1818 September ‘A Nice Gentleman’ By George Cruikshank. A grotesque dandy walks outdoors sucking a cane. Inscribed with names of food, e.g. red carbuncled rose is ‘Currant Jelly’, shallow broad-brimmed hat is ‘Calves Head Jelly’ and ‘Pancake’, cravat which covers neck, cheek and chin is ‘Puff Paste’, loose short trousers are ‘White Sugar Bags’, handkerchief ‘Blow Monge’ and long spurs ‘Gilt Gingerbread’. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1817 November Morning Dress and Evening Dress, English. Morning Dress is a round dress of Jaconot muslin with back buttons, small collar open in front to display the throat, lower part of front with bias tucks, moderately full skirt finished around bottom with small tucks and deep flounce with bright rose ribbon. Rose velvet Spenser trimmed with white satin and rose silk, finished at throat with white satin puffings. Plain long sleeves, French style Leghorn bonnet trimmed with large rows of ribbon to match Spenser and tied under the chin, stand-up lace frill around throat, swansdown muff, straw kid sandals and gloves.
Evening dress of fawn crepe over a white satin slip, cut low around the bust, confined to waist by a narrow cestus of white satin, fastened in front by a brilliant clasp. Single fall of Mecklin lace on dress, very short full sleeve finished at bottom by a rouleau of white satin and narrow lace plait. Skirt trimmed with double row of white satin Spanish puffs, very full and in bias. Hair high, parted and curled on the forehead with garland of Provence roses. Pearl earrings and necklace, spangled crape fan, white kid gloves and white satin slippers. Fashion Plate via The Mirror of Fashion in The Ladies’ Monthly Museum, England.
1817 November Muslin Morning Dress and Crepe Evening Dress, English. #Regency #JaneAusten #Fashion
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1809 June Evening Full Dress, English. Lemon dress with white underskirt, short sleeves, braid decorated bodice, zig-zag hem, long white gloves, plumed headdress, full Parure of necklace, bracelet and earrings, evening slippers and a fan. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Definition Full Evening Dress – Ball, dinner, evening and opera gowns but with every possible accessory added to make the most impressive display possible, such as adding a Grand Parure, or full jewelry set and including headpieces as with the feathered headdress above.
1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1818 November 6th Caricature: ‘A Dandy Cock In Stays’. By Isaac Robert Cruikshank. #Regency #Cartoon #London
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1818 August English dinner Dress. White high-waisted, loose and flowing dress, multiple layers of frill and blue hem decoration, shawl collar, blue and white scarf and high flowered bonnet. Fashion Plate John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1818 August High-Waisted White Dinner Dress With Frills To Trim. #Regency #Fashion #FashionPlate
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1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’l never get my Stays tight enough go brute and call John James & Thomas, To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Hand colored etching. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1815 ca. Travelling Inkwell. Made from gilt brass, pewter and glass. #Regency #History #Antiques
Continue reading →George Bryan “Beau” Brummell (June 7th 1778 – March 30th 1840) Arbiter of men’s fashion and friend of the Prince Regent, the future King George IV. Established mode of dress for men that rejected overly ornate fashions for understated but perfectly fitted and tailored clothing. Look based on dark coats, full-length trousers rather than knee breeches and stockings, with immaculate shirt linen and an elaborately knotted cravat. 1855 Engraving of Beau Brummell from an article in Harper’s New Monthly Magazine.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
1800 North Side Of Cavendish Square, London, U.K. By Thomas Malton (1748-1804) British. Aquatint of the north side of the square. (PD-Art)
1815 White Walking Dress, English. Lady reading outside. Aqua pelisse, or coat, open to reveal a yellow lining, yellow gloves, high bonnet with feathers and blue shoes. Jane Austen and her family and friends would have worn this style of walking ensemble and as Jane Austen was very fond of reading, it’s easy to picture her looking like this. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
