Category Archives: Timeline

1820-1850 ca. Cotton and Beadwork Reticule Or Bag, With Couple on Shore, Dutch. #holland #sewing #Reticule #RegencyEra #RomanticEra #HistoricalFashion #Antiques

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1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. Beadwork on cotton foundation. Polychrome design: couple on shore, man in boat, house and windmill behind (obv.); musicians, dancers, onlookers (rev.); acanthus motif at base. Yellow metallic frame with dotted design, stud closure, green braided silk cord. Ecru silk lining. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Reticule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

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1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. Beadwork on cotton foundation. Polychrome design: couple on shore, man in boat, house and windmill behind (obv.); musicians, dancers, onlookers (rev.); acanthus motif at base. Yellow metallic frame with dotted design, stud closure, green braided silk cord. Ecru silk lining. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1820-1850 ca. Cotton and Beadwork Reticule Or Bag, With Couple on Shore, Dutch. #holland #sewing #Reticule #RegencyEra #RomanticEra #HistoricalFashion #Antiques http://books2read.com/suziloveReticules Share on X
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1700s Late Pair of Pattens, Or Strap On Undershoes, As Used On Rainy Days in Jane Austen and Bridgerton Times. #Bridgerton #JaneAusten #Shoes #BritishHistory #History

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1700s Late Pair of Pattens, English. Iron supports underneath leather and wood. Pattens: Under shoes that strapped onto shoes and worn outdoors and to lift shoes and dresses out the mud. People in Jane Austen’s lifetime would have used these to protect the hems of dresses and legs of men’s pants, plus protect delicate shoes. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1700s Late Pair of Pattens, English. Iron supports underneath leather and wood. Pattens: Under shoes that strapped onto shoes and worn outdoors and to lift shoes and dresses out the mud. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1700s Late Pair of Pattens, Or Strap On Undershoes, As Used On Rainy Days in Jane Austen and Bridgerton Times. #Bridgerton #JaneAusten #Shoes #BritishHistory #History https://www.books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s

1800-1815 ca. Sprigged Mull Dress. Typical white cotton high-waisted dress worn in Bridgerton and Jane Asten times. #Bridgerton #RegencyFashion #JaneAusten

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1800-1815 ca. Sprigged Mull Dress. Typical of the white cotton high-waisted dresses in vogue in the early 1800s. They replaced the more formal gowns from the end of the 18th Century and moved away from heavier and more decorative fabrics. This is the type of dress Jane Austen and her contemporaries would have worn on a daily basis. via Whitaker Auctions.

1800-1815 ca. Sprigged Mull Dress. Typical of the white cotton high-waisted dresses in vogue in the early 1800s. They replaced the more formal gowns from the end of the 18th Century and moved away from heavier and more decorative fabrics. via Whitaker Auctions.
1800-1815 ca. Sprigged Mull Dress. Typical white cotton high-waisted dress from early 1800s. #RegencyEra #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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1806 Waiting For the St. Cloud Coach, Place de la Concorde, Paris. #RegencyEra #JaneAusten #Paris #Art

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1806 Waiting For the St. Cloud Coach, Place de la Concorde, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) This couple is depicted waiting for the coach, which was a passenger vehicle drawn by four horses. The woman is wearing a fashionable hat or “capote” that covers her face. Her dress maintains the empire waist and has very long sleeves that also have a ‘mancheron’ or a gathered sleeve at the shoulders. The man is wearing a ‘habit du gagé’ or a coat with tails, buttoned at the waist. His hat is a ‘haut-de-forme’ or what is commonly known in English as a top hat. He wears tight, short pants tucked into large, riding boots, as was the fashion for men. Illustrations by François Courboin from Octave Uzanne‘s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes de Paris VIa Brown University Library .

1806 Waiting for the Saint-Cloud Coach, Place de la Concorde, France. Couple waits for the coach, a passenger vehicle drawn by four horses. Woman wears a fashionable hat, or capote, that covers her face, an Empire style, or high-waisted blue Redingote or Pelisse, with long sleeves with a mancheron, or gathered sleeve, at the shoulders. Man in tailcoat buttoned at the waist, breeches tucked into fashionable riding boots with tan tops and wearing a 'haut-de-forme', or top hat. via Suzi Love ~ suzilove.com & Illustrations by François Courboin, French librarian (1865-1926) From Octave Uzanne's 'Les Modes de Paris, or Fashion in Paris,' the various phases of feminine taste and aesthetics from 1797 to 1897. (PD-Art) via Brown University Library, U.S.A.
1806 Waiting For the St. Cloud Coach, Place de la Concorde, Paris. #RegencyEra #JaneAusten #Paris #Art https://books2read.com/suziloveYGD Share on X
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1816 June Blue Wool Riding Dress With High Waist As Worn by the Bridgertons and Jane Austen. #Bridgerton #RegencyFashion #JaneAusten #RidingFashion

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1816. June Blue Merino wool riding dress with high waist and embroidered and ornamented round the bust and cuffs and fastens on the back of the shoulder. Double ruff of fine Vandyke lace is separated from shirt collar by a Chinese silk handkerchief of blue and white. Small round hat made of fine beaver or moss silk, the half boots are of blue kid with Limerick gloves worked and seamed with blue and she is carrying a riding whip. These riding habits were usually designed by men and were in two pieces, a jacket and a skirt, worn over a shirt but this is in one piece and the full skirt falls from directly under the bust. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. https://books2read.com/SuziLoveFashionWomen1815-1819

Typical of the riding costumes worn by Jane Austen’s female contemporaries. The style is still in the Empire fashion of a high-waist with the full skirt falling from just under the bust and with a frill and small decorations on the wrists and shoulders to make it look unique.

1816. June Blue Merino wool riding dress with high waist and embroidered and ornamented round the bust and cuffs and fastens on the back of the shoulder. Double ruff of fine Vandyke lace is separated from shirt collar by a Chinese silk handkerchief of blue and white. Small round hat made of fine beaver or moss silk, the half boots are of blue kid with Limerick gloves worked and seamed with blue and she is carrying a riding whip. These riding habits were usually designed by men and were in two pieces, a jacket and a skirt, worn over a shirt but this is in one piece and the full skirt falls from directly under the bust. Fashion Plate via John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London https://books2read.com/SuziLoveFashionWomen1815-1819
1816 June Blue Wool Riding Dress With High Waist As Worn by the Bridgertons and Jane Austen. #Bridgerton #RegencyFashion #JaneAusten #RidingFashionhttps://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir As Collected in Jane Austen and Bridgerton Times. #Bridgerton #Writing #RegencyEra #JaneAusten

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19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. The type of Grand Tour souvenir collected by travelers in Jane Austen and Bridgerton Times.

Siena marble with ink wells and pen holder. Lid removes to reveal pair of ink wells and pen holder. Scipios were a family of Roman war heroes and generals. Tomb of Scipios erected around 150 B.C.E and copied many times. 18th-19th Centuries, tomb models were favorites of Grand Tour souvenir hunters. The sort of exotic item a gentleman in Jane Austen’s times might send back to England during his Grand Tour of Europe and Asia. via 1st Dibs Auctions 1stdibs.com

19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. Inkwell View. Lid removes to reveal pair of ink wells and pen holder. 18th-19th Centuries Tomb models were favorites of Grand Tour travelers. via suzilove.com and 1st Dibs Auctions 1stdibs.com
19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. Inkwell View. Lid removes to reveal pair of ink wells and pen holder. 18th-19th Centuries Tomb models were favorites of Grand Tour travelers. via suzilove.com and 1st Dibs Auctions 1stdibs.com
19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. Siena marble, inside ink wells and pen holder. Scipios were a family of Roman war heroes and generals. Tomb of Scipios erected around 150 B.C.E and copied many times. 18th-19th Centuries, tomb models were favorites of Grand Tour souvenir hunters. via suzilove.com and 1st Dibs Auctions 1stdibs.com
19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir As Collected in Jane Austen and Bridgerton Times. #Bridgerton #Writing #RegencyEra #JaneAusten books2read.com/SuziLoveWritingTools Share on X
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools

1806 Young Gentleman Wearing Jane Austen Era Clothing. Blue tailcoat under short brown Castorine coat, cream cashmere breeches. #RegencyFashion #JaneAusten #HistoricalFashion

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1806 Young French Gentleman. Blue tailcoat under a short brown Castorine coat, cream cashmere breeches, white stockings, yellow gloves, black top hat and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life. https://books2read.com/SuziLoveFashionMen1800-1819

1806 Young French Gentleman. Blue tailcoat under short brown Castorine coat, cream cashmere breeches. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819
1806 Young Gentleman Wearing Jane Austen Era Clothing. Blue tailcoat under short brown Castorine coat, cream cashmere breeches. #RegencyFashion #JaneAusten #HistoricalFashionhttps://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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18th Century Mid. Gentleman’s Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques

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18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Shagreen: A type of rawhide, or rough untanned skin, originally made from the back of a horse or a wild donkey. In the 18th century, the skin of a shark or stingray also began to be called shagreen.

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org

 

18th Century Mid. Gentleman's Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques books2read.com/SuziLoveTravel Share on X
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1820 Brown Evening Dress Of Figured Silk Muslin With Brown Gauze Trim. #RegencyEra #HistoricalFashion #England

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1820 Brown Evening Dress Of Figured Silk Muslin With Brown Gauze Trim. An evening dress of tobacco coloured figured silk muslin, warp float, small sprig repeat design. Shallow, round neckline, short puffed sleeves, high, empire-style waistline and long tubular skirt. Bodice has narrow cream lace trim above a band of self fabric edged with cream silk braid and brown silk taffeta piping. Bodice front has brown silk gauze joined on at side seams with 3 van dyke points down sides of centre front. Edges of points bound with silk taffeta and trimmed with ball buttons covered in brown silk floss.

Centre front panel has brown silk cord lacing through 17 handworked eyelets bordered by 2 v-shaped strips of same silk taffeta rouleaus. Self fabric waistband is trimmed with cream braid and piping, with two van dyke points either side of centre back. Bodice laced at back from neck to waistband while gauze overlay from front forms a band tucked over the waist, which extends over skirt to form a narrow peplym, also van dyke pointed and bound with taffeta. Two self fabric epaulettes attached at sleeve seams and trimmed with brown silk passmenterie tassel, at shoulder and with same braid and piping. Short sleeves overlaid with brown silk gauze ruched between rouleaux bands stitched to lining. Cuff bands piped and braided and cut into 8 van dyke points above overlay. Points are trimmed with braid, piping and silk covered ball buttons. Skirt of dress falls to the ground, trained at back, and flounce of satin striped silk gauze falling from corded seam. Bodice lined with cream cotton. Via Powerhouse Museum, Sydney, Australia. collection.maas.museum.

Passementerie: Art of making elaborate trimmings or edgings (in French, passements) of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings. Styles of passementerie include the tassel, fringes, ornamental cords, galloons, pompons, rosettes, and gimps, as well as other forms. Tassels, pompons, and rosettes are point ornaments, and the others are linear ornaments.

1820 Brown Evening Dress Of Figured Silk Muslin With Brown Gauze Trim. An evening dress of tobacco coloured figured silk muslin, warp float, small sprig repeat design. Shallow, round neckline, short puffed sleeves, high, empire-style waistline and long tubular skirt. Bodice has narrow cream lace trim above a band of self fabric edged with cream silk braid and brown silk taffeta piping. Bodice front has brown silk gauze joined on at side seams with 3 van dyke points down sides of centre front. Edges of points bound with silk taffeta and trimmed with ball buttons covered in brown silk floss.
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1800 ca. Ormolu Ink Stand With Lid. Type of decorative desk tools used in Jane Austen’s times. #JaneAusten #RegencyEra #France #Antique

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1800 ca. Ormolu Ink Stand with Lid, French. Ormolu ink stand in the shape of a globe surrounded by three rams head pen supports with animal legs and hoofs on a tripartite base. The top is removable revealing a silvered compartment with containers for sand and ink. via 1st Dibs Auctions 1stdibs.com

Definition Ormolu: Gold colored alloy of copper, zinc, and tin used in decoration and for making ornaments. Ormolu is used in mounts i.e ornaments on borders, edges, and as angle guards) for furniture, especially 18th-century furniture, and for other decorative purposes. Its gold colour may be heightened by immersion in dilute sulfuric acid or by burnishing.

1800 ca. Ormolu Ink Stand with Lid, French. Ormolu ink stand in the shape of a globe surrounded by three rams head pen supports with animal legs and hoofs on a tripartite base. The top is removable revealing a silvered compartment with containers for sand and ink. via 1st Dibs Auctions 1stdibs.com
1800 Ormolu Ink Stand With Lid. Type of decorative desk tools used in Jane Austen's times. #JaneAusten #RegencyEra #France #Antique books2read.com/SuziLoveWritingTools Share on X
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools