1818 ca. Lemon Dress, England. High-waisted, or Empire style, as worn in the times of Jane Austen, or Regency Era. Linen and lace dress with short puffed sleeves. via Los Angeles County Museum of Art, California, USA. collections.lacma.org. https://books2read.com/SuziLoveFashionWomen1815-1819
1810 January 1st. West India Docks, London. By Thomas Rowlandson and Augustus Charles Pugin. Printed in 1810 By Rudolph Ackermann in Microcosm Of London, or London In Miniature. Volume 1. Aquatint showing warehouses at quayside and several West Indiamen moored alongside. Warehouses held thousands of tons of cargo, including sugar, rum, molasses, coffee, spices and hardwood. Docks were constructed by powerful group of businessmen led by Robert Milligan, wealthy merchant and ship-owner outraged at losses suffered due to theft and delay at riverside wharves. via National Maritime Museum, Greenwich, London, U.K. ~ collections.rmg.co.uk
Lord Byron Quote: ‘Always laugh when you can. It is cheap medicine.’
1787 December Yellow striped dress, red hat with a white feather and a large fur muff, French. via Magasin des Modes.
1815 Arundel Fete Dress and Baronial Helmet, English. White dress with purple bodice and hem with matching shawl and plumed headdress. Skirt of white crape over white satin, a double row of novel and elegant trimmings on the bottom, two falls of the crape, set on full, are edged with silk. Body comes high on each side of the bosom and is shaped so as to display the neck and shoulders, and both body and sleeves are formed and trimmed in the most exquisitely tasteful manner. A superb cord and tassels confines the waist and ties in front. The Baronial Helmet is striking and made of white sarsnet or satin and white lace and superbly ornamented with feathers. Jewelry set, or Grand Parure, of necklace, bracelets. ear-rings, and small French locket of pearl. White kid slippers and gloves. Full Dress for evening would most likely be a dress of silk or satin, perhaps with a transparent overlay of netting, tulle etc., embellished with taffeta, ruffles and ribbons, and with a full range of accessories including a Grand Parure of tiara and other matching jewelry. https://books2read.com/SuziLoveFashionWomen1815-1819
La Belle Assemblee: Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. Many of the fashion plates seen in La Belle Assemblée and The Repository of Arts were designed by Mrs. Bell who had her dressmaking showroom in Bedford Square, London, and was related to John Bell who published La Belle Assemblée. It seems that she designed for at least two fashion magazines and so there is a cross-over of designs in different magazines.
Grand Parure: A Parure is a matched set of jewelry, including a necklace, bracelet, earrings, pin etc. and a Grand Parure often includes a tiara or other headdress.
Writer Or Reader Of Regency Era?What did Jane Austen and friends wear? Women’s clothing changed dramatically in early 1800s. New silhouette copied simplistic styles of Greeks and Romans. High-waisted white dresses and flowing skirts with color and warmth added by outerwear and accessories. Fashion Women 1801-1804 History Notes Book 25 https://books2read.com/SuziLoveFashionWomen1801-1804
Definition Empire Style Dress: High-waisted white gowns defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the elaborate clothing worn in the 1700s. This sort of high-waisted dress would have been worn by Jane Austen and her contemporaries in England.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
Fan of the Bridgerton Series? Jane Austen Lover? Writer Or Reader Of Regency Era? What did they wear in early 1800s? #christmas #bridgerton #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
Love the Bridgerton family and Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories.
books2read.com/SuziLoveFashionWomen1815-1819
History Notes 28 Fashion Women 1815-1819: This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
The 26th December was St. Stephen’s Day, the first Christian martyr and patron saint of horses, so Boxing Day became associated with horse racing and sports. It was also when the English churches alms boxes were opened and the contents given to the poor of the parish. In the song Good King Wenceslas, the king gave the poor man meat, wine and wood “on the feast of Stephen.” Written by John Mason Neale and first published in 1853, the lyrics celebrate the spirit of Boxing Day which was generosity. King Wenceslas watches a poor man “gath’ring winter fuel. and he then brings the peasant food and logs for his fire. In parts of Europe, St. Stephen’s Day is considered the second day of Christmas.
On the Boxing Day holiday, servants, apprentices, and the poor were presented with gifts. The origin of the holiday is unknown, but was probably first observed in the Middle Ages and the name may come from the opening of alms boxes that had been placed in churches over the holidays for distribution to the poor. It may also be because servants opened their gift boxes on the day after Christmas because on Christmas Day they were busy cooking and serving a large festive meal for their employers. December 26th is also the feast day of St. Stephen, the first Christian martyr and patron saint of horses, so Boxing Day has now become associated with horse racing and sports.
One of the earliest records of these box gifts dates from 1663. In an entry in his diary, English Parliamentarian Samuel Pepys writes that he sent a coach and messenger to his shoemaker to deliver “something to the boys’ box against Christmas” in addition to funds to cover his bill. During Queen Victoria’s reign, Boxing Day became a chance for church parishioners to deposit donations into a box that was put out for the purpose by the clergyman. The money in the boxes was given to the poor.
Some villages followed the custom of the Hunting of the Wren, where small boys captured a wren, killed it, and then mounted it on a pole and carry to every house in the village while singing a song. Money collected was used for a village dance. In London, and in many other parts of Europe, large families and establishments keep regular lists of tradesman’s servants, apprentices, and other persons, who come about making a sort of annual claim on them for a Christmas box on this day.’
‘The custom of annual donations at Christmas, and on New Year’s-day, is very ancient, being copied by the Christians from the Polytheists of Rome, at the time the public religion was changed. These presents, now-a-days, are more commonly made on the morrow of Christmas. From this circumstance the festival of St. Stephen has got the nickname of Christmas Boxing-day, and by corruption, Boxing-day.’ From:- The Lady’s Monthly Museum, Vernor & Hood: Christmas-boxes, 1824.
‘On the day after Christmas, tradespeople are visited by persons in the employment of their customers for a “Christmas-box,” and every man and boy who thinks he is qualified to ask, solicits from those on whom he calculates as likely to bestow.
A writer, in 1731, describes Boxing-day at that time from his own experience. ” By that time I was up, my servants could do nothing but run to the door. Inquiring the meaning, I was answered, the people were come for their Christmas-box : this was logic to me; but I found at last, that, because I had laid out a great deal of ready-money with my brewer, baker, and other tradesmen, they kindly thought it my duty to present their servants with some money for the favor of having their goods.
This provoked me a little; but being told it was ‘ he custom,’ I complied. These were followed by the watch, beadles, dustmen, and an innumerable tribe; but what vexed me the most was the clerk, who has an extraordinary place, and makes as good an appearance as most tradesmen in the parish; to see him come a boxing, alias begging, I thought was intolerable: however I found it was ‘ the custom’ too, so I gave him half-a-crown; as I was likewise obliged to do to the bellman, for breaking my rest for many nights together.’ From The Every-day book and table book by William Hone, 1839
Boxing Day is one of the many customs and traditions associated with Christmas that is featured in History of Christmases Past (Book 1 History Events) by Suzi Love.
Christmas: Saint Nicholas Visits On Christmas Eve
A Visit from St. Nicholas By Clement Clarke Moore
‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hope that St. Nicholas soon would be there;
The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads:
And mamma in her kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon, on the breast of the new-fallen snow,
Gave a lustre of midday to objects below;
When what to my wondering eyes should appear,
But a miniature sleigh and eight tiny reindeer,
With a little old driver, so lively and quick
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled and shouted and called them by name;
“Now, Dasher! now, Dancer! now, Prancer and Vixen!
On, Comet! on, Cupid! on, Donder and Blitzen!
To the top of the porch, to the top of the wall!
Now, dash away, dash away, dash away all!”
As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So, up to the house-top the coursers, they flew,
With a sleigh full of toys, —and Saint Nicholas, too.
And then in a twinkling I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head and was turning around,
Down the chimney Saint Nicholas came with a bound.
He was dressed all in fur from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedlr just opening his pack.
His eyes how they twinkled! His dimples how merry!
His cheeks were like roses, his nose like a cherry;
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow.
The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath.
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, —a right jolly old elf—
And I laughed when I saw him, in spite of myself.
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread.
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose.
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle;
But I heard him exclaim, ere he drove out of sight:
“Merry Christmas to all, and to all a good night!”
By Clement Clarke Moore