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Suzi Love

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1851-1860 ca. Blue Ribbed Silk Corset, English. Front hooks and back lacing. #corset #Victorian #Fashion

1860 Corset, American. Cotton, metal, and bone. Manufacturer: Langdon Batcheller and Company, A1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk

1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk
1851-1860 ca. Blue Ribbed Silk Corset, English. Front and Back. Front hooks and back lacing. via Museum of London, UK. museumoflondon.org.uk
1851-1860 ca. Blue Ribbed Silk Corset, English. Front hooks and back lacing. #corset #Victorian #HistoricalFashion https://books2read.com/SuziLoveCorsetBook19 Share on X
HN_19_D2D_Corsets 1850-1880
https://books2read.com/SuziLoveCorsetBook19
HN_19_D2D_Corsets 1850-1880. https://books2read.com/SuziLoveCorsetBook19
July 24, 2023 by Suzi Love Posted in 1800s, 1800s women's fashion, Corset, England, History Notes, London, sewing, Suzi Love Books, U.S.A, Victorian Era Tagged 1800s women's fashion, Book 19, Corset, History Notes, Museum Of London, sewing, Suzi Love Images, Victorian fashion

1800-1819 Women’s Fashions In Bridgerton Family And Jane Austen’s Times In A Box Set. #Bridgertons #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on July 11, 2023 by Suzi LoveJuly 11, 2023

An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28.

https://books2read.com/SuziLoveFashionWomenBoxSet

Reader Or Writer of Regency Era? Love Jane Austen fashions? What was fashionable for women in Jane Austen's times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Reader Or Writer of Regency Era? Love Jane Austen fashions? What was fashionable for women in Jane Austen’s times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
1800-1819 Women's Fashions In Bridgerton Family And Jane Austen's Times In A Box Set. #Bridgertons #RegencyEra #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomenBoxSet Share on X
HN_24_D2D Fashion Women 1800-1819  Box Set
https://books2read.com/SuziLoveFashionWomenBoxSet

Posted in 1800s, 1800s women's fashion, art, Australia, bedroom fashion, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Corset, dancing, Dress Or Robe, England, Europe, fashion accessories, France, Google Books, hats, History, History Notes, Jane Austen, London, mourning, Quotations, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Book 24, Corset, Dress Or Gown, fans, fashion accessories, Fashion Plate, Fashions Of London and Paris, gloves, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, Le Beau Monde, mourning, Napoleon Bonaparte, Regency Fashion, Regency Women, reticule or bag, riding, shawls, Shoes, Spencer, Suzi Love Books, The Lady's Monthly Museum, The Repository Of Arts, underclothing, weddings
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman’s Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory

Suzi Love Posted on June 23, 2023 by Suzi LoveJune 11, 2023

1830-1840 ca. Woman’s Corset, English.  Cotton sateen, quilted, with cotton twill and cotton plain-weave tape.  Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA.  via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory. https://books2read.com/SuziLoveCorsetBook18 Share on X
HN_18_D2D_Corsets 1830-1850
HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18
Posted in 1800s, 1800s women's fashion, Corset, England, Romantic Era, Suzi Love Images, underclothing, Victorian Era | Tagged 1800s women's fashion, Corset, Los Angeles County Museum, Romantic Era Fashion, underclothing

I love Old Stuff! How about you? Take a look at Suzi Love’s Pinterest Boards. #Pinterest #History #RegencyEra

Suzi Love Posted on June 21, 2023 by Suzi LoveJune 21, 2023

I love Old Stuff! How about you? Take a look at Suzi Love’s Pinterest Boards. pinterest.com/suziloveoz

Fashion women 1800- 1820 http://pinterest.com/suziloveoz/fashion-women-1800-1820/

Fashion Women 1820- 1850 http://pinterest.com/suziloveoz/fashion-women-1820-1850/

Fashion Men 1800- 1820 http://pinterest.com/suziloveoz/fashion-men-1800-1820/

Fashion Accessories 1800- 1850  http://pinterest.com/suziloveoz/fashion-accessories1800-1850/

Books – Jane Austen  http://pinterest.com/suziloveoz/books-jane-austen/

I love Old Stuff! How about you? Take a look at Suzi Love's Pinterest Boards. #Pinterest #History #RegencyEra. pinterest.com/suziloveoz Share on X

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
HN_23_D2D_Fashion Men 1800-1819
Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, 1800s, 1800s Mens Fashions, 1800s women's fashion, 1900s, art, Australia, bedroom fashion, Box Or Container, Canada, Carriage, cartoon, children, Coat or Pelisse Or Redingote, Corset, Customs & Manners, dancing, Decorative Item, Dress Or Robe, Edwardian Era, England, Europe, fashion accessories, Food and Drink, France, furniture, Georgian Era, Georgian Fashion, Google Books, Grand Tour, hats, History, household, Jane Austen, London, medical, military, money, mourning, Music, pants, Pastimes, peerage, Places, postal, Quotations, Regency Era, Regency Fashion, Reticule or Bag, riding, Romantic Era, Royalty, Russia, sewing, shoes, Spencer, sports, Suit, Suzi Love, Suzi Love Books, Suzi Love Images, Suzi Love Writing, travel, U.S.A, underclothing, Vest or Waistcoat, Victorian Era, weapons, weddings, Writing Tools | Tagged 1800s men fashion, 1800s women's fashion, fashion accessories, Fashion Plate, google books, Hats And Hair, historical romance, household, Jane Austen, medical, Regency Fashion, Regency Life Series, Regency London, Regency Men, Regency romance, Regency Royalty, Regency Women, Shoes, Suzi Love Books, underclothing

Love the Bridgertons and Jane Austen? Reader Or Writer of Regency Era stories? Mourning, riding, dresses, underclothing, accessories. History Notes Book 24 Box Set. #JaneAusten #Regency #HistoricalFashion

Suzi Love Posted on June 18, 2023 by Suzi LoveJune 13, 2023

Love Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding  fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. History Notes Book 24 Box Set https://books2read.com/SuziLoveFashionWomenBoxSet

Toward the end of the Regency era, dancing dresses had higher hemlines that rose several inches above the ankle so ladies wouldn’t trip on their hens or flounces and make a spectacle of themselves.  Day dresses generally had a higher neckline and long sleeves were preferred for daytime were during the colder months.

Black was worn for full mourning with various other colors were worn during the months of half mourning, including grey and mauve. However, as black dresses, black tunics, and black lace shawls were popular throughout the Regency years, it is often hard to decide what was definitely made for mourning and what was simply fashionable wear. Most fashion plates in this era were drawn by men, although women had also started creating fashion plates. Riding habits, coats and other outer wear were still being made by male tailors, but women were still usually the makers of dresses. 

HN_24_Fashion Women 1800-1819 Box Set History Notes Book 24 An overview of the first twenty years of the 19th century. These books look at what was fashionable for women in Jane Austen's times, or the early 1800s. Wars were being fought around the globe so women's fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Fashion Women 1800-1819 Box Set History Notes Book 24 An overview of the first twenty years of the 19th century. These books look at what was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Love the Bridgertons and Jane Austen? Reader Or Writer of Regency Era stories? Mourning, riding, dresses, underclothing, accessories. History Notes Book 24 Box Set #JaneAusten #Regency #Fashion … Share on X
HN_24_D2D Fashion Women 1800-1819  Box Set
https://books2read.com/SuziLoveFashionWomenBoxSet
Posted in 1800s, 1800s women's fashion, art, Australia, bedroom fashion, Bridgerton, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Corset, dancing, Decorative Item, Dress Or Robe, England, Europe, fashion accessories, France, hats, History, History Notes, Jane Austen, London, mourning, Music, Pastimes, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Book 24, Bridgerton, Corset, Dress Or Gown, fashion accessories, Fashion Plate, Fashions Of London and Paris, gloves, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, mourning, parasol, Regency Fashion, reticule or bag, riding, Shoes, stockings, Suzi Love Books, The Lady's Magazine, The Lady's Monthly Museum, The Repository Of Arts, underclothing

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion

Suzi Love Posted on June 15, 2023 by Suzi LoveJune 13, 2023

Busks shaped and reinforced the centre front of stays, or corsets. They were made from whalebone, wood, and bone, and were often inscribed with names, dates, and symbols of love because they were positioned close to the heart. The corsets worn in Jane Austen’s later years and by women in Bridgerton times often had busks to stiffen the corset and support the breasts.

busk_1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date 'EB 1755'. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date ‘EB 1755’. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
busk_1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
busk_19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I'll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I’ll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
busk_1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8" 33.4 cm; Width: 1 9/16" 3.9 cm; Thickness: 1/8" 3 mm.
1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8″ 33.4 cm; Width: 1 9/16″ 3.9 cm; Thickness: 1/8″ 3 mm.
busk_Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
busk_1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
busk_19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75" x 1.5". via Antique Dress.
19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75″ x 1.5″. via Antique Dress.
busk_18th Century Wooden Busk for Stays, European. Via metmuseum.org
18th Century Wooden Busk for Stays, European. Via metmuseum.org
busk_18th Century Late - 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, "PC" carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.
18th Century Late – 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, “PC” carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion https://books2read.com/SuziLoveCorsetBook14 Share on X

https://books2read.com/SuziLoveCorsetBook14
Posted in 1700s, 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Corset, England, Europe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, Romantic Era, South Pacific, Suzi Love, U.S.A, underclothing | Tagged 1800s women's fashion, Bridgerton, Christie's Auction Rooms, Corset, Georgian Fashion, Jane Austen, Metropolitan Museum NYC, Museum Of Fine Arts, Regency Fashion, Romantic Era Fashion, Victoria and Albert Museum, Victorian fashion, Winterthur Museum

1880’s Gorgeous corset of silk satin, steel busk, and bone, French. #VictorianEra #Corset #VictorianFashion

Suzi Love Posted on May 20, 2023 by Suzi LoveMay 20, 2023

1880’s Corset, French, silk satin, steel busk, and bone. Women used corsets to get closer to an ‘ideal physical form’. Until the beginning of the 20th century, women’s waists were tightened by corsets. via Kyoto Institute, Japan.

1880's Corset, French, silk satin, steel busk, and bone. Women used corsets to get closer to an 'ideal physical form'. Until the beginning of the 20th century, women's waists were tightened by corsets. via Kyoto Institute, Japan.
1880’s Corset, French, silk satin, steel busk, and bone. Women used corsets to get closer to an ‘ideal physical form’. Until the beginning of the 20th century, women’s waists were tightened by corsets. via Kyoto Institute, Japan.
1880's Gorgeous corset of silk satin, steel busk, and bone, French. #VictorianEra #Corset #Fashion https://books2read.com/SuziLoveCorsetBook20 Share on X

Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item,  tight lacing gave a narrow waist and the desired feminine form under clothing.

HN _20_D2D_Corsets 1880-1900https://books2read.com/SuziLoveCorsetBook20
Posted in 1800s, 1800s women's fashion, Corset, France, Suzi Love Books, Suzi Love Images, underclothing, Victorian Era | Tagged 1800s women's fashion, Book 20, Corset, History Notes, Kyoto Institute Japan, Suzi Love Books, underclothing, Victorian fashion

1818 November 6th Caricature: ‘A Dandy Cock In Stays’. By Isaac Robert Cruikshank. #Regency #Cartoon #London

Suzi Love Posted on March 16, 2023 by Suzi LoveJanuary 13, 2023

1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank.A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via Suzi Love - suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank.A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via Suzi Love – suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)

1818 November 6th Caricature: ‘A Dandy Cock In Stays’. By Isaac Robert Cruikshank. #Regency #Cartoon #London

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Posted in 1800s, 1800s Mens Fashions, cartoon, Corset, England, fashion accessories, London, pants, Regency Era, Suit, Suzi Love Images, underclothing, Vest or Waistcoat | Tagged 1800s men fashion, British history, British Museum, Cartoons, Dress Or Gown, fashion accessories, Hats And Hair, Regency Fashion, Regency London, Shoes

1819 January Caricature Of Dandy Being Laced Into His Corset By Two Servants. #Regency #Cartoon #Corset

Suzi Love Posted on February 24, 2023 by Suzi LoveJanuary 20, 2023

1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’l never get my Stays tight enough go brute and call John James & Thomas, To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Hand colored etching. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1819 January 'Laceing a Dandy.' Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, "Fore Gad ye wretches you'l never get my Stays tight enough go brute and call John James & Thomas To help you take care you don't Spoil by Breasts". Published by: Thomas Tegg. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1819 January ‘Laceing a Dandy.’ Dandy in underwear, laces of his corset pulled by two servants, left young black page, right French valet with high collar. Dandy, “Fore Gad ye wretches you’l never get my Stays tight enough go brute and call John James & Thomas To help you take care you don’t Spoil by Breasts”. Published by: Thomas Tegg. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1819 January Caricature Of Dandy Being Laced Into His Corset By Two Servants. #Regency #Cartoon #Corset. https://books2read.com/SuziLoveCorsetBook17 Share on X
Posted in 1800s, 1800s Mens Fashions, cartoon, Corset, Customs & Manners, England, London, pants, Regency Era, Regency Fashion, Suzi Love Images, underclothing | Tagged 1800s men fashion, British history, British Museum, Cartoons, Corset, cravat, dandy, fashion accessories, Regency Fashion, servants, Shoes

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