1811 Woman Carrying Cloth and a Package. Sewing a dress? Green dress with a white bodice, green spotted cornet for a hat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Even though this a French fashion plate, this is typical of the Empire dresses worn by Jane Austen and her contemporaries. Low necklines and skirts that started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. These high-waisted dresses were worn most days and cotton, silk or taffeta were the popular fabrics.
1823 Pelisse or Redingote or Walking dress, or Coat, English. Made for a wedding trousseau in 1823. Intricate decoration from rouleaux applied in floral shapes, and trimmed with wire wrapped in silk thread which stands out from the garment in loops at the ends. ‘Vandyke’ style of pointed shoulder pieces were fashionable at the time. Via Museum Of London, UK.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress. books2read.com/suzilovePelisse
Definition Vandyke: Edging of v-shaped points, the name coming from the Flemish painter, Sir Anthony Vandyke, who was known for his short pointed beard.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.1823 Blue Silk Pelisse, or Coat, Decorated With Rouleaux and Vandyke Points. #RegencyFashion #HistoricalFashion #Pelisse https://books2read.com/suzilovePelisse Share on XD2D_RetailerBuyLink_HN_5
http://books2read.com/suzilovePelisse
11811 Half-Mourning Dress, French. Black dress, high white neck ruffle, black hat with white trim and white shoes.
In November, 1810, Princess Amelia, youngest daughter of George III, died. At the end of 1810 full mourning of complete black would have been worn but by the beginning of 1811, half mourning would still have been to respect the loss of a royal family member. Half-mourning allowed touches of silver, grey, mauve and white to be added to a mostly black outfit and would be worn after the period of full mourning was ended, times depending on the relationship to the deceased person. Garments and accessories could either be trimmed with black, jet jewelry worn, black ribbons added, or a layer of black net or gauze added to a dress or hat.
Jane Austen and her family would have worn this type of outfit when mourning a relative or friend. However, as black dresses, black tunics, and black lace shawls were popular throughout the Regency years, it is often hard to decide what was definitely made for mourning and what was simply fashionable wear. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashion1810-1814
Definition Half or Slight Mourning: Allowed touches of grey and white to be added to full, or deep, mourning ensembles. Some lustre, or shine, was allowed in fabrics and accessories. After a time, mauve or deep purple could also be worn.
1812 June Green Riding Dress, English. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. This riding habit was probably made in two pieces. It has a vertical front decoration and is embroidered with black at the cuffs à la militaire. The small riding hat from black beaver is adorned with gold cordon and tassels and with a long ostrich feather of green in the front, or a green hat with black tassels and black feather. Black half boots, laced and fringed with green, York tan gloves, and riding crop. When this dress is worn as a carriage or walking costume, it is made as a pelisse without the riding jacket, and confined round the waist by a fancy belt of black and green. This habit was made by Mr. S. Clark, 37 Golden Square.” Riding habits and accessories were generally the only ladies’ clothing made by tailors rather than dressmakers.
1802 Silk and Metal Dress, Spanish. Brown silk dress with very high waist, decorated bodice, zig-zag hem decoration, long straight sleeves. I can picture Jane Austen and her female friends and family wearing this sort of dress to a dinner party or musical evening. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
Are you a reader or writer of Regency Romance? Love Jane Austen’s books? Want to know more about the mourning, riding, underclothing and other Regency Era women’s fashions in Regency romances? What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top.
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Wars were being fought so women adopted military looks in support of soldiers. https://books2read.com/SuziLoveFashion1810-1814 History Notes Book 27 Women’s Fashions 1810-1814.
These are the types of outfits worn by Jane Austen and contemporaries in English magazines, where French fashions were obsessively copied despite the two countries being at war for many years. In Jane Austen’s years, she and her contemporaries spent a lot of time walking outdoors. People were encouraged to partake in outdoor pursuits to maintain good health. Fragile slippers were worn for balls and evening events but for walking sturdier shoes were needed, In the early 1800s, these were typically made of leather, had a very small heel, slightly rounded toes and were laced up on the top.
1825 Pale Gold Pelisse, or Walking Dress, or Redingote, British. Pale gold silk with linen lining. Long sleeves puffed at shoulders and narrowed at wrist, large round collar, nipped in high wais and A-line skirt, zig-zag lace trim above the hem. A beautiful example of the love of gold and silver fabrics during the 1820s. Styles may have been simple, but fabrics were definitely not. They were luxurious and expensive. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress. books2read.com/suzilovePelisse
1809 ca. Empire Style, Or High-Waisted, Dress, English. Hand-embroidered white cotton muslin, cotton bobbin lace, shell buttons and linen tape. via National Gallery of Victoria, Australia. ngv.vic.gov.au
The gowns associated with Empire or Regency style have a low neckline and short sleeves and were usually worn for evening, dress, or dancing. Toward the end of the era, dancing dresses featured higher hemlines that rose several inches above the ankle. Day dresses had a higher neckline and long sleeves. The Empire styles at the beginning of the 19th century were made of a soft, lightweight fabric gathered just under the breasts. It featured a low square neckline, and small, short, puffed sleeves with a low shoulder line. Although lawn and batiste were used, muslin was the fabric of choice as it was easy to clean. The thin muslin clung close to the body and emulated styles worn in ancient Greece. Shades of white predominated, with the addition of pale pastel shades worn for day wear.
Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics.
1812 June Couple In Fashionable Walking Dress, English. Lady wears a green cape and hat over a high-waisted, or Empire style, white dress with a pink parasol. Man wears a tailcoat over fawn breeches, yellow gloves, black shoes and hat and a walking stick. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
By the end of the 18th century, tailored garments for both men and women were replaced by styles made for ease and comfort, resulting in the neoclassical style of the 1780s. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomized by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown.
