1817 May Pink Evening Dress, English. A white lace dress over a blush-coloured satin slip. The dress is disposed round the bottom of the skirt in festoons, which display a little of the slip; each festoon is ornamented with a bouquet of blue-belles, pinks, and rose-buds. The festoons are surmounted by a rollio of intermingled pink and white saton. We refer to our print for the form of the body, which is novel and tasteful. The sleeve is very short and full; it is finished at the bottom by quillings of blond. The hair is dressed in a plain braid across the face, and a few loose ringlets at the sides. The hind hair forms a tuft, which is concealed by the head-dress, a high wreath of fancy flowers. Pearl necklace. White kid slippers and gloves. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
19th Century Early. Ladies blue leather boots, Probably British. Side inserts and loops for pulling up. The style of boots the Bridgerton ladies and Jane Austen and her contemporaries would have worn when walking in the countryside. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’ll never get my Stays tight enough go brute and call John James & Thomas, To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Hand colored etching. Via British Museum, London, UK. britishmuseum.org (PD-Art)
19th Century First Quarter Red Mesh Reticule, British. Small mesh bags known as reticules were the must-have “it bags” of 1800-1825. Too small for carrying much more than a few coins, reticules were often shown in satirical prints as a fashionable foible of women’s attire. Knit into an elegant lantern-like shape, this example survives with its original ribbon trim making it a particularly lovely and rare example of a short-lived fashion trend. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1826 Cheltenham Spa, England. From Regency Life Around England In Jane Austen’s Times. From The English Spy By Robert Cruikshank. via Google Books (PD-180)
1826 Affectations at Cheltenham Spa, England. Regency Life Around England. From The English Spy By Robert Cruikshank. 1826 Regency Social Life. View of the Commercial Room at the Bell Inn, Cheltenham, England. From 1826 The English Spy By Robert Cruikshank. via Google Books (PD-180)1826 High Street, Cheltenham, England. Regency Life Around England. From 1826 The English Spy By Robert Cruikshank. via Google Books (PD-180)1826 Oakland Cottages were a well-known place to stay At Cheltenham Spa, England. Regency Life Around England. From: 1826 The English Spy By Robert Cruikshank. via Google Books (PD-180)RL_2_D2D_RetailerBuyLink_RL_2
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1800-1810 ca. Yellow Kid Women’s Slippers, British. The sort of shoes Jane Austen and her female friends and family would have worn. Kid shoes bound in kid over white linen, very pointed toes, fronts trimmed with yellow silk tassel fixed by small steel buckle, back of shoe faced with yellow kid printed with pattern in black, heel of kid and leather. via Manchester Galleries ~ manchestergalleries.org
Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments and it wasn’t until the 1820s that square, rather than rounded or pointed toes became fashionable. Made of soft kid or cloth, these delicate shoes were flimsy and wore out quickly. There was often no difference between a left or right shoe, so when one slipper had a hole it was easily replaced. Slippers were often bought in multiples at a time so there were spares.
1864 Silk corset, made to be worn over a chemise. Made in France or Britain. Aqua blue silk lined with linen, edged with machine-made lace, reinforced with whalebone, metal, lined with cotton twill. The front has fastenings and the back has lacings. The wearer of this corset could dress without help because the steel ‘split busk’ fastens in front. The front fastening was invented in 1829 but did not become common until the 1850s. The whalebones press into the waist to shape the hipline into an extravagant curve, to flatter and support the fashionable cage crinoline. In the 1860s women relied on voluminous skirts, in addition to corsets, to make their waists appear small.
Flossing, or embroidery, to stop bones poking through fabric, edged with machine-made lace, reinforced with whalebone, metal fasteners, V-shaped front for better fit & extra shaping. The front has fastenings and the back has lacings. There are fewer bones in the back of the corset than the front and none over the hips. Trimmed at the top edge with a narrow band of machine-made lace. Stiffened with whalebone and machine-stitched with an incised swivel latch to lock the busk fastening. Boned at the centre front, back and diagonally from the side to back and sides to front. The boning is hand-stitched into place. Metal eyelets. Lined with cotton twill. The corset reaches the top of the hips and is gored at the bust and hips.
During the 19th century, corsets were made from a variety of materials and shapes changed often. Sometimes breasts were pushed up and almost over the top and waists could be tiny and other curves were emphasized. By the end of the 19th century, corsets weren’t laced so tightly because wide crinolines created the illusion of tiny waists. There are fewer bones in the back of the corset than the front and none over the hips. From the late 1840s to the 1860s skirts were full and bell-shaped, at which point corsets were relatively short and not particularly tightly laced, since the massive skirts made all waists look proportionally small.
The corset was worn over the chemise and it moulded the figure of the wearer into the fashionable shape of the day. These shapes ranged from slender to curvaceous and everything in between during the 19th century. Like the chemise, the corset in the 19th century was made of a wider variety of materials, in this case blue silk lined with linen. It did not need to be very tightly laced, for the illusion of a small waist was created by the very wide circumference of the crinoline.
Credit : Given by the Burrows family. Museum number:T.169-1961. The donors of this corset linked it to a 1864 marriage in the family. Victoria and Albert Museum, London, U.K.
1817 February Pelisse, or Redingote, English. Carriage dress of white poplin with a deep blond flounce. Blue levantine pelisse or walking dress, or Redingote in France, shorter than the dress and edged with floss silk. Coburg cap of black velvet turns up on one side in front and is lined and edged with blue satin. The head-dress worn with it has a profusion of white ostrich feathers. Ruff is of plain blond, edged with narrow white satin ribbon, and a pink Indian scarf over the shoulders. An ermine muff, gloves and slippers of blue kid, complete the elegant dress. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Definition Coat or Redingote Or Pelisse: Long fitted outdoor coat worn over other garments for warmth. French word developed from English words, riding coat.
1817 February Pelisse, or Redingote, English. Carriage dress of white poplin with a deep blond flounce. Blue levantine pelisse or walking dress, or Redingote in France, edged with floss silk, blonde lace neck ruff, ermine ruff and a pink shawl. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
