1820 ca. Typical Regency Wrap Corset.. Worn over a chemise. Cross-over fabric and lacing at the back. Tied around at the front. via Roger-Viollet Palais Galliera, Musée de la Mode de la Ville de Paris.
Corsets changed at the end of the Regency Era to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. The Bridgerton ladies, Jane Austen and their female friends would have worn this type of soft wrap corset. https://books2read.com/SuziLoveCorsetBook17.
1817 March. Opera Dress, English. The sort of outfit Jane Austen and her contemporaries or the Bridgerton women would wear for an evening at the opera or theatre. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
A blue crape dress over a white satin slip; the dress trimmed round the skirt with a deep blond lace, which is headed with a light and novel trimming, composed of white floss silk and small pearl beads: this trimming is surmounted with a beautiful deep embroidery of lilies, surrounded by leaves. The body and sleeves of this dress, as our readers will perceive by our print, are extremely novel. Head-dress, toque à la Berri; it is a crown of a novel form, tastefully ornamented round the top with lilies to correspond with the trimming of the skirt, and a plume of white feathers, which droop over the face. Ear-rings, necklace, and bracelets, sapphire mixed with pearl. The hair dressed in loose light ringlets on the forehead, and disposed in full curls in the back of the neck. White kid gloves, and white satin slippers.
1815 March Evening Full Dress For the Opera or Theatre, English. As would have been worn in Bridgerton and Jane Austen years. Rich burgundy velour dress with white under dress with short puffed sleeves over long straight sleeves, rows of puffings for hem trimming, white lace shawl collar with Vandyke points, matching burgundy velvet turban with white feathers or plumes. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Dress Full Dress: The most formal and complete ensemble, worn for day or night events, and includes the fullest range of accessories that could be added to the outfit to make the most impressive display.
Definition Evening Dress: There were minute distinctions between ball, dinner, evening and opera gowns meant different quality of fabrics and designs. A Ball Gown differed from an evening dress as expensive silk fabrics were usually worn, light or heavy, decorated with lace, embroidery or beading, with low-cut bodice, short or no sleeves, and full skirts. In the early 1800s, white cotton dresses were considered suitable for many evening events, but not for balls. And definitely not for an evening event in a palace or at the opera or theatre.
Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
1815 March Evening Full Dress For the Opera or Theatre, English. Rich burgundy velour dress with white under dress with short puffed sleeves. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.
1815 Beaded Coin Purse With Pinchback Ormolu Frame. Would have been carried inside a reticule, or larger bag, so a woman had small coinage on hand to pay for items on those occasions when a gentleman wasn’t with her to pay for them. Via Ruby Lane Antiques.
A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket.
1815 Beaded Coin Purse With Pinchback Ormolu Frame from Jane Austen and Bridgerton years. #JaneAusten #Bridgerton #handbag #RegencyFashion books2read.com/suziloveReticules
1812 Man’s wool, linen, and cotton long coat with four shoulder capes, European. Also called a Carrick Coat, a Driving Coat, or a Redingote in France. via Metropolitan Museum, NYC, USA. ~ metmuseum.org
A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life and the Bridgerton men would have worn this sort of warm and practical coat like this when riding his horse in inclement weather or when driving his carriage.
Definition: Carrick Coat: Or Garrick or Coachman’s coat, with capes, or collars, popular in 19th century for riding and travel.
1812 ca. Back View. Man’s Caped Coat, Or Carrick Coat, European.
Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org1812 ca. Front View. Man’s Caped Coat, Or Carrick Coat, European.
Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org1812 ca. Back View Black and White. Man’s Caped Coat, Or Carrick Coat, European.
Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org1812 ca. Front View Black and White. Man’s Caped Coat, Or Carrick Coat, European.
Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org1812 ca. Front View Black and White With Umbrella. Man’s Caped Coat, Or Carrick Coat, European.
Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1816 December. Promenade Dress, or Pelisse, English, also called a Redingote in France. High cambric muslin dress trimmed at the bottom with a single flounce of work, shaped without any fulness to fit the body, plain long sleeve finished by a triple fall of narrow lace. Over this is the Angouleme pelisse of crimson velvet, lined with white Sarsnet, and trimmed with a single Welt of crimson satin, a shade lighter than the pelisse. Shaped the to the body and without much fullness, confined at the short waist with narrow velvet band, edged to match. Small stand-up collar, supports a rich lace ruff, which is worn open in front of the throat. Sleeve has little fullness and is confined at the wrist by three narrow bands of puckered satin. Bonnet of white satin a la Royale with a large bunch of flowers and tied under the chin with satin ribbon and finished in front with a full quilling of tulle. Black silk ridicule, exquisitely worked in imitation of the ends of an India shawl and trimmed with black silk fringe. White kid gloves and black walking shoes. Fashion plate, hand-colored engraving on paper. Published in Rudolph Ackermann’s ‘The Repository of Arts’, London.
Promenade Dress, Pelisse, Redingote, Or Walking Dress. Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters.
1816 December. Promenade Dress, or Pelisse, English, called Redingote in France. High cambric muslin dress trimmed at the bottom, plain long sleeve finished by a triple fall of narrow lace. Over this is the Angouleme pelisse of crimson velvet, lined with white Sarsnet, and trimmed with a single Welt of crimson satin, a shade lighter than the pelisse. Bonnet of white satin a la Royale with a large bunch of flowers and tied under the chin with satin ribbon. White kid gloves and black walking shoes. Fashion Plate in Rudolph Ackermann’s ‘The Repository of Arts’, London.1816 December Red Promenade Dress Or Pelisse With Black Reticule, English. #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Love the Bridgerton family and Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. books2read.com/SuziLoveFashionWomen1815-1819
History Notes 28 Fashion Women 1815-1819: This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.
Are you a reader or writer of the Regency Era? Lover of the Bridgertons and Jane Austen? Mourning and riding fashion,underclothing and corsets. #Bridgerton #JaneAusten #RegencyFashion #mourningFashion https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.
1823 Couple In Evening Costumes, French. Short length dancing dress of white gauze, short sleeves, pink ribbon trim, flowers, parure, or jewelry set, dancing shoes and hair in a bandeau. Man in half dress of black tailcoat, yellow vest, short length white trousers, high white cravat, blue fob, and curled hair style. via Modes Francaises L’Indiscreet, France.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
Writing Regency Era Fiction Or Nonfiction? Need more information on Older Gentleman’s Day in early 1800s, or Bridgerton’s and Jane Austen’s Regency Era. A lighthearted overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where an older man went, what he wore, and how he managed the family’s finances and his estates. Older Gentleman’s Day Regency Life Series Book 3 books2read.com/suziloveOGD
What Did An Older Gentleman Do In Early 1800s, or Jane Austen’s Regency Era? An overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where he went, what he wore, and how he managed the family’s finances. Older Gentleman’s Day Regency Life Series Book 3 books2read.com/suziloveOGD
Strictly speaking, the REGENCY ERA refers to the years between 1811 and 1820 when George IV acted as Prince Regent when his father was unable to remain in power due to his illness, or rather his madness. For convenience, the term REGENCY YEARS is used to describe the longer period from the last two years of the Georgian Era (1809-1810), plus the ten years under the Prince Regent (1811-1820), and up until 1837 when Queen Victoria came to the throne.
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What Did An Older Gentleman Do In the Bridgerton’s or Jane Austen’s Regency Era? #Bridgerton #RegencyEra #JaneAusten #BritishHistory http://books2read.com/suziloveOGD
1799-1810 ca. Cotton Muslin Gown, Probably American. White cotton embroidered muslin, probably Bengal, all over sprigged broderie anglaise decoration,short sleeve with three pairs of inside ties to adjust the double-puff, ruffled edge, back tie at neckline and waist, ruched band above the slightly trained hem with scalloped sawtooth border and with cotton bodice lining. via whitakerauction.smugmug.com
These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.
The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.
1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion books2read.com/SuziLoveFashionWomen1800