Definition via the Metropolitan Museum, NYC.
Around 1700, the Pianoforte, or Piano, was invented in Italy by Bartolomeo Cristofori, who created a hammer action keyboard instrument on which a musician could make changes in loudness by changing the force with which the keys were struck. He called his instrument “gravicembalo col piano e forte”, or, (harpsichord with soft and loud). Cristofori’s long name was later shortened to fortepiano or pianoforte, and finally just piano.
Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Pianos, pianofortes, harpsichords, and organs were found everywhere and were often the focus of a family gathering. By the end of the 18th Century, the pianoforte, or piano, was the leading instrument of Western music.
HN_7_Music Piano. History Notes Book 7 By Suzi Love. Pianos, pianofortes, harpsichord, organs in 17th, 18th, and 19th Centuries. #music #history #nonfiction books2read.com_suziloveMusicPianoD2D_RetailerBuyLink_HN_7 Piano
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1800-1810 ca. Pineapple Reticule, or Bag. A knitted pineapple with long strings. In Jane Austen’s times, pineapples were a luxury imported item that most people in Great Britain had never seen, let alone tasted. When more pineapples were imported from hotter countries, or English gardeners started to grow some, pineapples became a much desired novelty and an exotic experience. Pineapple motifs appeared on dresses, furniture, household goods etc. Knitting pineapple reticules was part of this obsession with pineapples. via Kyoto Museum, Japan.
Definition Ridicule, Reticule, Indispensable, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc. http://books2read.com/suziloveReticules
1800-1810 ca. Reticule, or Bag. A knitted pineapple with long strings. via Kyoto Museum, Japan.
In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.
1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.
I love Pinterest for keeping thousands of historical images in some sort of order. And I love using Pinterest Boards as inspiration for my romance books. What about you? Do you use Pinterest for planning something, or just for fun? Need more hints for what to do with your boards and pins? Take a look at these fascinating articles on Pinterest. if you want even more Pinterest information and tips for becoming a power user, check out my Suzi Love Pinterest Boards
1804-1829 ca. Two Gentlemen and A Lady, Italian. Dressed as ladies and gentlemen would be in the times of the Bridgerton family and Jane Austen and friends. Gentleman in a caped overcoat with black top hat and red umbrella. Lady in walking costume of lavender cape over red dress, red shawl, white bonnet and black walking shoes. Gentleman in blue opera cloak with red lining, black top hat and black shoes. Men And Women In Costumes, 1804-1829 The Miriam and Ira D. Wallach Division, The New York Public Library. nypl.org The sort of fashionable outfit and items worn or carried by Jane Austen and her contemporaries when out walking. Outfits were always heavily accessorized with coats, shawls, hats and parasols.
1804-1829 ca. Two Gentlemen and A Lady, Italian. Gentleman in a caped overcoat with black top hat and red umbrella. Lady in walking costume of lavender cape over red dress, red shawl, white bonnet and black walking shoes. https://books2read.com/SuziLoveFashionMen1800-1819
A portrait from 1810-1814 of Rudolph Ackermann, shop owner and founder of ‘The Repository Of Arts’ magazine, The Strand, London. via National Portrait Gallery, London. Plus, an image of Ackermann’s premises in 1809. His ‘Repository of Arts, Literature, Fashion, Manufactures, etc.’ was published from 1809 to 1829 with images of Regency London, Regency furnishings and grand homes as well as beautiful fashion prints and descriptions every month. Ackermann originally supplied artists, amateur and professional, with supplies for watercolor painting. In 1799, he began manufacturing and selling his own watercolor paint blocks which were supplied by other colourmen, although at least three colors were his own mixture – Ackermann’s Green, White and Yellow. From 1817, his eldest son Rudolph Ackermann junior was responsible for the watercolor manufacturing. Ackermann also trained as a carriage designer. He began publishing prints and colour-plate books like ‘The Microcosm of London’ and ‘Doctor Syntax’ in the early 1800s.
The Repository of Arts was one the most popular magazines in Jane Austen’s time as it displayed everything ladies wanted to learn e.g. history, important country seats and houses in England, music, current events such as theatre plays, plus fashion plates and embroidery patterns. Ackermann’s shop in The Strand, London, was one of the fashionable places to shop during the Regency Era. The Repository also included poetry, travel reports, society reports and upcoming lectures. It also included serious subjects e.g. politics, legal matters, medicine and agriculture, a meteorological journal and details of the London markets. In 1817, the price of the magazine was 4 Shillings, so quite expensive for the time.
In the first issue, published for January 1809, Ackermann included an ‘introduction to the history of the useful and polite arts’ which said: “It is universally admitted, that to cultivate a taste for the arts, and an acquaintance with the sciences, is a pleasure of the most refined nature; but to do this without regard to its influence upon the passions and affections, is to ‘tear a tree for its blossoms, which is capable of yielding the richest and most valuable fruit.’ The cultivation of this taste may and ought to be subservient to higher and more important purposes: it should dignify and exalt our affections, and elevate them to the admiration and love of that Being who is the author of every thing that is fair, sublime, and good in nature.”
1810-1814 Portrait of Rudolph Ackermann, shop owner and founder of The Repository Of Arts magazine. via National Portrait Gallery, London.
1809 January Ackermann’s Repository of Arts, 101 Strand, London, U.K. Drawn by Augustus Pugin and Thomas Rowlandson. Published By Rudolph Ackermann. Etching and aquatint with hand coloring.
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.orgD2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules