1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA.
. 1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18
18th Century Late – 19th Century Early Bodice and Corset Ensemble, European. Cranberry silk faille with polychrome floral brocade, the square-neck bodice having folded front collar, narrow double breast and short sleeve with pleated and pointed cuff, peplum back. Corset front pieced with cranberry brocade and a tan dotted sawtooth stripe, the back in a similar dotted stripe. Both pieces trimmed in aqua ribbon and lined in linen. via Whitaker Auctions. whitakerauction.smugmug.com
1813 April Carriage Dress, English. Green coat over white Empire style dress of jaconet or cambric muslin, plaited bodice, long sleeve, deep frill, with a vandyke of needle-work. Russian mantle is made of Pomona or spring green sasnet, lined with white satin, trimmed with a rich frog fringe and closed with a cord or tassel. Close-fitting cottage slouch bonnet of the same material and edged with scalloped lace, tied on the left under the chin with ribbon, and decorated with a small cluster of spring flowers. Reticule, or bag, of the sam fabric, slippers of green kid, and gloves of primrose kid. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Definition Ridicule, Reticule, Indispensable, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc. http://books2read.com/suziloveReticules
The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.
In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.
1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.
1860–1870 ca. Pink Silk Bag, Or Reticule, Italian. Two layers of contrasting pink silk with tassels and a drawstring. via Suzi Love suzilove.com andMetropolitan Museum New York City, U.S.A. metmuseum.org
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1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps’. Men’s outfits, a woman’s riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1818 September Morning Dress and Spencer, English. Empire style, high-waisted white dress with elaborate blue decoration above hem, short blue Spencer, or jacket, with puffs at the shoulders and straight sleeves, cap with plumes, or feathers, tied under her chin and holding another plumed bonnet, blue walking boots, and wearing blue gloves. Fashion Plate via Ladies Magazine.
Definition Empire Style Dress: High-waisted white gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s.
Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Light-hearted look at Young Lady in Jane Austen’s times, or early 1800s. A glimpse into both the frivolous and more serious occupations filling a young lady’s day in the lifetime of Jane Austen, or the Regency Era, or the early 19th Century. Historic images and historical information show her fashions and frolics. https://books2read.com/suziloveYLD
1812 Two Ladies, French. Orange sleeveless Redingote over a white dress with high neck frill and interesting sleeves. High-waisted white dress with blue pattern on the short sleeves and hem. Both with gloves, matching bonnets and shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1807 Blue Walking Dress, French. Although this is a French fashion plate, this is the sort of dress that Jane Austen and her friends would have worn when walking together. Back bow, a train and black trim, a white hat with flowers and holding a looking glass. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Empire Style Dress: High-waisted white gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s.
Definition Walking Dress: Worn for walking in a park or the country estate. This sort of outfit needed to be presentable and warm, but not overly accessorized.
1807 Blue Walking Dress, French. Back bow, a train and black trim, a white hat with flowers and holding a looking glass. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.HN_26_D2D_FsshionWomen1805-1809
1818-1820 ca. Gold Redingote, French. Gorgeous Regency Fashion French Redingote of gold silk with the same fabric used to create a trailing pattern down the bodice and front opening. Short puffed sleeves over long straight sleeves in a leg-of-mutton style. via Metropolitan Museum, New York City. metmuseum.org