Category Archives: 1800s Mens Fashions

1815 Bridgerton and Jane Austen Styled Couple With Lady In Evening Dress and Gentleman Wearing Stirrup Trousers. #Bridgerton #RegencyFashion #JaneAusten

Suzi Love Posted on by

1815 French Couple. Lady in evening dress with scooped neckline on low-cut pink bodice, floral headpiece and long white gloves. Gentleman in brown tailcoat and stirrup trousers, vest, and casual necktie. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

The sort of fashionable outfits and items worn or carried by Jane Austen and her contemporaries when out in public. Ladies outfits for evening were accessorized with gloves, headdresses and jewelry and often dresses were of this shorter length for dancing. Gentlemen were always heavily accessorized as well with the essential of gloves, coats, waistcoats and neatly tied cravats. For more about the fashions of 1815, take a look at History Notes Books 23 and 28 men’s and women’s regency Era fashions.

Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? What was fashionable for women at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Book 28 for 1815-1819 in History Notes Includes fashions for mourning, riding, dresses, hats, shoes, reticules or bags, underclothing, accessories.

Fashion Men 1800-1819 History Notes Book 23 What was fashionable for men in early 1800s, or  Jane Austen’s time, or Regency Era? Suits, hats, shoes, underclothing, fashion accessories, military and bedroom fashions. French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world.

1815 French Couple. Lady in evening dress with scooped neckline on low-cut pink bodice, floral headpiece and long white gloves. Gentleman in brown tailcoat and stirrup trousers, vest, and casual necktie. Fashion Plate via Suzi Love ~ suzilove.com & Journal des Dames et des Modes, or Costume Parisien.
.
1815 Bridgerton and Jane Austen Styled Couple With Lady In Evening Dress and Gentleman Wearing Stirrup Trousers. #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819 https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819

1805 Regency Group of Fashionable Ladies and Gentlemen. #Regency #Fashion #JaneAusten

Suzi Love Posted on by

1805 Regency Group of Ladies and Gentlemen dressed as Jan Austen and her family and friends would have dressed. Ladies in dresses, bonnets, shawls, gloves, and carrying a reticule, or bag, and a parasol. Gentlemen in tailcoats, overcoats, trousers, vests, cravats, hats, boots and shoes and carrying walking sticks. via Men And Women In Costumes, 1804-1829.
The Miriam and Ira D. Wallach Division, The New York Public Library, U.S.A.

1805 Regency Group of Ladies and Gentlemen. Ladies in dresses, bonnets, shawls, gloves, and carrying a reticule, or bag, and a parasol. Gentlemen in tailcoats, overcoats, trousers, vests, cravats, hats, boots and shoes and carrying walking sticks. via Men And Women In Costumes, 1804-1829. The Miriam and Ira D. Wallach Division, The New York Public Library, U.S.A.
1805 Regency Group of Fashionable Ladies and Gentlemen. #Regency #Fashion #JaneAusten. https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819
HN_23_d2d_fashionmen1800-1819 https://books2read.com/SuziLoveFashionMen1800-1819

1800 1800 Layered clothing and coat worn by a young Gentleman in Bridgerton and Jane Austen’s Times. #Bridgerton #RegencyFashion #JaneAusten

Suzi Love Posted on by

1800 Elegant Young French Gentleman. Pulling on his top coat over a long tan coat. Tan gloves, brown hat, brown boots, cane. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien.

Overcoats: Called many names: Greatcoat, or Carrick, or Garrick, or Coachman’s, or Driving. Or Box Coat. Overcoats were voluminous and covered the other clothing. Usually with many capes, or collars, or pelerines covering the shoulders and with buttons down the front. Popular in the 19th century for riding, driving and travel as they kept the wearer warm and snow and rain off the body. Greatcoat: Overcoat with capes around the shoulders for men. Carrick or Garrick Coat: Other names for a gentleman’s inclement weather coat and worn for driving or travel. 

1800 Elegant Young French Gentleman. Pulling on his top coat over a long tan coat. Tan gloves, brown hat, brown boots, cane. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien.
1800 Elegant Young French Gentleman. Pulling on his top coat over a long tan coat. Tan gloves, brown hat, brown boots, cane. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien.
1800 1800 Layered clothing and coat worn by a young Gentleman in Bridgerton and Jane Austen's Times. #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819

1826 Almack’s Revisited by Charles White.: ‘It was what most correct persons called ‘horrid bad Almack’s’. #RegencyEra #London #BritishHistory

Suzi Love Posted on by

1826 Almack’s Revisited by Charles White. The ball of this evening passed off as all other balls at the same place, creating envy, jealousy, and hatred in the minds of many of those who have been unsuccessful in procuring tickets; affording real amusement to few, and disappointing a greater portion of those who, by dint of manoeuvring, petitioning, parliamentary interest, or presents, have been enabled to obtain the desired vouchers; and as this was one of the last balls of the season, and a general election already talked of, the mixture of company and the number was much greater than usual; and, consequently, it was what the most correct persons called, “horrid bad Almack’s!”

Almack’s or Willis’s Rooms, King Street, St James, London, UK. Almack’s Assembly Rooms, founded by William Almack at No. 26-28, were on the site of the present Almack House. The club was originally a gaming establishment but moved from Pall Mall. The Assembly rooms were on the South side of King Street in St James’s and were opened on February 12, 1765. At the time the subscription was ten guineas for which there was a ball and supper each week for the twelve weeks of the season.

1826 Almack's Revisited by Charles White.: 'It was what most correct persons called 'horrid bad Almack's'. #RegencyEra #London #BritishHistory
1826 Almack’s Revisited by Charles White.: ‘It was what most correct persons called ‘horrid bad Almack’s’. #RegencyEra #London #BritishHistory
1826 Almack's Revisited by Charles White.: 'It was what most correct persons called 'horrid bad Almack's'. #RegencyEra #London #BritishHistory  books2read.com/suziloveOLD  Share on X
RL_5_D2D_RetailerBuyLink_RL_5_2 https://books2read.com/suziloveOLD

1806 Waiting For the St. Cloud Coach, Place de la Concorde, Paris. #RegencyEra #JaneAusten #Paris #Art

Suzi Love Posted on by

1806 Waiting For the St. Cloud Coach, Place de la Concorde, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) This couple is depicted waiting for the coach, which was a passenger vehicle drawn by four horses. The woman is wearing a fashionable hat or “capote” that covers her face. Her dress maintains the empire waist and has very long sleeves that also have a ‘mancheron’ or a gathered sleeve at the shoulders. The man is wearing a ‘habit du gagé’ or a coat with tails, buttoned at the waist. His hat is a ‘haut-de-forme’ or what is commonly known in English as a top hat. He wears tight, short pants tucked into large, riding boots, as was the fashion for men. Illustrations by François Courboin from Octave Uzanne‘s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes de Paris VIa Brown University Library .

1806 Waiting for the Saint-Cloud Coach, Place de la Concorde, France. Couple waits for the coach, a passenger vehicle drawn by four horses. Woman wears a fashionable hat, or capote, that covers her face, an Empire style, or high-waisted blue Redingote or Pelisse, with long sleeves with a mancheron, or gathered sleeve, at the shoulders. Man in tailcoat buttoned at the waist, breeches tucked into fashionable riding boots with tan tops and wearing a 'haut-de-forme', or top hat. via Suzi Love ~ suzilove.com & Illustrations by François Courboin, French librarian (1865-1926) From Octave Uzanne's 'Les Modes de Paris, or Fashion in Paris,' the various phases of feminine taste and aesthetics from 1797 to 1897. (PD-Art) via Brown University Library, U.S.A.
1806 Waiting For the St. Cloud Coach, Place de la Concorde, Paris. #RegencyEra #JaneAusten #Paris #Art https://books2read.com/suziloveYGD Share on X
RL_2_D2D_RetailerBuyLink_RL_2
RL_2_D2D_RetailerBuyLink_RL_2 https://books2read.com/suziloveYGD

1806 Young Gentleman Wearing Jane Austen Era Clothing. Blue tailcoat under short brown Castorine coat, cream cashmere breeches. #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on by

1806 Young French Gentleman. Blue tailcoat under a short brown Castorine coat, cream cashmere breeches, white stockings, yellow gloves, black top hat and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life. https://books2read.com/SuziLoveFashionMen1800-1819

1806 Young French Gentleman. Blue tailcoat under short brown Castorine coat, cream cashmere breeches. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819
1806 Young Gentleman Wearing Jane Austen Era Clothing. Blue tailcoat under short brown Castorine coat, cream cashmere breeches. #RegencyFashion #JaneAusten #HistoricalFashionhttps://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819 books2read.com/SuziLoveFashionMen1800-1819

1800s Men’s Top Hat Styles Chart. #Bridgerton #JaneAusten #RegencyFashion #Hats

Suzi Love Posted on by

Top Hat Styles Chart. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides.

hats_Top Hat Styles Chart. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides.
Top Hat Styles Chart. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides.
1800s Men's Top Hat Styles Chart. #Bridgerton #JaneAusten #RegencyFashion #Hats https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819

1805 Jane Austen Era Men’s Leather Breeches With Front Flap and Fitted Leg Cuffs, French. #Bridgertons #JaneAusten #RegencyEra #Mensfashion #Breeches

Suzi Love Posted on by

1805 ca. Leather Breeches, French. Buttoned and adjustable waist and narrow drop down front flap, back waist gusset for ease of movement, fitted cuffs on legs with many buttons to fasten and hold in place. via Metropolitan Museum New York City, U.S.A. metmuseum.org The style of men’s breeches worn by men at the end of the 1700s and early 1800s, or in Jane Austen’ lifetime.

1805 ca. Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Front Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Back Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Waist Fastening Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Front and Back Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 ca. Cuff Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1805 Jane Austen Era Men's Leather Breeches With Front Flap and Fitted Leg Cuffs, French. #Bridgertons #JaneAusten #RegencyEra #Mensfashion #Breeches https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819

19th Century First Half. Gentleman’s Black Wool Tailcoat With Embroidered Buttons as Worn in Bridgerton and Jane Austen times. #Bridgerton #JaneAusten #RegencyFashion

Suzi Love Posted on by

19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. Via Augusta Auctions – augusta-auction.com

Tailcoat: A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life would have worn a black tailcoat like this for everyday wear. https://books2read.com/SuziLoveFashionMen1800-1819

19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Front View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Back View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half. Side View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered & uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Collar View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Monogram View.
19th Century First Half Gentleman’s Black Tailcoat. Wool broadcloth, triple notch collar, narrow waistband, sleeve tops gathered and uniformly wide to single scallop edge at bottom sleeve, inner tail pockets, death head embroidered buttons, elaborate hand quilted lining with floral patterns in concentric square frames and a “F.M.W.” monogram embroidered at the centre back top in red. via Augusta Auctions augusta-auction.com
19th Century First Half Lining View.
19th Century First Half. Gentleman's Black Wool Tailcoat With Embroidered Buttons as Worn in Bridgerton and Jane Austen times. #Bridgerton #JaneAusten #RegencyFashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819 https://books2read.com/SuziLoveFashionMen1800-1819
23_d2d_fashionmen1800-1819 https://books2read.com/SuziLoveFashionMen1800-1819

1800 ca. Bicorn, Or Two Cornered, Man’s Black Silk Hat. #JaneAusten #RegencyEra #HistoricalFashion #Hats

Suzi Love Posted on by

1800 ca. Bicorn, Or Two Cornered, Black Silk Hat, Possibly Made In Great Britain or France. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

Definition: Bicorn Or Bicorne: Two cornered, or pointed, hats often worn by military men because the rain would drain off either side of the hat and  away from the body. They could also be easily flattened to carry under arm.  This sort of hat would have been worn by gentlemen around the turn of the century and during Jane Austen’s writing life.

hats_1800 ca. Bicorn silk-hat, possibly-made-in-great-britain-or-france. Victoria and Albert Museum
1
hats_1800 ca. Bicorn silk-hat, possibly-made-in-great-britain-or-france. Victoria and Albert Museum
1800 ca. Bicorn, Or Two Cornered, Man's Black Silk Hat. #JaneAusten #RegencyEra #Fashion #Hats https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819