1810-1850 ca. Cotton Corset With Whalebone Busk, American. Straps tie at the front. Center front has a busk Chanel to insert a whalebone to keep the corset stiff and in place. There is extra stitching on the corset to give more shape and extra reinforcing to keep the corset upright and the dress worn over it smooth and flat. Marking stamped on the lining, ‘Jane Laney’ and Mrs. Bishop, Corset Maker, 108 Hudson St., New. York, USA. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Surviving stays, or corsets as they became to be called in the nineteenth century, show that both longline and shorter corsets were worn and that they were made of cotton, silk and sateen. A lot of these corsets were front fastening, plus many were laced at both the front and the back so our aristocratic fictional heroines could indeed dress and undress themselves without the assistance of a maid.
Definition Busk: Central panel in a corset to give it extra shape. Made from wood, bone which was usually whalebone, ivory, and in the latter 1800s from metal.
1895 Nursing Corset, French. via Montgomery Ward and co. Catalogue. Boned, soft and pliable busts, French sateen covered strips.
Definition Montgomery Ward: World first American mail order business and later a department store chain that operated between 1872 and 2001.
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing. https://books2read.com/SuziLoveCorsetBook20
1895-Nursing-Corset.Montgomery-Ward-Co.-Catalogue.-Front-Corded-Back-French-Strips.HN_20_D2D_Corsets 1880-1900
History Notes Book 20
https://books2read.com/SuziLoveCorsetBook20
1864 Silk corset, made to be worn over a chemise. Made in France or Britain. Aqua blue silk lined with linen, edged with machine-made lace, reinforced with whalebone, metal, lined with cotton twill. The front has fastenings and the back has lacings. The wearer of this corset could dress without help because the steel ‘split busk’ fastens in front. The front fastening was invented in 1829 but did not become common until the 1850s. The whalebones press into the waist to shape the hipline into an extravagant curve, to flatter and support the fashionable cage crinoline. In the 1860s women relied on voluminous skirts, in addition to corsets, to make their waists appear small.
Flossing, or embroidery, to stop bones poking through fabric, edged with machine-made lace, reinforced with whalebone, metal fasteners, V-shaped front for better fit & extra shaping. The front has fastenings and the back has lacings. There are fewer bones in the back of the corset than the front and none over the hips. Trimmed at the top edge with a narrow band of machine-made lace. Stiffened with whalebone and machine-stitched with an incised swivel latch to lock the busk fastening. Boned at the centre front, back and diagonally from the side to back and sides to front. The boning is hand-stitched into place. Metal eyelets. Lined with cotton twill. The corset reaches the top of the hips and is gored at the bust and hips.
During the 19th century, corsets were made from a variety of materials and shapes changed often. Sometimes breasts were pushed up and almost over the top and waists could be tiny and other curves were emphasized. By the end of the 19th century, corsets weren’t laced so tightly because wide crinolines created the illusion of tiny waists. There are fewer bones in the back of the corset than the front and none over the hips. From the late 1840s to the 1860s skirts were full and bell-shaped, at which point corsets were relatively short and not particularly tightly laced, since the massive skirts made all waists look proportionally small.
The corset was worn over the chemise and it moulded the figure of the wearer into the fashionable shape of the day. These shapes ranged from slender to curvaceous and everything in between during the 19th century. Like the chemise, the corset in the 19th century was made of a wider variety of materials, in this case blue silk lined with linen. It did not need to be very tightly laced, for the illusion of a small waist was created by the very wide circumference of the crinoline.
Credit : Given by the Burrows family. Museum number:T.169-1961. The donors of this corset linked it to a 1864 marriage in the family. Victoria and Albert Museum, London, U.K.
There has been some discussion on the names for Corset Makers. I’ve seen lots of names, including Stay Maker, Stay Manufacturer, Corset Maker, Body Tailor and Milliner. It was mainly men who were Stay Makers, but there were also some women who included stay making with their millinery.
Corsets Overview History Notes Nonfiction Book 14. This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.
1776 April 28th John McQueen, Stay Maker., New York. At the sign of the White Stays in Smith Street,near the Mayor’s baths, New York. Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements. From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.org
1850–1859 ca. Silk Whalebone and Steel Corset, French. Pale green watered silk corset with black flossing and contrast stitching. via Fine Arts Museums Of San Francisco https://art.famsf.org
1885 Three Piece Side Saddle Riding Habit. Double breasted boned jacket with notched lapel, mother of pearl buttons, sleeve gathered at shoulder, over- skirt with side hook & eye closures, button and loop, fall front leggings, leather stirrups, braided trim. via suzilove.com Whitaker Auction whitakerauction.smugmug.com
1890 Cotton Twill Corset, England or Germany. Machine stitched with front hooks and back lacing and made in two parts. Brown corset with the bones covered with a darker cotton twill, black fabric covered busks and a trimming of black machine-made cotton lace. Lined with white cotton twill and the top and bottom are bound with reddish brown tape.
The front fastens with a busk and the backs are provided with metal eyelets for a lace. The corset is hip length, curving to a rounded point in the front and less deeply at the back. The bones are close-set and splayed out at the bust and hips, and at the tops are trimmed with fancy stitching in cream. There is a band of dark brown cording at the top, covering the breasts. At the waist there is a V-shaped band in darker brown stitching. With metal fastenings. via http://collections.vam.ac.uk/item/O351699/corset-unknown/
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing. https://books2read.com/SuziLoveCorsetBook20
HN _20_D2D_Corsets 1880-1900Corsets 1880-1900 History Notes Book 20
https://books2read.com/SuziLoveCorsetBook20
Cartoons For Riders At The Hunt. Typical comical scenes from The Bridgertons and Jane Austen’s Daily Lives. From: 1860 Mr. Sponge’s Sporting Tour by Robert Smith Surtees. via Google Books (PD-100)
Success At The Hunt. Riding with the hounds separates the good riders from the pretenders. How embarrassing! Coming to grief on the hunt. Excitement of The Hunt for all riders. A Good Place To Watch the Hunt Go Past.A Young Man Speaking To A Young Lady At the Hunt. RL_2_D2D_RetailerBuyLink_RL_2
https://books2read.com/suziloveYGD
