1808 Gentleman’s Ensemble, French. Drap Redingote or coat, black hessian boots with heart shaped front, black top hat. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien. Typical gentleman’s outdoor ensemble as worn by men in Jane Austen’s time, or the Regency Era. https://books2read.com/SuziLoveFashionMen1800-1819
Hessian Boots: Named after German mercenaries who fought alongside British. Soft, highly polished calfskin, knee high, heart-shaped top and decorated with tassel. Boot shaped like stirrup so rider could insert feet into stirrups and be kept securely in place. Tassels were designed to wear with breeches and didn’t suit tight fitting new trousers that dandies like Beau Brummell wore in 1800s so Hessians replaced by other boots e.g. Wellington.
1819 Pink Redingote, French. Also called a Walking Dress or Pelisse in England. Vertical front has pink satin bows, high white collar, matching pink satin hat and pink slippers. Short puffed sleeves over long straight, as was the fashion in 1819 across Europe. The type of outfit young Regency Era ladies would have worn if they were out shopping on Bond Street, walking in a park, or taking a carriage ride through Hyde Park. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionWomen1815-1819
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1810 French Gentleman. Riding outfit of double-breasted brown coat, tight pants with a side button decoration, jaunty black hat, gloves, and a crop. As Worn by Gentleman in the Bridgerton and Jane Austen Families. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Pantaloons: When tailcoats lengthened, breeches extended below the knees to accommodate the longer tails and were gradually replaced with slimmer fitting, longer pants, or pantaloons, that ended at the ankle. Pantaloons were close-fitting and sometimes buttoned all the way down the leg. To make them hug the leg tighter, knitted fabrics were used, or fabrics like nankin and kerseymere were cut on the bias.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
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1816 May Full Evening Dress, English. The type of evening dress the Bridgerton family and Jane Austen and her contemporaries would have worn to a formal evening event, such as a ball. A white satin slip, over which is a white lace dress, ornamented with three quillings of white lace on the skirt, intermixed with bows of white satin ribbon. The body and sleeve, both of which are richly ornamented with colored stones, are formed, as our readers will see by the print, in a very novel style. Head-dress, a cap composed of white satin, finished with a band edged with pearls, and a superb plume of white feathers. Necklace, ear-rings, and bracelets,’ colored stones intermixed with pearls. White satin slippers, and white kid gloves. We are indebted to the elegant invention Of Mrs. Gill, of Cork-street, Burlington-Gardens, for our dress this month. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Full Dress: Most formal of outfits, day or night, with all possible accessories added.
1807 Women’s French Coats, or Redingotes, or Pelisses, or Walking Dresses, as worn in the early 1800s, or early Regency years, or in the times of Jane Austen. Fashion plates from the 1807 volumes from the French magazine, Journal des Dames et des Modes or Costume Parisien.
The Journal des dames et des modes was a French fashion magazine published between 1797 and 1839 and was the second oldest fashion magazine published in France, replacing the Cabinet des Modes (1785-1793).
The magazine was the main source for French fashions, both in France and internationally. Pierre de la Mesangere was editor and main journalist for most of the time the magazine was in existence and he published a magazine every five days, which is why there is an abundance of French fashion plates from these years. The magazine had eight pages of text, one or two colored fashionplates, plus poetry, theatre reviews, current social news and fiction. During the Napoleonic wars, everything to do with France was unpopular, especially in Britain, yet French fashions thrived and so did the Journal des Dames et des Modes, despite the numerous other fashion magazines that copied the magazine.
1807 Green Redingote or Pelisse or Walking Dress, British. Green velvet decorated with yellow satin military style yellow shoulder trim, green Capote, or hat, trimmed with yellow satin, and matched with yellow shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1807 Blue Redingote Or Pelisse Or Coat With Yellow Trim, French. Striped short sleeves over straight blue sleeves, yellow bonnet tied under the chin, white paisley shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. 1807 Blue Redingote, French. Blue drap Redingote, or Pelisse, or Walking Dress, decorated with velvet, short pleated sleeves over long straight sleeves, yellow velvet and satin hat with blue contrast, and yellow shoes. Fashion Plate via Journal des Modes et des Dames, or Costume Parisienne. 1807 Blue Redingote, French. Back view of a pleated, blue Merino wool, redingote with a high-waist and gathered short back bodice, worn with a jaunty yellow hat with a matching blue feather. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1807 Peach Redingote, Or Pelisse, Or Walking Dress, French. With white shawl collar and a close fitting hat to match. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien.1807 Golden Yellow Redingote Or Pelisse, French. High collar and frill around the entire hem, short puffed sleeves over long straight sleeves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1807 Women's French Coats, Or Redingotes, as Worn in the Times Of Jane Austen. #Regency #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
1806 Gentleman With A Hand In His Pocket, French. Green cutaway coat, extra high white cravat, white striped breeches, yellow topped black boots, tan gloves, fob on the waistband, and long cane. Typical Gentleman’s outfit as worn by men to daytime activities, such as escorting his female family members to the shops in Bond Street,London,or for walking in the park in Jane Austen’s times. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1805 Red Velvet Redingote, French. Shoulder cape with satin piping on the coat, white dress underneath, black hat with flowers to trim and white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. This is the type of outdoor walking dress, or pelisse, worn by Jane Austen and contemporaries in England as French fashion plates were obsessively copied despite the two countries being at war for many years. English fashion magazines frequently published plates copied from French fashion magazines.
This is the type of outdoor walking dress, or pelisse, worn by Jane Austen and contemporaries in England as French fashion plates were obsessively copied despite the two countries being at war for many years. English fashion magazines frequently published plates copied from French fashion magazines.
Definition Redingote, Pelisse, Walking Dress: The term, Redingote, was used more in France and other parts of Europe and Pelisse or Walking Dress was used more in England. While the terms Redingote and Pelisse are often used interchangeably, the Redingote usually features a close fitted top and flares out at the hemline with a more tailored or military look than a Pelisse.
1805 Red Velvet Redingote, French. Shoulder cape with satin piping on the coat, white dress underneath, black hat with flowers to trim and white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1805 Red Velvet Coat, or Redingote, Or Pelisse With Shoulder Cape, French. #JaneAusten #Regency #Fashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on XFashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe, so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.
The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits.
This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.
1809 A Lady In Court Dress. From: 1809 A Book Explaining Ranks and Dignities in British Society. via Google Books (PD-180)
Definition Court Dress: Usually, the difference between a court dress and a ball dress was in the quality of fabrics used, how elaborate the design, and the number and quality of the accessories. Plus, in England in the early 1800s court dresses were required by Queen Charlotte to have hoops and in France and other European countries court dresses a long train, usually expensively decorated. During the Regency Era, white cotton dresses were considered suitable for many evening events, but definitely not for an evening event in a palace.
1809 A Lady In Court Dress. From: 1809 A Book Explaining Ranks and Dignities in British Society. via Google Books (PD-180)
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
