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1757-1758 ca. Egg Shaped Toilet Case With Clock, Paris, France. #Easter #France #Clock

Suzi Love Posted on March 26, 2026 by Suzi LoveMarch 26, 2026

1757-1758 ca. Egg Shaped Toilet Case With Clock. By Master Francois Beeckaert, Paris, France. Gold, diamonds, silver, enamel. via Hermitage Museum, Russia.

1757-1758 ca. Egg Shaped Toilet Case With Clock.
1757-1758 ca. Egg Shaped Toilet Case With Clock, Paris, France. #Easter #France #Clock. https://books2read.com/suziloveEaster Share on X
Posted in 1700s, Box Or Container, Decorative Item, Easter, France, Georgian Era, History, Suzi Love Books, Suzi Love Images | Tagged 1700s Or Georgian Era, antiques, Box Or Container, decorative, Easter, Easter in Images, France | Leave a reply

Floris London: Perfume and Toiletries in Jane Austen’s and Bridgerton’s London. #Bridgerton #RegencyEra #JaneAusten #Floris

Suzi Love Posted on March 26, 2026 by Suzi LoveMarch 1, 2026

While writing about perfumes and oils, a favourite subject of mine, for my book, Scenting Scandal, I sniffed out some fascinating snippets on the history of early perfume suppliers in London. I have a nose for these things ( He He!) as in my past life I also blended oils and perfumes.  One name stood out in historic London- Juan Floris.

He opened his shop at 89 Jerym St. in the elegant quarter of St. James’ London soon after his arrival from the Mediterranean in 1730. After starting as a barber and comb-maker, he missed the aromas of his Mediterranean youth and began blending oils, essences and fixatives, from Europe, into the first Floris fragrances.

‘ Purveyors of The Finest Perfumes & Toiletries to the Court of St James’ Since the Year 1730.’

In the same manner that Fortnum & Mason held Royal Warrants to supply groceries to the Royals, Floris held Royal Warrants to supply perfumes, shaving items and toiletries.

The first Royal Warrant granted to J.Floris Ltd was in 1820 as ‘Smooth Pointed Comb-makers’ to the then newly appointed King George IV. Then, the social elite followed the court until the Floris ledgers held accounts for an array of public figures, including practically every European Royal. Combs, tooth brushes and mouth washes were greatly valued by the company’s elite clientele.

These days, and at the same premises, Floris still supplies royalty and world celebrities with an array of fragrances and bathroom accessories.

The Floris archives hold letters from famous customers detailing their preferences and their thanks, including the following examples:

  • Winston Churchill, according to records held by Floris, purchased Special No. 127 Eau de Toilette and Stephanotis in 1934.
  • Marilyn Monroe was also known to have purchased from Floris on at least one occasion, having made a purchase of Rose Geranium while staying at the Beverly Hills Hotel, California in 1959.
  • Florence Nightingale wrote a 25 July 1863 letter thanking Mr Floris for his ‘sweet-smelling nosegay’.
  • Mary Shelley, whilst abroad, sent friends instructions to purchase her favourite combs and toothbrushes from Floris.
  • Beau Brummell in the early 19th century would discuss his current fragrances at length with Mr Floris.
Floris London: Perfume and Toiletries in Jane Austen's and Bridgerton's London. #Bridgerton #RegencyEra #JaneAusten #Floris
Floris London: Perfume and Toiletries in Jane Austen's and Bridgerton's London. #Bridgerton #RegencyEra #JaneAusten #Floris books2read.com/suziloveOLD Share on X
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Posted in 1700s, 1800s, 1900s, Bridgerton, Celebrity, Decorative Item, Edwardian Era, Georgian Era, household, Hygiene, Jane Austen, London, Regency Era, Romantic Era, Victorian Era | Tagged Bridgerton, celebrity, hygiene, Jane Austen, King George IV, lndon, Regency Era, Regency London, Regency Royalty, shopping

1818-1831 Roller Printed Cotton Furnishing Fabrics, English. #RomanticEra #Fabric #RegencyEngland

Suzi Love Posted on March 26, 2026 by Suzi LoveMarch 24, 2026

1818-1831 Roller Printed Cotton Furnishing Fabrics, English.

Between 1820 and 1840 textile printers began to produce designs that were based on the woven silk dress fabrics of the 1750’s. Designs showing curving trails of lace or ribbons between bouquets of flowers became as popular in the 1830s as they had been in the 18th century.

Roller Printed Cotton.

The pattern on printed cotton was made with an engraved metal roller and additional colors were built up by wooden surface roller. Roller printing on textiles was introduced in the late 18th century and at first used mainly for small-patterned dress fabrics. By the 1830s, roller printing was highly mechanized process and had largely replaced block printing for fashionable furnishings.

Materials and Making
The development of roller printing coincided with a radical transformation in the dyestuffs available for printing on cotton. Until the beginning of the 19th century printing had been based on the use of vegetable dyes. In Britain, France and Germany new chemical processes were developed and mineral colors produced that transformed the palette of colors available to the printer and made combinations such as shades of pink and orange possible.

Design and Designing
The false trails of lace and bouquets of flowers in the fabric are inspired by the patterns of woven silks from nearly a century earlier. Changing taste made this design suitable for furnishing a room in the 1830s, while the 18th-century silk that was its inspiration would have been intended for a woman’s gown.

Time
The styles considered fashionable in 1830s furnishings were widely diverse. Among the more recognisable historical references were Rococo, Elizabethan and Gothic. A design such as this seems to be relying on novelty of effect for its success.

Information via Curator of Victoria and Albert Museum, London, UK. collections.vam.ac.u Victoria and Albert Museum, London, UK. 

Household_1831 Furnishing Fabric, English. Roller-printed cotton in red and purple_pink background_VAM__sml

1831 Furnishing Fabric Of Roller-Printed Cotton. Green, red and pinks and Includes acanthus scrolls with stars. Curving lines, naturalistic motifs, leaves and fronds of seaweed based on designs of 1750s. Developments in dyes in 19th century meant designs more intensely decorated than in 18th century. via Suzi Love - suzilove.com & Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1831 Furnishing Fabric, English. Roller-printed cotton in green, red and pink. Pattern includes design of acanthus scrolls with stars. collections.vam.ac.uk suzilove.com
1831 Furnishing Fabric Of Roller-Printed Cotton, Lancashire, U.K. Purple, orange, yellow and drab. Pattern includes design of zig-zag chintz and additional colors added by surface roller. Pattern on printed cotton was made with engraved metal roller and additional colors were built up by wooden surface roller. via Suzi Love - suzilove.com & Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1818-1831 Roller Printed Cotton Furnishing Fabrics. Seen in Jane Austen and Bridgerton years. #Bridgerton #JaneAusten #RomanticEra #Fabric #RegencyErahttps://books2read.com/suziloveROver Share on X
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Posted in 1800s, Bridgerton, Decorative Item, England, furniture, household, Jane Austen, Regency Era, Romantic Era, sewing | Tagged Bridgerton, England, fabric, furniture, household, Jane Austen, Regency Era, Romantic Era, sewing, Victoria and Albert Museum

1911 Orange Tree, or, Bay Tree Faberge Imperial Easter Egg. #Easter #EasterEgg #christianity #russia #faberge

Suzi Love Posted on March 25, 2026 by Suzi LoveMarch 25, 2026

1911 Orange Tree, or, Bay Tree Faberge Imperial Easter Egg. Gift to Maria from her son. Automaton nightingale emerges and sings when the correct orange is turned. Gold, jade, diamonds, vitrines, amethysts, rubies, pearls, agates, and bird has feathers. Faberge Easter Egg, Russia.

The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.

egg_1911_OrangeTreeEasterEgg
1911 Orange Tree, or, Bay Tree Faberge Imperial Easter Egg. #Easter #EasterEgg #christianity #russia #faberge https://books2read.com/suziloveEaster Share on X
Posted in 1900s, Customs & Manners, Decorative Item, Easter, Ester In Images, household, Royalty, Russia, Suzi Love Books | Tagged decorative, Easter, easter egg, Easter in Images, Edwardian Era, Faberge, household, Royalty, Russia
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1900s Early Gorgeous Faberge Eggs From Russia. 2. #Easter #Faberge #Russia

Suzi Love Posted on March 25, 2026 by Suzi LoveMarch 26, 2026

The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.

In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.

After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.

1900 Cockerel Faberge Easter Egg, or, Cuckoo Clock Egg was given by Tsar Nicholas II to Empress Maria Feodoronova. Mechanism on top rear enables its bird to come out and move. The egg is part of the Viktor Vekselberg Collection, owned by The Link of Times Foundation, and housed in the Fabergé Museum in Saint Petersburg, Russia. Faberge Easter Egg, Russia.

Easter_1900 Imperial Cockerel Faberge Easter Egg, or, Cuckoo Clock Egg was given by Tsar Nicholas II to Empress Maria Feodoronova. Mechanism on top rear enables its bird to come out and move. The egg is part of the Viktor Vekselberg Collection, owned by The Link of Times Foundation, and housed in the Fabergé Museum in Saint Petersburg, Russia. Faberge Easter Egg, Russia. Suzi Love suzilove.com
egg_1912_imperial_faberge-easter-egg-russia
Easter_1912 Imperial Napoleonic Faberge Surprise Egg. Made by Henrik Emanuel Wigström, miniatures by Vassily Ivanovich Zuiev. Gold, guilloch enamel, rose-cut diamond, platinum, gold, ivory, gouache, velvet, silk. For Tsar Nicholas II Alexandrovich Romanov to give to Empress Maria Feodorovna. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1912 Imperial Napoleonic Faberge Surprise Egg. Made by Henrik Emanuel Wigström, miniatures by Vassily Ivanovich Zuiev. Gold, guilloch enamel, rose-cut diamond, platinum, gold, ivory, gouache, velvet, silk. For Tsar Nicholas II Alexandrovich Romanov to give to Empress Maria Feodorovna. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1900s Early Gorgeous Faberge Eggs From Russia. 2. #Easter #Faberge #Russia. https://books2read.com/suziloveEaster Share on X

Posted in 1900s, Box Or Container, Decorative Item, Easter, Edwardian Era, Europe, History, Russia, Suzi Love Books, Suzi Love Images | Tagged 1900s, Easter, Easter in Images, Edwardian Era, Faberge, Russia, Suzi Love Books, Suzi Love Images | Leave a reply

1897 The Imperial Coronation Egg With A Surprise. #Easter #Faberge #Russia

Suzi Love Posted on March 24, 2026 by Suzi LoveMarch 19, 2026

1897 The Imperial Coronation Egg With A Surprise.Made By Mikhail Pushkin. Presented by Emperor Nicholas II to his wife Empress Alexandra Feodorovna as memento of entry to Moscow on May 26th, the day of the Coronation, in Uspensky Cathedral. Gold embellished with translucent yellow guilloché enamel.

Many Russian Easters were celebrated with Imperial monogramed eggs as the royals were very involved with both the religious celebrations of Easter and the family traditions. Fabergé eggs were jeweled eggs created by Peter Carl Fabergé  and his company in Russia from 1885 to 1917. The most famous of the eggs are the ones made for the Russian Tsars, Alexander III and Nicholas II, as Easter gifts for their wives and mothers, often called the ‘Imperial’ Fabergé eggs. The House of Fabergé made about 50 eggs and 43 have survived. Another two were planned for Easter 1918, but because of the Russian Revolution were not delivered. After the Revolution, the Fabergé family left Russia and the Fabergé trademark has been sold several times since then. Several companies have sold Easter egg merchandise using the Fabergé name. The trademark is now owned by Fabergé Limited, which makes egg-themed jewelry.

1897 The Imperial Coronation Egg With A Surprise. #Easter #Faberge #Russia https://books2read.com/suziloveEaster Share on X

Posted in 1800s, Box Or Container, Decorative Item, Easter, Ester In Images, Europe, History, History Events, Russia, Victorian Era | Tagged Easter, Easter in Images, europe, Faberge, Russia, Suzi Love Books

1806 Silver Vinaigrette Commemorating The Battle Of Trafalgar in the times of the Bridgertons and Jane Austen. #Bridgerton #RegencyEra #JaneAusten #FashionAccessory

Suzi Love Posted on March 23, 2026 by Suzi LoveJanuary 25, 2026

1806 Silver and silver-gilt vinaigrette, Birmingham, England. Commemorating the Battle of Trafalgar in 1805. Rectangular with a hinged lid and a suspension loop. Gilded, pierced inner cover depicts HMS ‘Victory’ in relief inscribed ‘VICTORY’, ‘TRAFALGAR OCT 21 1805’. Via National Maritime Museum, Greenwich, London, U.K.

Vinaigrettes were used from the late 18th century through the 19th Century to revive a person who had fainted, having the vapors, or to mask unsanitary odors. Small containers, often a silver hinged box, held a tiny sponge dipped in an aromatic substance which had been dissolved in vinegar. The sponge was held beneath a grill or perforated cover so, by a flick of the fingers, the container was opened and the restorative substance held directly beneath a person’s nose. Jane Austen and her family and friends would have been very familiar with the use of vinaigrettes because Regency Era ladies were noted for having the vapors or fainting in hot ballrooms or dramatic situations. Ladies in the Romantic and Victorian Eras would have used them when tightly laced corsets became popular and ladies fainted because they were unable to draw in enough oxygen.

Both men and women used vinaigrettes in the late 1700s when people encountered foul aromas on a daily basis, but by the 1820s vinaigrettes were mainly used by women.These tiny containers were carried in a pocket, a reticule or bag, or suspended from the waist by chains as part of a chatelaine. Their sterling silver interiors were gilded to prevent discoloration from the acetic acid. Birmingham produced 90% of England’s silver vinaigrettes. As gold wasn’t affected by vinegar, craftsmen created some elaborate and decorative boxes on the container’s exteriors.

1806 Vinaigrette, English. Small bottle or container for holding smelling salts. via National Maritime Museum, greenwich, London. books2read.com/suziloveBoxesCases
1806 Silver Vinaigrette Commemorating The Battle Of Trafalgar in the times of the Bridgertons and Jane Austen. #Bridgerton #RegencyEra #JaneAusten #FashionAccessory https://www.books2read.com/suziloveBoxesCases Share on X
HN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
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Posted in 1800s, Box Or Container, Bridgerton, Decorative Item, England, fashion accessories, household, Jane Austen, London, medical, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s men fashion, 1800s women's fashion, antiques, Box Or Container, Bridgerton, decorative, fashion accessories, Jane Austen, military, National Maritime Museum

1800s Road Travel In Jane Austen and Bridgerton Times. #Bridgerton #RegencyEra #JaneAusten #BritishHistory #Travel

Suzi Love Posted on March 23, 2026 by Suzi LoveJanuary 29, 2026

For many centuries, road travel was the main way of getting from place to place, but roads were notoriously rutted and badly maintained, especially in Britain.  The Romans laid down the roads but they very poorly maintained through the 17th and 18th Centuries. It wasn’t until the 19th Century that improvements were made and rose travel opened up.

Roman Road Construction. Roman roads were constructed in layers. Rubble, slabs of stone, pebbles and gravel, smooth paving stones. Average width of road was 15 to 18 feet.

Roman Road Construction. Roman roads were constructed in layers. Rubble, slabs of stone, pebbles and gravel, smooth paving stones. Average width of road was 15 to 18 feet.
Roman Road Construction. Roman roads were constructed in layers. Rubble, slabs of stone, pebbles and gravel, smooth paving stones. Average width of road was 15 to 18 feet.

The dreadful condition of British roads caused great apprehension to all classes of travelers. Making a journey anywhere in the country was a big undertaking and often a gentleman composed his last will and testament before his departure.  Traveling in vehicles was only possible during the day or on the nights with very bright moonlight with few vehicles attempting road travel in winter and any travel on a Sunday was frowned upon. 

From: 1815 Journal of Tour of Great Britain by a French Tourist via Google Books (PD-180) ‘The roads very narrow, crooked, and dirty, continually up  and down. The  horses  we  get  are by  no  means  good,  and  draw  us  with  difficulty at the rate of five miles an  hour. We change carriages as well as horses  at every post house. They are on four wheels,  light and easy, and large  enough for  three  persons. The post boy sits on a cross bar of  wood between the front springs, or rather rests against  it.  This  is  safer,  and  more  convenient both for men and horse, but does not look well and, as far as we have seen,  English post horses and postillions do not  seem to deserve  their reputation.’ 

If you’ve read Jane Austen you’ll know that it was improper for a woman to travel alone, which meant that well-bred women were dependent on male relations to accompany them or else they had to take a maid in the carriage with her and be accompanied by a driver and footmen, which of course added to the cost of carriage travel. Any woman traveling by herself on a mail coach would be subject to speculation and probably malicious gossip.   

Mail coaches raced across these roads trying to stick to a time table but there were numerous accidents on roads that were often flooded, covered in snow, or up such steep hills that passengers had to alight and either push the coach or walk ups the hill. 

1790 Turnpike Gates In The Vicinity Of London, U.K.

1790 Turnpike Gates In The Vicinity Of London, U.K.

Tolls were collected on many roads in Britain but, because the turnpikes were mainly on land belonging to the nobility, money collected went into their personal coffers and very little went to road maintenance. This caused a continual push in parliament to make those who owned the land and collected the money responsible for repairing their roads, but these pleas fell on deaf ears as the lords in who sat in parliament had no interest in spending money to better travel for the common people. 

Description of Stage Coach Travel in England. via  1815  Journal Tour of Great Britain.  

“The gentlemen-coachmen, with half-a dozen great coats about them,—immense capes,—a large nosegay at the button-hole,—high mounted on an elevated seat,—with squared elbows,—a prodigious whip,  beautiful horses, four in hand, drive in a file to Salthill, a place about twenty miles from London, and return, stopping in the way at the several public-houses and gin-shops where stage-coachmen are in the habit of stopping for a dram, and for parcels and passengers on the top of the others as many as seventeen persons. These carriages are not suspended, but rest on steel springs, of a flattened oval shape, less easy than the old mode of leathern braces on springs. Some of these stage coaches carry their baggage below the level of the axletree.” 

1825 Observations on the Management of Turnpikes by John Loudon Mc Adam. Via Google Books (PD-150)
1825 Observations on the Management of Turnpikes by John Loudon Mc Adam. Via Google Books (PD-150)

1825 Observations on the Management of Turnpikes by John Loudon Mc Adam.  Via Google Books (PD-150)

John Loudon McAdam, born Ayr, Scotland. (1756 -1836)  He acted as a magistrate and assumed other civic roles including one as as trustee of the Ayrshire Turnpike in 1783, where he developed an interest in road construction and engineering, eventually becoming general surveyor for the Bristol Corporation in 1804. He wrote papers on the benefits of raising roads, making them from layers of stone and gravel, and giving priority to drainage. However, no roads were made this way until McAdam was put in charge of remaking the Bristol Turnpike in 1816, when he put his theories into practice and demonstrated macadamization, known as macadam. He made him numerous enemies on the Turnpike Trusts, who preferred to keep the money made from tolls rather than ploughing it back into road improvements but Macadam was soon in widespread use.

John Loudon McAdam (1756 – 1836), Scottish engineer and road-builder who started a new way of raising roads called ‘macadamization’. Via Wikimedia Commons.  

John Loudon McAdam (1756 - 1836), Scottish engineer and road-builder who started a new way of raising roads called 'macadamization'. Via Wikimedia Commons.
John Loudon McAdam (1756 – 1836), Scottish engineer and road-builder who started a new way of raising roads called ‘macadamization’. Via Wikimedia Commons.

1825  John McAdam Observation of English Roads.  “In a Country like England, inhabited by an ‘ intelligent people, well educated, active, and enterprising, where every hint at improvement is eagerly caught at and prosecuted with spirit, it is only possible to account for the apathy respecting Roads, and the want of exertion in prosecuting the means given for improvement, by showing that a strong counteracting principle exists in the defects of the Road Laws, and that although much want of encouragement has arisen from the prejudices of old practitioners— the great obstacle to success remains in the zealous opposition of those who profit by mismanagement in various ways.”  

  McAdam Report on Bristol District Roads, March, 1815.  

  •       Expenditure and Debt. 
  • • 1802 – 1812 only two roads maintained themselves. 
  • • Neither able to pay £100 of the debt they owed.  
  • • No other roads supported themselves at all. 
  • McAdam’s List of Reasons for Bad Roads. 
  • • Ignorance and incapacity of Surveyors
  • • Lack of any control over the lavish spending of Road Trusts
  • • Trust accounts being in an inexplicable mess
  • • No system or scientific mode of constructing roads
  • • Every part of a road being differently formed
  • • Each road managed by a different person
  • • Each area managed by a different Turnpike Trust
  • • Winford Road Trust produced no account books 

McAdam informed the Road Trusts that smooth roads were the most useful and lasted longer because carriages do little damage to a smooth road because the horses exert themselves less and the carriages do not rock and roll.  

Unfortunately for travelers in the late 1700s and early 1800s, the smoothness of a road surface depended on the preparation and distribution of the road building materials used and was therefore entirely in the hands of each individual road-maker. In 1816, Mc Adam reported to the Bristol District the difference in revenue if roads were built of good material, regularly maintained, and if the finances of Turnpike Trusts were under someone’s control.  

1823 ‘Construction of a Macadam Road’ by Carl Rakeman. Via Wikimedia Commons.   

1823 'Construction of a Macadam Road' by Carl Rakeman. Via Wikimedia Commons.
1823 ‘Construction of a Macadam Road’ by Carl Rakeman. Via Wikimedia Commons.

Travel on these roads was also dangerous as highwaymen stopped and robbed anyone who came along. Male or female made no difference to highwaymen in Britain, nor to the bushrangers in Australia or the gangs on American roads, as they robbed indiscriminately and often with violence.   

By the end of the 18th Century, however, travel as a pleasurable pursuit came into vogue and numerous guides were written for traveling all over the British Isles as well as on the continent. 

The 1812  ‘Tour Of Dr. Syntax’ was an ironic look at the new obsession of travel and travel guides. Before he set off for the Lake District, Dr. Syntax said to his wife, “You well know what my pen can do, and I’ll employ my pencil too: I’ll ride and write, and sketch and print and thus create a real mint: I’ll prose it here, I’ll verse it there and picturesque it everywhere. I’ll do what all have done before; I think I shall and somewhat more.” 

 Georgian and Regency travelers were envious of aristocrats, even if they were of the nobility themselves, and loved to view all the British Great Houses. 

A gentleman and his wife would even drive up to the front door of a mansion house and demand to be given a tour of the house.  If they weren’t admitted, they would write in their journals of the inhospitable nature of the people on a particular estate. Thomas Pennant, William Mavor, and others, loved to write about these bad experiences and have them published.  Paterson’s British Itinerary, a travel guide had 17 editions between 1785-1832 – it outlined the roads used by the stage and mail coaches, the tolls, the bridges, etc.   

This new touring craze created an industry of hospitality that encompassed more than simple mail coach trips from place to place, and more than a noble family traveling from their country seat to the Metropolis of London for parliamentary sittings. Inns had to improve the quality of the linens and meals if they wanted to attract the wealthier traveling class. Before that, many travelers carried their own linen, crockery, glasses, and utensils, as they didn’t trust the hygiene or standards of country inns.  

Travel became something written about by poets with many sonnets written to the beauty of places like the Lake District in England, or the pyramids in Egypt. Inns became cleaner and more respectable so they could welcome travelers of the upper classes. This also meant that women could travel more as roads were slowly improved from rutted tracks that were only suitable for horse riding to roads that family coaches could travel along, though these roads were still narrow and subject to extremes of weather, such as flooding.  The race was on to travel from places like London to Edinburgh in the fastest possible time. 

1817-1875 ca. Vehicles. From: Pierre Larousse’s World Dictionary Of the 19th Century. 

1817-1875 ca. Vehicles. From: Pierre Larousse's World Dictionary Of the 19th Century.

1920-1922 ca.  Automobiles.

1920-1922 ca. Automobiles.

1800s Road Travel In Bridgerton and Jane Austen's Times and Beyond. #Bridgerton #RegencyEra #JaneAusten BritishHistory #Travel https://www.books2read.com/SuziLoveTravel Share on X
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Posted in 1700s, 1800s, Australia, Box Or Container, Canada, Carriage, Decorative Item, England, Europe, Georgian Era, Grand Tour, History, Jane Austen, Quotations, Regency Era, Romantic Era, Suzi Love Books, Suzi Love Images, travel, U.S.A | Tagged Box Or Container, Bridgerton, British history, carriages, drinks, England, europe, Food, Georgian era, google books, Jane Austen, Regency Era, travel, Victorian Era, Writing Tools

1820-1830 ca. Mother Of Pearl Sewing Casket With Painting, Austrian. #Regency #Antiques #Sewing

Suzi Love Posted on March 13, 2026 by Suzi LoveJanuary 25, 2026

1820-1830 ca. Mother Of Pearl sewing casket with a painted view of Weilburg near Baden in Austria. Painting by Balthasar Wigand.

From The Curator: The mother-of-pearl industry in Vienna reached its apogee during the 1820s and 1830s, when numerous luxury items such as candle screens and desk sets were embellished with the iridescent material. Balthasar Wigand, responsible for the miniature on the lid of this box, specialized in views of the city and its surroundings, painted especially for use on small pieces of furniture and caskets. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1820-1830 ca. Sewing casket with view of Weilburg near Baden in Austria. Painting by Balthasar Wigand. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1820-1830 ca. Sewing casket with view of Weilburg near Baden in Austria. Painting by Balthasar Wigand. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1820-1830 ca. Mother Of Pearl Sewing Casket With Painting, Austrian. #Regency #Antiques #Sewing books2read.com/suziloveBoxesCases Share on X
HN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Posted in Box Or Container, Decorative Item, History, household, Regency Era, sewing, Suzi Love Images, Writing Tools | Tagged antiques, art, Box Or Container, decorative, europe, Metropolitan Museum NYC, Romantic Era, sewing

Fashion Must Haves In Bridgerton and Jane Austen Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Bridgerton #RegencyFashion #JaneAusten #GeorgianFashion #VictorianFashion

Suzi Love Posted on March 13, 2026 by Suzi LoveMarch 8, 2026
  • Fashion Must Haves In Jane Austen’s times: Reticules, Spencers, Redingotes. History Notes Books 3, 4, and 5 By Suzi Love.
  • books2read.com/suziloveReticules
  • books2read.com/suziloveSpencers
  • books2read.com/suzilovePelisse
Fashion Must Haves In Bridgerton and Jane Austen Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Bridgerton #RegencyFashion #JaneAusten #GeorgianFashion #VictorianFashion
Fashion Must Haves In Jane Austen’s Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5.
  • Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets.
  • Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
  • Pelisse Or redingote Or Walking Dress: Coat worn over clothing of both sexes for warmth and protection from the elements.
Fashion Must Haves In Jane Austen's Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Regency #JaneAusten #Georgian #Victorian http://books2read.com/suziloveReticules Share on X
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Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, 1800s, 1800s Mens Fashions, 1800s women's fashion, 1900s, Coat or Pelisse Or Redingote, Decorative Item, Edwardian Era, England, Europe, fashion accessories, Georgian Era, Georgian Fashion, hats, History Notes, Jane Austen, Regency Era, Regency Fashion, Reticule or Bag, Romantic Era, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1800s women's fashion, Book 3, Book 4, Book 5, fashion accessories, History Notes, Jane Austen, Regency Fashion, reticule or bag, Spencer, Suzi Love Books

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