Love the Bridgerton family and Jane Austen? Reader Or Writer of Regency Era stories? Mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories. books2read.com/SuziLoveFashionWomen1815-1819
History Notes 28 Fashion Women 1815-1819: This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories.
What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. Fashion Women 1810-1814 History Notes Book 27 This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
The Lady’s Magazine said of the basis of women’s fashion that was popular for the first twenty years of the 1800s, ‘White is still the prevailing color for robes. For morning dresses, linen gowns, in large diamonds or squares, are fashionable. Indian muslins, plain or embroidered, are preferred to Florence and satins. The designs of embroidery for shawls are of infinite variety. Long gloves, which reach above the elbow, are not yet laid aside. Medallions are hung around the neck from crossed chains and some of these medallions are shaped like the bags, called ridicules. These reticules are of the lozenge or hexagon shape, with a small tassel at each angle. Reticules, or ridicules, are in lozenge or hexagon shapes with a small tassel at each angle. In capotes, or hats, and ribbands, the violet and dark green prevail over jonquil. Bracelets in hair, pear-shaped ear-rings, medallions on square plates, saltiers of colored stones, are still in fashion.’
Looking for a gift for a fan of the Bridgertons and Jane Austen? What did men wear in the early 1800s? Suits, hats, shoes, underclothing, military and bedroom fashions. #christmas #holidays #Bridgerton #RegencyFashion #JaneAusten #BritishHistory
What did ladies do and wear in Jane Austen’s time, or early 1800s? #Regency #History #nonfiction Books 4 and 5 Regency Life Series. Young Lady’s Day and Older Lady’s Day in Books 4 and 5 in the Regency Life Series. These books depict the often-frivolous life and fashions of ladies in the early 1800’s, or during the lifetime of Jane Austen, but also gives a glimpse into the more serious occupations ladies may undertake. Through historic images, historical information, and funny anecdotes, they show how a lady fills her day, where she is permitted to go, and who she spends time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. Young Lady’s Day ~ Older Lady’s Day
1818 ca. Elegant black evening dress as would have been worn in the times of Jane Austen when attending evening events, such as dinners, concerts, musical evenings or the opera. British, Empire style, or high-waisted dress of machine-made silk net, embroidered with silk, trimmed at the hem with padded black satin rouleaux and rosettes, long straight sleeves under shoulder puffs. Machine-made net was a very popular background for embroidery and laces in early 1800s and the airy texture suited loose and flowing Empire style fashions. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1805-1810 ca. High-waisted evening gown, French, and shawl. Typical of the dresses and shawls in the wardrobe of every woman in the times of Jane Austen. Evening dress of white muslin, embroidered all over in white cotton in French knots, with collar, hem, and centre stripe in chain stitch, low square neck adjusted with draw-cord, high waist, skirt gathered at back, short sleeves with vandyke trim.
Typical Neo-classical dress imitating Greek and Roman sculptures, white muslin fabric either imported from India or made in Europe to imitate Indian materials. Scarf of knitted silk printed in similar pattern to popular Indian cashmere shawls. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1809 September Mother and Daughter Mild Mourning Dresses, English. “Our plate will be found to represent a lady and her infant in slight mourning habits: the former composed of black gossamer net, or imperial gauze, worn over a white satin slip. A half train. A round frock front, and short French sleeves, each edged with a rich Vandyke lace. A cestus, or belt, of white satin edged with gold bullion and finished in front with a rich cord and cone tassels, suspended from topaz studs. Pearl necklace and bracelets, with topaz snaps. Hair in the eastern style, with a Spartan diadem, and comb of topaz or gold. Circassian scarf of grey Spanish silk with a Tuscan border in black embroidery, tassels to correspond, confined on one shoulder with a topaz broach. Shoes of grey satin, with clasps of jet, or rosettes of black bugles. White gloves of French kid; and fan of black crape, with gold spangled devices. ‘In deep mourning, this robe should be formed of black crape, and worn over black sarsnet. The ornaments and trimmings of every description must be of bugles or jet. The shoes of queen’s silk. The scarf, black crape or imperial silk, spotted and bordered with bugles. Jet tassels and broach. The child’s dress is a simple frock of black crape muslin, tucked small, and worn over a cambric skirt. A plain net-lace tucker, and cap to match. Grey kid slippers, with black clasps.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository’ of Arts.
Because many men across Europe were fighting in wars during these years, women often had a reason to dress in black. The loss of numerous family members and friends meant that black was a mainstay in any lady’s wardrobe. Black dresses, hats, capes, shoes, gloves, fans and jewelry would have been essentials, with touches of white, grey or purple being added for times of half mourning. Early publications of Rudolph Ackermann’s ‘The Repository of Arts’ had many fashion plates that included children, but the plate below with a child in ’slight’ mourning dress is very unusual. With this fashion plate is a description of how this ’slight’ mourning could be adapted for deep mourning.
Fabrics for deep mourning would be flat, rather than shiny, hats would be black with little embellishment, and jewelry would be subdued. Slight mourning allowed the white dress trimming, white gloves and these grey satin shoes.
Definition Van Dyke: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
1809 Purple Redingote, Or Coat, French. V-shaped bodice with gold braid trim on sleeves, neck and hem, short puffed sleeves over long straight sleeves, matching hat and walking shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Redingote Or Pelisse: Long fitted outdoor coat worn over other garments for warmth. French word developed from English words, riding coat. Redingotes or Pelisses were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years to provide warmth and some protection from windy conditions when gowns might lift and cause modesty issues. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Pelisse or coat in the cold British winters.
1830s Lady In A Corset At Her Dressing Table. Fashion Plate via Modes de Paris.
Romantic Era women’s corsets supported plus fitted well to give a fashionable silhouette. Becoming a fashion item, rather than simply hidden underclothing. https://books2read.com/SuziLoveCorsetBook18
1804 Fawn Drap Riding Habit in Jane Austen style. High-waisted dress with a full skirt and train, skirt buttoned at the side, long straight sleeves, velvet snug hat, Fichu around her neck, riding crop, two views of hairstyles. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
