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1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.

1804-1810 ca. Embroidered Court Dress called ‘Joséphine’ As Worn In Jane Austen’s Times. #JaneAusten #RegencyFashion #France #Royalty

Suzi Love Posted on October 21, 2026 by Suzi LoveOctober 3, 2026

1804-1810 ca. Empire style, or high-waisted, French Court Dress called ‘Joséphine’, Attributed to embroiderer Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, and cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Musée des Tissus et musée des Arts décoratifs, Lyon.

Definition Empire Style:  Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
1804-1810 ca. Court Dress called 'Joséphine', Attributed to Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Suzi Love ~ suzilove.com & Musée des Tissus et musée des Arts décoratifs, Lyon.
HN_26_D2D Fashion Women 1805-1809
https://books2read.com/SuziLoveFashionWomen1805-1809
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
Posted in 1800s, 1800s women's fashion, Dress Or Robe, France, Jane Austen, Regency Era, Regency Fashion, Royalty, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, France, Jane Austen, Musee des Tissus France, Regency Era, Regency Fashion, Regency Royalty, sewing

1817 June Lady Reading Wearing Bridgerton Or Jane Austen Style Morning Dress and Marlborough Cap. #Bridgerton #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on October 21, 2026 by Suzi LoveOctober 21, 2026

1817 June Morning Dress as worn in Bridgerton and Jane Austen’s times in England. A round dress composed of jaconet muslin; the bottom of the skirt is trimmed with an intermixture of tucks and embroidery. The body is perfectly novel, it is a three-quarter height, and displays the whole of the throat and a little of the neck: it is composed of the same material as the dress, and is formed to the shape, in a manner at once singular and becoming, by bands of letting-in lace; it is also profusely ornamented with lace, which is set on very full. Long full sleeve, the fullness confined by a tasteful cuff, which is finished by a lace ruffle. Head-dress the Marlborough cap, composed of white lace, ornamented with full-blown roses and blush colored satin ribbon. For the form of this elegant cap, which is perfectly in the English style, we refer our readers to our print. The hair is parted in front so as to display a little of the forehead, and curled lightly over the temples. Necklace and ear-rings white cornelian mixed with gold. White kid slippers and gloves. We are indebted to the elegant taste of Mrs. Marchant of 40, Gerrard-street, Soho, for both our dresses this month. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

Definition Morning or At-Home Dress: Loose and comfortable dress and soft lace cap to be worn at home for reading, painting, sewing or for walking in the garden. To be seen by family, servants and close friends. Not accessorized enough to be out in the wider public, although the pretty pink roses and trim on the cap suggest this outfit may have been worn for receiving visitors at home.

1817 June Morning Dress as worn in Jane Austen's times in England. A round dress composed of jaconet muslin; the bottom of the skirt is trimmed with an intermixture of tucks and embroidery. The body is perfectly novel, it is a three-quarter height, and displays the whole of the throat and a little of the neck: it is composed of the same material as the dress, and is formed to the shape, in a manner at once singular and becoming, by bands of letting-in lace; it is also profusely ornamented with lace, which is set on very full. Long full sleeve, the fullness confined by a tasteful cuff, which is finished by a lace ruffle. Head-dress the Marlborough cap, composed of white lace, ornamented with full-blown roses and blush colored satin ribbon. For the form of this elegant cap, which is perfectly in the English style, we refer our readers to our print. The hair is parted in front so as to display a little of the forehead, and curled lightly over the temples. Necklace and ear-rings white cornelian mixed with gold. White kid slippers and gloves. We are indebted to the elegant taste of Mrs. Marchant of 40, Gerrard-street, Soho, for both our dresses this month. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
https://books2read.com/SuziLoveFashionWomen1815-1819

HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, England, fashion accessories, hats, Jane Austen, London, Pastimes, Regency Era, Regency Fashion, sewing, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, jewelry, muff, Regency Fashion, sewing, shawls, Shoes, Suzi Love Images, The Repository Of Arts
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1800 Embroidered White On White Muslin Robe in Jane Austen Style. #JaneAusten #RegencyFashion #HistoricalFashion

Suzi Love Posted on October 20, 2026 by Suzi LoveOctober 3, 2026

1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread.
via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

About 1800 Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases, Muslin embroidered with cotton thread Fabric made in India, gown made in England Given by Miss Frances Vickers Museum no. 444-1888 (2013) Victoria and Albert Museum, London.

By the end of the 18th century, rigidly tailored garments for both men and women were replaced by styles made for ease and comfort, resulting in the neoclassical style of the 1780s. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
HN_12_D2D Retailer Buy Link
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HN_12 D2D_RetailerBuyLink_HN_12 books2read.com/SuziLoveFashionWomen1800
Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fabrics, Jane Austen, Regency Fashion, sewing, Victoria and Albert Museum

What did an older lady do and wear in Jane Austen and Bridgerton Years? Regency life Series Book 5. #JaneAusten #Bridgerton #RegencyEra #nonfiction

Suzi Love Posted on October 20, 2026 by Suzi LoveOctober 20, 2026

Older Lady’s Day Regency Life Series Book 5. An easy to read overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction.  

The older lady’s day usually started with her toilette in her bedroom, where her maid helped her dress for the day and styled her hair. After that, she would join her family downstairs for breakfast unless she preferred a tray with either tea or hot chocolate in her bedroom as she prepared for her busy day. Her day would be made up of speaking with the housekeeper and the cook about the week’s menus, assuring that the servants were all available that day and no one was ill, and checking the list of foods needed.

She would also enquire if the laundry was up to date and that they had enough good linen to make up all the beds before extended family members and guests arrived. If she was in the country and hosting a weekend house party, she would assign rooms to the guests on her lists and query that all was in readiness for their arrival.

RKL_5_What did an older lady do and wear in #RegencyEra? Information & pictures for readers and writers of #History #nonfiction #Regency books2read.com/suziloveOLD
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Posted in 1800s, 1800s women's fashion, bedroom fashion, Bridgerton, Coat or Pelisse Or Redingote, Corset, Customs & Manners, Dress Or Robe, England, Europe, fashion accessories, Food and Drink, Google Books, hats, History, Jane Austen, medical, Pastimes, Quotations, Regency Era, Regency Fashion, Regency Life Series, Reticule or Bag, shoes, Spencer, Suzi Love Books, Suzi Love Images, underclothing | Tagged 1800s women's fashion, Book 5, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, Food, gloves, Hats And Hair, household, Jane Austen, nonfiction, pastimes, Regency Era, Regency Fashion, Regency Life Series, Regency London, Shoes, Suzi Love Books

18th Century Mid. Gentleman’s Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques

Suzi Love Posted on October 20, 2026 by Suzi LoveOctober 19, 2026

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Shagreen: A type of rawhide, or rough untanned skin, originally made from the back of a horse or a wild donkey. In the 18th century, the skin of a shark or stingray also began to be called shagreen.

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org

 

HN_10_D2D_RetailerBuyLink_HN_10.books2read.com/SuziLoveTravel
D2D_RetailerBuyLink_HN_10. books2read.com/SuziLoveTravel
Posted in 1700s, 1700s Mens fashion, Box Or Container, Decorative Item, fashion accessories, Georgian Era, Georgian Fashion, Grand Tour, History, Hygiene, London, Suzi Love Images, travel, Writing Tools | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, antiques, Box Or Container, Georgian era, Grand Tour, hygiene, Metropolitan Museum NYC, Necessaire or Etui, Suzi Love Images, travel, Writing Tools

1816 June Blue Wool Riding Dress With High Waist As Worn by the Bridgertons and Jane Austen. #Bridgerton #RegencyFashion #JaneAusten #RidingFashion

Suzi Love Posted on October 20, 2026 by Suzi LoveOctober 19, 2026

1816. June Blue Merino wool riding dress with high waist and embroidered and ornamented round the bust and cuffs and fastens on the back of the shoulder. Double ruff of fine Vandyke lace is separated from shirt collar by a Chinese silk handkerchief of blue and white. Small round hat made of fine beaver or moss silk, the half boots are of blue kid with Limerick gloves worked and seamed with blue and she is carrying a riding whip. These riding habits were usually designed by men and were in two pieces, a jacket and a skirt, worn over a shirt but this is in one piece and the full skirt falls from directly under the bust. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.

Typical of the riding costumes worn by Jane Austen’s female contemporaries. The style is still in the Empire fashion of a high-waist with the full skirt falling from just under the bust and with a frill and small decorations on the wrists and shoulders to make it look unique.

Definition: Riding Habit: Early 1800s riding habits copied men’s riding fashion and so were often in two pieces. A close-fitting jacket, skirt with a train, and worn over a shirt, or with a fichu covering the neck. The skirt had either a waistband, or straps over the shoulders, to keep it in place. Some habits were made as one piece with the skirt and bodice joined or as a high-waisted dress. Most women’s riding habits were designed by men, rather than female modistes.

 Fashion Women 1815-1819 History Notes Book 28 What did women in Jane Austen’s and the Bridgerton’s years wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding  fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. https://books2read.com/SuziLoveFashionWomen1815-1819

1816. June Blue Merino wool riding dress with high waist and embroidered and ornamented round the bust and cuffs and fastens on the back of the shoulder. Double ruff of fine Vandyke lace is separated from shirt collar by a Chinese silk handkerchief of blue and white. Small round hat made of fine beaver or moss silk, the half boots are of blue kid with Limerick gloves worked and seamed with blue and she is carrying a riding whip. These riding habits were usually designed by men and were in two pieces, a jacket and a skirt, worn over a shirt but this is in one piece and the full skirt falls from directly under the bust. Fashion Plate via John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London https://books2read.com/SuziLoveFashionWomen1815-1819
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, England, fashion accessories, hats, Jane Austen, London, Regency Era, Regency Fashion, riding, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fabrics, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, La Belle Assemblee, Regency Fashion, riding, sewing, Shoes
1820 8. Collage Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk

1820 Short Sleeved Ball Gown of Embroidered Silk Net, British. #RegencyFashion #Historicalfashion #sewing

Suzi Love Posted on October 19, 2026 by Suzi LoveSeptember 29, 2026

1820 Ball Gown of Embroidered Net, British. Silk satin and silk net embroidered with metal and trimmed with silk blonde bobbin lace, hand sewn.  Short-sleeved ball gown comprising of an underdress of silk satin and an overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. The dress has a low  oval neckline, puffed short sleeves, a wedge shaped front bodice panel,  and a medium high waist. The skirt has a central front panel, wedge shaped panels and the centre back panels are tightly gathered at the waist.

From the Museum Curator: ‘Women saved their most elaborate dresses for special occasions such as balls. Lavish gowns embellished with gold thread or sparkling beads glittered in the artificial light of the dancing room. Thin, gauzy materials created a soft dreamy look. These light materials also prevented the wearer from getting too hot while dancing in stuffy, overcrowded spaces’. Victoria and Albert Museum, London, UK

1820 1. Front Hem Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 2. Back Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 3. Side Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 4. Bodice Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 7. Sleeve. Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 5. Hem Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, London, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fabrics, Regency Fashion, sewing, Suzi Love Images, Victoria and Albert Museum | Leave a reply

1811 Blue Levantine Redingote, Or Coat, in Jane Austen Style. #RegencyFashion #JaneAusten #Fabric

Suzi Love Posted on October 19, 2026 by Suzi LoveOctober 3, 2026

1811 Lady’s Redingote, or Coat, or Pelisse, or Walking Dress, French. Blue Levantine walking dress, with pale blue hat of Drap. Fashion Plate via Journal des Modes et des Dames, or Costume Parisienne.

The term, Redingote, was used more in France and other parts of Europe and Pelisse or Walking Dress was used more in England.  While the terms Redingote and Pelisse are often used interchangeably, the Redingote usually features a close fitted top and flares out at the hemline with a more tailored or military look than a Pelisse. Redingotes or Pelisses were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years to provide warmth and some protection from windy conditions when gowns might lift and cause modesty issues.  In Europe, a Redingote was a coat or robe like garment worn both indoors and out, indoors left open to reveal a dress while the outdoor version was made of heavier materials and of darker colors than the type worn indoors. The name comes from the term ‘riding coat.’

Definition Drap: Made of wool, shiny and velvety after treatment, hair uniformly laid in the direction of the cut, thick and resistant. Used for coats.

Definition Levantine: Stout silk cloth in twill weave. First made in the Levant, a large area in the Eastern Mediterranean region of Western Asia.

1811 Lady's Redingote, or Pelisse, or Walking Dress, French. Blue Levantine walking dress, with pale blue hat of Drap. Fashion Plate via Journal des Modes et des Dames, or Costume Parisienne. suzilove.com
HN_27_D2D_
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HN_27_D2D_fashwomen1810-1814 https://books2read.com/SuziLoveFashion1810-1814

Posted in 1800s, 1800s women's fashion, Coat or Pelisse Or Redingote, Europe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, fashion accessories, Fashion Plate, France, gloves, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Redingote Or Pelisse Or Coat, Regency Fashion, Suzi Love Images

1830s Tantalus Set, French, with Burl Wood veneers and brass corners. #RomanticEra #drinks #Antique

Suzi Love Posted on October 18, 2026 by Suzi LoveOctober 12, 2026

1830s Tantalus Set, French. Burl Wood veneers, brass corners and lined with red leather.
Tantalus: Small box or cabinet containing decanters. Lock and key keep unauthorized people from drinking the contents e.g. servants and younger sons, yet still allowing the decanters of drinks to be on show. The word, Tantalus, is a reference to the unsatisfied temptations of the Greek mythological character, Tantalus.

1830s Tantalus Set, French. Burl wood veneers, brass corners, lined with red leather. via 1st Dibs
HN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Posted in 1800s, Box Or Container, England, Food and Drink, History, household, Romantic Era | Tagged 1800s, 1st Dibs Auctions, antiques, Box Or Container, drinks, household, Romantic Era

Fan of the Bridgerton Series? Jane Austen Lover? Writer Or Reader Of Regency Era? What did they wear in early 1800s? #bridgerton #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on October 18, 2026 by Suzi LoveOctober 17, 2026

Writer Or Reader Of Regency Era?What did Jane Austen and friends wear? Women’s clothing changed dramatically in early 1800s. New silhouette copied simplistic styles of Greeks and Romans. High-waisted white dresses and flowing skirts with color and warmth added by outerwear and accessories. Fashion Women 1801-1804 History Notes Book 25 https://books2read.com/SuziLoveFashionWomen1801-1804

Definition Empire Style Dress: High-waisted white gowns defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the elaborate clothing worn in the 1700s. This sort of high-waisted dress would have been worn by Jane Austen and her contemporaries in England.

Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.

HN_25_Fashion Women 1801-1804 History Notes Book 25 This book looks at the changes to women's clothing in the early 1800s and the move away from complicated styles and heavy fabrics. The new silhouette copied the simplistic styles of the Greeks and Romans. White dresses were high-waisted and skirts were flowing, with color and warmth added by outwear and accessories. https://books2read.com/SuziLoveFashionWomen1801-1804
Fashion Women 1801-1804 History Notes Book 25
This book looks at the changes to women’s clothing in the early 1800s and the move away from complicated styles and heavy fabrics. The new silhouette copied the simplistic styles of the Greeks and Romans. White dresses were high-waisted and skirts were flowing, with color and warmth added by outwear and accessories.
https://books2read.com/SuziLoveFashionWomen1801-1804
HN_25_Fashion Women 1801-1804
https://books2read.com/SuziLoveFashionWomen1801-1804
Posted in 1800s, 1800s women's fashion, Australia, bedroom fashion, Bridgerton, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Corset, Customs & Manners, dancing, Decorative Item, Dress Or Robe, England, Europe, fashion accessories, France, Google Books, hats, History, History Notes, Jane Austen, London, mourning, Quotations, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Book 25, Bridgerton, British history, Corset, dancing, Dress Or Gown, fashion accessories, Fashion Plate, Fashions Of London and Paris, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, mourning, Napoleon Bonaparte, Regency Fashion, riding, shawls, Shoes, Spencer, Suzi Love Books, The Lady's Monthly Museum, The Repository Of Arts, underclothing, weddings

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