From 1700 until the early 1800s, pockets with waist ties were worn by women to keep essential items on their person. Generally of linen or some other cotton fabric, they were often quilted, or embroidered and gifted or handed down to others. In the 18th century, women’s pockets were not sewn into their gowns. Instead they were attached to a tape and tied around the waist as separate garments. Worn under the hoops and petticoats, they were accessed through openings in the gown and petticoat seams. By the early 1800s, round gowns were both flowing and almost transparent so pockets could no longer be worn under dresses, so ridicules, or bags, or reticules were carried instead. Jane Austen and her female friends and family would have worn pockets under their out layers.
From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.
1700-1725 ca. Pair of Linen Twill Women’s Pockets With Crewel Embroidery and Waist Ties, British. Embroidered in yellow, green and pink worsted thread with chain and stem stitches, design of flower pot with flowering plant, bound with green worsted tape and sewn to linen tape tie. Designs are similar but not identical, suggesting both hand-drawn and possibly work of an amateur. Pockets may have been handed down to another person who found them too small as each pocket has been extended at top by 4 cms. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
by 4 cms. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1750-1800 ca. Woman’s Pocket With Waist Ties, New England, America. Linen plain weave, cotton plain weave, wool embroidery. Dimensions 39.5 cm x 27.5 cm. Polychrome crewels on cotton and linen, vine with buds, flowers and leaves and initials M.W. in center. In 18th century, women’s pockets were tied around waist with tape as separate garments, worn under hoops and petticoats, accessed through openings in gown and petticoat seams. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1750-1800 ca. Woman’s 1750-1800 ca. Woman’s Pocket With Waist Ties, New England, America. Linen plain weave, cotton plain weave, seams. via Museum of Fine Arts, Boston, U.S.A. mfa.orgHN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions.
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1845-1865 ca. Cream Silk Evening Slippers, British. Cream evening shoes with ankle ties and lace trim. Trim is unusual because mid 19th Century ladies’ shoes were often plain as only toes showed beneath fashionable long skirts. Designed By Hobbs, famous London shoemaker, and with a label attached to lining with a regal crest to show maker’s royal patronage. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
A sedan chair is a portable enclosed chair for a single passenger. It was generally carried by two “chairmen” holding poles attached to either side of the chair. Sedan chairs were fashionable in England and Europe during the 17th, 18th and early 19th centuries and were an important part of the social life of the times. They were very useful for negotiating crowded, unsafe, narrow, winding and often filthy streets and were particularly used by “invalids, ladies and party goers”. Sedan chairs had the advantage of being able to be carried up and down stairs and could deliver the passenger from inside their own home to inside their destination without having to step outside.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
The 19th century English author, Elizabeth Gaskell, described the use and function of the sedan perfectly in her novel “Wives and Daughters” when she reminisced how the Browning sisters chose to be transported to a ball by sedan chair, which ‘came into the parlor, and got full of the warm air, and nipped you up, and carried you tight and cosy into another warm room, where you could walk out without having to show your legs by going up steps, or down steps.’
The Bath Chair was invented in Bath, England, in the mid 18th Century to transport the wealthy and the sick around the city. It could be steered by the passenger and rivaled and then outdid the Sedan Chair as only one chairman was needed to operate it. The last Bath Chairman retired in 1949.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
The longest journey recorded in a sedan chair was made by Princess Amelia, youngest daughter of King George III, who in 1728 was carried by 8 chairmen working in reliefs from London to Bath, a distance of 172 kms (107 miles). This sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”.
HN_10_D2D_RetailerBuyLink_ History Notes Book 10 books2read.com/SuziLoveTravel
1805-1810 ca. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves and long train. Gold metallic thread embroidery. via Metropolitan Museum, N.Y.C., U.S.A.
1805-1810 ca. Front Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Back Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Side Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Train Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org1805-1810 ca. Embroidery. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility (1811)
“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility
(1811)HN_27_D2D_fashwomen1810-1814
https://books2read.com/SuziLoveFashion1810-1814
1819 White Dress With Short Sleeves, English. Styled after the Court of France. Yellow skirt with long train decorated with flowers. Flowered headdress, long white gloves, necklace.Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
1804 London Hairstyles, Gorgeous Gold Hats. via Fashion Plate via Fashions of London and Paris, Published By Richard Phillips, St. Paul’s Church Yard, London, UK. These styles of hats and hairstyles would have been worn by Jane Austen and her contemporaries as hats were an essential fashion item during the Regency years.
1804 London Hairstyles, Gorgeous Gold Hats. via Fashion Plate via Fashions of London and Paris,
Published By Richard Phillips,
St. Paul’s Church Yard, London, UK.25_D2D_Corset_1790-1810
1815-1818 ca. Cocoa Silk Figured Dress with Spencer. High-waisted, Empire style, dress with long sleeved Spencer, decorated shoulders, bodice and hem. The Bridgertons, Jane Austen, and their family and friends would have worn this style of dress and Spencer. via Whitaker Auction whitakerauction.smugmug.com Spencers were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years, to provide warmth and some protection from windy conditions when the transparency of gowns might cause modesty issues. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Spencer over her dress in the cold British winters.
Definition Spencer: Short jacket said to have originated from an accident to Lord Spencer’s coat when hunting and tails were torn off.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. Embroidered cotton with metal and boning, possibly used as a maternity corset. This corset is made of cream cotton with red machine-embroidered trim and trimmed with a scallop edged tape. The corset is made in four parts and fastens at the front with a busk and with five white metal loops and studs. At the back are seventeen sets of white metal bound eyelets for threading through a lace. At each side, there are twelves sets of metal bound eyelets to fasten with elasticated laces. There is a vertical opening at the bust which fastens with three bronze gilt press studs, clamped into the fabric, and a diamond pattern impressed on the head which shows on the face of the fabric. On the reverse of the stud is a mark.
The corsets reach from the bust to the middle of the hip descending to a point at about the middle of the belly in the centre front. They are machine-stitched and seem lightly boned, encased and sewn to the face of the fabric. Bound at the top and bottom with grey tape. The breast gussets and side lacing suggest this is a maternity corset. Corsets designed for pregnancy and nursing were advertised throughout the 19th century. This maternity corset is a typical example. It is constructed like a fashionable corset, with boning and a central busk. It has side laces, to enable the wearer to adjust the corset to her changing figure. The cups can be opened for breastfeeding by releasing the press studs. via Victoria and Albert Museum, London, UK.
1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. via collections.vam.ac.uk1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. via collections.vam.ac.uk1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. SideView. via collections.vam.ac.uk
1875-1899 ca. Side Lacing Maternity Corset, Possibly England Or Germany. #corset #maternity #victorianfashion https://books2read.com/SuziLoveCorsetBook19
Reader or Writer of Regency Era Books? Love the Bridgertons and Jane Austen? Nonfiction book, Older Gentleman’s Day, gives an overview of his daily life by Award Winning researcher and author, Suzi Love. A sometimes comical look at an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where he went, what he wore, and how he managed the family’s finances. Older Gentleman’s Day, Regency Life Series Book 3 books2read.com/suziloveOGD
Regency is the time period in England that began in 1811 when King George III had increasing bouts of madness and was finally declared mad. The Prince of Wales was officially named Regent, often referred to as “Prinny”, and the Regency period ran until 1820 when King George III died and the prince was crowned King George IV. The long Regency era is from the time of Jane Austen and the Napoleonic Wars until the time Queen Victoria ascended the throne.
RL_3_OGD_Older Man’s Day Regency Life Series Book 3 by Suzi Love #Regency #History books2read.com_suziloveOGD
Reader or Writer of the Regency Era? Love the Bridgertons and Jane Austen? Try Older Gentleman’s Day for an overview of daily life. #Bridgerton #RegencyEra #JaneAusten #nonfiction http://books2read.com/suziloveOGD
