1805-1810 ca. Red Shoes With Laces. via Museum of Fine Arts, Boston. mfa.org
In Jane Austen’s years, she and her contemporaries spent a lot of time walking outdoors. People were encouraged to partake in outdoor pursuits to maintain good health. Fragile slippers were worn for balls and evening events but for walking sturdier shoes were needed, In the early 1800s, these were typically made of leather, had a very small heel, slightly rounded toes and were laced up on the top.
1805-1810 ca. Red Shoes With Laces. via suzilove.com and Museum of Fine Arts, Boston. mfa.org Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
Travel and Luggage By Suzi Love History Notes Book 10. How did people travel in Bridgerton’s and Jane Austen’s times? What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. books2read.com/SuziLoveTravel
There has been some discussion on the names for Corset Makers. I’ve seen lots of names, including Stay Maker, Stay Manufacturer, Corset Maker, Body Tailor and Milliner. It was mainly men who were Stay Makers, but there were also some women who included stay making with their millinery.
Corsets Overview History Notes Nonfiction Book 14. This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.
1776 April 28th John McQueen, Stay Maker., New York. At the sign of the White Stays in Smith Street,near the Mayor’s baths, New York. Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements. From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.org
19th Century Early Women’s Cotton Caps. Worn as morning caps, night caps, or under other hats. The proper 19th century woman wore various forms of headwear throughout the day and evening. Unstructured, finely decorated cotton caps were worn in the morning hours with the informal attire appropriate for the early part of the day. Jane Austen and her family and female friends, and the Bridgerton family, would have worn caps like these, sometimes during the morning at home, to bed to keep their long hair from becoming knotted, or under a bonnet to hold a hairstyle in place. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Boudoir Or Morning Cap: worn by women in the privacy of their ‘boudoir’ and was not a simple night-cap but a lightweight, decorated cap which covered the hair before it was dressed for daytime activities or for at-home pursuits.
Definition Cornette or Morning Cap: Muslin or other lightweight material, worn to cover hair during at-home pursuits such as reading or sketching, tied under chin and sometimes worn under bonnet.
Definition Lappets: Two long strips of material, often lace, hanging from top of head down back or over shoulders. Sometimes extensions of a headdress and a requirement for court dress.
Are you a reader or writer of Regency Romance? Love Jane Austen’s books? Want to know more about the mourning, riding, underclothing and other Regency Era women’s fashions in Regency romances? What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
What sort of carriages were used in the early 1800s, or Regency Era, or during Jane Austen’s lifetime?
Carriage Line Drawing. Photo Editing by Suzi Love ~ suzilove.com via Pearson Scott Foresman donation to Wikimedia Commons.RL_1_D2D_Regency Overview RetailerLinks
https://books2read.com/suziloveROver
1908 Silk and Rubber Corset, French. Front fastening, front suspenders, and back lacing. Made For C. F. Hovey & Co., Boston. Label: The Paris. Marking: label “7.50, Made in France, Véritable Baleine, Brévété S.G.D.G., Best Whalebone THE PARIS, Made in France, expressly or C.F. Hovey and Co., Boston.” stamped on bone lining of corset]; “Corset de Paris” paper label via Metropolitan Museum, NYC, USA Credit Line: Gift of Mrs. Earl Rowe, 1951 Accession Number: C.I.51.15.25a, b
1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org1908 Front Fastening View Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Suzi Love suzilove.com & Metropolitan Museum, NYC, U.S.A. metmuseum.org1908 Back Lacing Of Corset, French. Made For C. F. Hovey & Co., Boston. Label: The Paris. Silk and Rubber. Front fastening and back lacing. via Metropolitan Museum, NYC, U.S.A. metmuseum.org1908 Label For Front Fastening and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.1908 Front Suspenders and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.1908 Front Suspenders and Fastenings and Back Lacing Silk and Rubber Corset, French. Front fastening and back lacing. Made For C. F. Hovey & Co., Boston.Corsets 1900s History Notes Book 21
Corsets during early 1900s when a fashionable
silhouette became of paramount importance
and a well-fitted corset a fashion essential.
books2read.com/SuziLoveCorsetBook21
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent.
Reader Or Writer of Regency Era? Love Jane Austen and Bridgerton fashions? What was fashionable for women in Jane Austen’s times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.
The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits. This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.
1790-1800 ca. Men’s Riding Boots. Black leather with wide tan leather tops, small heel and slightly rounded toes. via Los Angeles County Museum of Art, California, USA. collections.lacma.org