Tag Archives: Jane Austen

1812 Man’s Wool, Linen, and Cotton Coat With Shoulder Capes as worn in Jane Austen and Bridgerton years. #janeausten #bridgerton #regencyfashion

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1812 Man’s wool, linen, and cotton long coat with four shoulder capes, European. Also called a Carrick Coat, a Driving Coat, or a Redingote in France. via Metropolitan Museum, NYC, USA. ~ metmuseum.org

A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life and the Bridgerton men would have worn this sort of warm and practical coat like this when riding his horse in inclement weather or when driving his carriage.

Definition: Carrick Coat: Or Garrick or Coachman’s coat, with capes, or  collars,  popular in 19th century for riding and travel.

1812 ca. Back View. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Back View. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Back View Black and White. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Back View Black and White. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View Black and White. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View Black and White. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View Black and White With Umbrella. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org https://books2read.com/SuziLoveFashionMen1800-1819
1812 ca. Front View Black and White With Umbrella. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 Man’s Wool, Linen, and Cotton Coat With Shoulder Capes as worn in Jane Austen and Bridgerton years. #janeausten #bridgerton #regencyfashion  https://books2read.com/SuziLoveFashionMen1800-1819
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1816 December Red Promenade Dress Or Pelisse With Black Reticule, English. #Bridgerton #RegencyFashion #JaneAusten

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1816 December. Promenade Dress, or Pelisse, English, also called a Redingote in France. High cambric muslin dress trimmed at the bottom with a single flounce of work, shaped without any fulness to fit the body, plain long sleeve finished by a triple fall of narrow lace. Over this is the Angouleme pelisse of crimson velvet, lined with white Sarsnet, and trimmed with a single Welt of crimson satin, a shade lighter than the pelisse. Shaped the to the body and without much fullness, confined at the short waist with narrow velvet band, edged to match. Small stand-up collar, supports a rich lace ruff, which is worn open in front of the throat. Sleeve has little fullness and is confined at the wrist by three narrow bands of puckered satin. Bonnet of white satin a la Royale with a large bunch of flowers and tied under the chin with satin ribbon and finished in front with a full quilling of tulle. Black silk ridicule, exquisitely worked in imitation of the ends of an India shawl and trimmed with black silk fringe. White kid gloves and black walking shoes. Fashion plate, hand-colored engraving on paper. Published in Rudolph Ackermann’s ‘The Repository of Arts’, London.

Promenade Dress, Pelisse, Redingote, Or Walking Dress. Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters.

1816 December. Promenade Dress, or Pelisse, English, also called a Redingote in France. High cambric muslin dress trimmed at the bottom with a single flounce of work, shaped without any fulness to fit the body, plain long sleeve finished by a triple fall of narrow lace. Over this is the Angouleme pelisse of crimson velvet, lined with white Sarsnet, and trimmed with a single Welt of crimson satin, a shade lighter than the pelisse. Shaped the to the body and without much fulness, confined at the short waist with narrow velvet band, edged to match. Small stand-up collar, supports a rich lace ruff, which is worn open in front of the throat. Sleeve has little fulness and is confined at the wrist by three narrow bands of puckered satin. Bonnet of white satin a la Royale with a large bunch of flowers and tied under the chin with satin ribbon and finished in front with a full quilling of tulle. Black silk ridicule, exquisitely worked in imitation of the ends of an India shawl and trimmed with black silk fringe. White kid gloves and black walking shoes. Fashion plate, hand-colored engraving on paper. Published in Rudolph Ackermann's 'The Repository of Arts', London.
1816 December. Promenade Dress, or Pelisse, English, called Redingote in France. High cambric muslin dress trimmed at the bottom, plain long sleeve finished by a triple fall of narrow lace. Over this is the Angouleme pelisse of crimson velvet, lined with white Sarsnet, and trimmed with a single Welt of crimson satin, a shade lighter than the pelisse. Bonnet of white satin a la Royale with a large bunch of flowers and tied under the chin with satin ribbon. White kid gloves and black walking shoes. Fashion Plate in Rudolph Ackermann’s ‘The Repository of Arts’, London.
HN_28_D2D_Fashion Women 1815-1819 https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819

Are you a reader or writer of the Regency Era? Lover of the Bridgertons and Jane Austen? Mourning and riding fashion,underclothing and corsets. #Bridgerton #JaneAusten #RegencyFashion #mourningFashion

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Love the Bridgerton family and Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. books2read.com/SuziLoveFashionWomen1815-1819


History Notes 28 Fashion Women 1815-1819: This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding  fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. 

HN_28_ Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women's lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. https://books2read.com/SuziLoveFashionWomen1815-1819
Are you a reader or writer of the Regency Era? Lover of the Bridgertons and Jane Austen? Mourning and riding fashion,underclothing and corsets. #Bridgerton #JaneAusten #RegencyFashion #mourningFashion https://books2read.com/SuziLoveFashionWomen1815-1819
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HN_28_D2D_Fashion Women 1815-1819
Fashion Women 1815-1819 History Notes Book 28
What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.

D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819

1809 Josiah Wedgwood and Thomas Byerley China Showrooms in Jane Austen’s times in York Street, London. #JaneAusten #RegencyEra #London #trade

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1809 Wedgwood and Byerley showrooms for Wedgwood china, York Street, London, UK. Plate via Rudolph Ackermann’s Repository of Arts. The premises of master potter Josiah Wedgwood in York Street, St James’ Square, London, U.K. Wedgwood china was known for its high quality, beautiful glazes and Wedgwood trademark printed on the back of each item. The London show-room was managed by Thomas Byerley, who also held a quarter share of the business. From 1790 to 1810 the firm was known as Wedgwood and Byerley. Josiah Wedgwood had smallpox as a child with left him with a weakened knee so he couldn’t work the foot pedal of a potter’s wheel. Instead, he concentrated on designing pottery and unique glazes. By 1763, he was commissioned by high ranking British people, including Queen Charlotte.

In 1780, his longtime partner died and Wedgwood’s left leg had been amputated so he asked Erasmus Darwin to help run the business and their children married. The Wedgwood inheritance allowed Charles Darwin to pay for being a naturalist. From 1786 to 1789, Wedgwood took on the project of duplicating the Portland Vase from the 1st century BD. His two sons took over the business and Josiah died at home in 1795. During his life, he helped invent modern marketing and direct mail, money-back guarantees, traveling salesmen, self-service, free deliver, buy one get one free and illustrated catalogs.

1809 Wedgwood and Byerley showrooms, York Street, London, UK. Plate via Rudolph Ackermann's Repository of Arts.
1809 Josiah Wedgwood and Thomas Byerley China Showrooms in Jane Austen’s times in York Street, London. #JaneAusten #RegencyEra #London #trade https://books2read.com/suziloveYLD
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D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD

1814 Statistics On Classes, Properties and Population In Great Britain. #JaneAusten #BritishHistory #Regency #Statistics

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1814 Statistics On Classes, Properties and Population In Great Britain. From: 1814 A Treatise On Wealth and Power. By Patrick Colquhoun. These are the statistics for England in Jane Austen’s time, or the early 1800s, or Regency Era.

1814_1813 Public Income and Public Expenditure In Great Britain. From 1814 Patrick Colquhoun's A Treatise On Wealth and Power.
1814 New Properties Created Yearly In the Colonies and Dependencies Annexed to the British Crown. From 1814 Patrick Colquhoun's A Treatise On Wealth and Power.
1814 increase of Houses and Population In Cities and Around the Country In Great Britain. By Patrick Colquhoun's A Treatise On Wealth and Power.
1814 General View of the Population of the East India Company's Territorial Possessions. By Patrick Colquhoun's A Treatise On Wealth and Power.
1814_1812-1813 ca. Property Created In Great Britain and ireland. By Patrick Colquhoun's A Treatise On Wealth and Power.
1814 1801-1811 ca. Increase Of Inhabitants of Great Britain in the Country and the Towns. By Patrick Colquhoun's A Treatise On Wealth and Power.
1814_1700-1811 ca. Population Increases in Great Britain. From Patrick Colquhoun's 1814 A Treatise On Wealth and Power
1814 Statistics On Classes, Properties, Population In Jane Austen’s Great Britain. #JaneAusten #BritishHistory #RegencyEra #Statistics books2read.com/suziloveROver
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What Did An Older Gentleman Do In the Bridgerton’s or Jane Austen’s Regency Era? #Bridgerton #RegencyEra #JaneAusten #BritishHistory

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Writing Regency Era Fiction Or Nonfiction? Need more information on Older Gentleman’s Day in early 1800s, or Bridgerton’s and Jane Austen’s Regency Era. A lighthearted overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where an older man went, what he wore, and how he managed the family’s finances and his estates. Older Gentleman’s Day Regency Life Series Book 3  books2read.com/suziloveOGD

What Did An Older Gentleman Do In Early 1800s, or Jane Austen’s Regency Era? An overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where he went, what he wore, and how he managed the family’s finances. Older Gentleman’s Day Regency Life Series Book 3 books2read.com/suziloveOGD

Strictly speaking, the REGENCY ERA refers to the years between 1811 and 1820 when George IV acted as Prince Regent when his father was unable to remain in power due to his illness, or rather his madness.  For convenience, the term REGENCY YEARS is used to describe the longer period from the last two years of the Georgian Era (1809-1810), plus the ten years under the Prince Regent (1811-1820), and up until 1837 when Queen Victoria came to the throne. 

RL_3_OGD_Older Man's Day Regency Life Series Book 3 by Suzi Love #Regency #History books2read.com_suziloveOGD
RL_3_OGD_Older Man’s Day Regency Life Series Book 3 by Suzi Love #Regency #History books2read.com_suziloveOGD
What Did An Older Gentleman Do In the Bridgerton’s or Jane Austen’s Regency Era? #Bridgerton #RegencyEra #JaneAusten #BritishHistory http://books2read.com/suziloveOGD
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An overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. books2read.com/suziloveYGD

1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’ By James Gillray. #Cartoon #RegencyEra #BritishHistory #medical

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1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner’s cowpox vaccination program begun in 1796 in England. Recipients of the vaccine developing cow-like appendages. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1802 'The Cow Pock or The Wonderful Effects Of The New Inoculation'. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner's revolutionary cow pox vaccination. Via Suzi Love - suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
Cartoon: 1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’ By James Gillray. #Cartoon #RegencyEra #medical https://books2read.com/suziloveROver
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Jane Austen and the Bridgerton family and contemporaries used boxes of metal, leather, or silks, decorated with jewels and engraving. #Bridgerton #Travel #JaneAusten #RegencyEra #Antiques

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Craftsmen created containers of precious metals, leather, and silks and decorated them with jewels and engraving. Jane Austen and her contemporaries would have used writing boxes, linen boxes when travelling, boxes to hold their food and drink supplies while traveling by carriage, and decorative boxes to keep letters, ribbons, gloves, hairpins etc. Boxes, Cases, and Necessaires By Suzi Love, History Notes Book 11. books2read.com/suziloveBoxesCases.

HN_11_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
HN_11_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Jane Austen and the Bridgerton family used boxes of metal, leather, or silks, decorated with jewels and engraving. #Bridgerton #Travel #JaneAusten #RegencyEra #Antiques books2read.com/suziloveBoxesCases
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1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion

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1799-1810 ca. Cotton Muslin Gown, Probably American. White cotton embroidered muslin, probably Bengal, all over sprigged broderie anglaise decoration,short sleeve with three pairs of inside ties to adjust the double-puff, ruffled edge, back tie at neckline and waist, ruched band above the slightly trained hem with scalloped sawtooth border and with cotton bodice lining. via whitakerauction.smugmug.com

These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.

The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion books2read.com/SuziLoveFashionWomen1800
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What was fashionable for outer wear in Bridgerton and Jane Austen’s times? Spencers, short jackets, or Regency jackets. #Bridgerton #JaneAusten #RegencyFashion #FashionHistory #GeorgianHistory

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Spencers Or Regency Jackets By Suzi Love. History Notes Book 4. What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets were very popular. Take a look at the jackets being worn by women in the early 1800s or the times of Jane Austen. books2read.com/suziloveSpencers

  • Definition: Spencer – Short, bodice hugging, usually long sleeved, outer jacket. For warmth and for fashion.
  • Definition Caroline Spencer: Worn during the Directoire and First Empire (1790-1815 C.E.). Spencer with pelerine cape that was made of white kerseymere and trimmed with light blue satin cut on bias.
  • Spencers were short jackets cut to match the high waistlines of Empire dresses. They often copied military styling, such as braiding, shoulder decoration, buttons and loop fasteners, and wrist adornments. They were generally of complex construction, often with a diamond shaped piece in the back.
HN_4_Spencers Or Regency Jackets By Suzi Loved. History Notes Book 4. #Regency #Fashion #History What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets. books2read.com/suziloveSpencers
Take a Look at Spencers, or Jackets Worn By Women In Bridgerton and Jane Austen’s Times, or Early 1800s. #Bridgerton#RegencyFashion #HistoricalFashion #History books2read.com/suziloveSpencers
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HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love. books2read.com/suziloveSpencers
HN_4_Spencers, Or Jackets. #Regency #Georgian #Victorian #Fashion History Notes Book 4 By Suzi Love.