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1740–1760 ca. Silk and Cotton Petticoat. #Georgian #Underclothing #HistoricalFashion

Suzi Love Posted on June 15, 2025 by Suzi LoveJune 14, 2025

1740–1760 ca. Silk and Cotton Petticoat. via Suzi Love ~ suzilove.com
& Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1740–1760 ca. Silk and Cotton Petticoat. via Suzi Love ~ suzilove.com & Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
HN_1_D2D_Fashion Women 1700s
books2read.com/suziloveFashWomen1700s
HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, Georgian Era, Georgian Fashion, Suzi Love Images, underclothing | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Metropolitan Museum NYC, petticoat, underclothing
1820s Collage View Woman's White Cotton Pantalettes. Drawstring Waist. Two separate legs attached to waistband with crotch open, leg hems have bands of needle run lace. About 1806, French made female form of gentleman's drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. vintagetextile.com

1820s Woman’s Lace Trimmed Pantalettes With Separate Legs. #RegencyFashion #FashionHistory #Underclothing

Suzi Love Posted on March 10, 2025 by Suzi LoveMarch 8, 2025

1820s Woman’s White Cotton and Lace Trimmed Pantalettes with Two Separate Legs. About 1806, French made female form of gentleman’s drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. The predecessor of women’s panties appeared about 1806 in the form of drawers like those worn by gentleman. Always the leader in forward chic, the French quickly came up with the female version—pantalettes. While the style persisted throughout the 19th century for children, pantalettes for adult women were only a passing fad. The pantalettes consist of two separate legs attached to a drawstring waistband, leaving the crotch open. The legs are bordered at the bottom with bands of needle run lace. The pantalettes are completely hand stitched and close in back with one mother-of-pearl button. The open edges of the crotch are finished with corded piping. via vintagetextile.com

1820s Front View Woman's White Cotton Pantalettes. Drawstring Waist. Two separate legs attached to waistband with crotch open, leg hems have bands of needle run lace. About 1806, French made female form of gentleman's drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. vintagetextile.com
1820s Back View Woman's White Cotton Pantalettes. Drawstring Waist. Two separate legs attached to waistband with crotch open, leg hems have bands of needle run lace. About 1806, French made female form of gentleman's drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. vintagetextile.com
1820s back Crotch View Woman's White Cotton Pantalettes. Drawstring Waist. Two separate legs attached to waistband with crotch open, leg hems have bands of needle run lace. About 1806, French made female form of gentleman's drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. vintagetextile.com
1820s Drawstring Waist View Woman's White Cotton Pantalettes. Drawstring Waist. Two separate legs attached to waistband with crotch open, leg hems have bands of needle run lace. About 1806, French made female form of gentleman's drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. vintagetextile.com
1820s Banded Hem View Woman's White Cotton Pantalettes. Drawstring Waist. Two separate legs attached to waistband with crotch open, leg hems have bands of needle run lace. About 1806, French made female form of gentleman's drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. vintagetextile.com
1820s Three View Woman's White Cotton Pantalettes. Drawstring Waist. Two separate legs attached to waistband with crotch open, leg hems have bands of needle run lace. About 1806, French made female form of gentleman's drawers, pantalettes. During the 19th Century, children wore them but women only wore them for a short time to keep up with French chic. vintagetextile.com
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s women's fashion, England, Europe, Regency Era, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, drawers, underclothing, Vintage Textile
1820-1840 ca. 7. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.

1820-1840 ca. Hand-Embroidered Wedding Corset, Connecticut, USA. #Regency #Corset #RomanticEra

Suzi Love Posted on January 20, 2025 by Suzi LoveJanuary 19, 2025

1820-1840 ca.  Hand-Embroidered Wedding Corset,   Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset.  The back closure has ivory eyelets for the lacing.  The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textiles

1820-1840 ca. 1 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 2. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 3 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 4. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 5. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 6 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
HN_17_D2D_Corset_1810-1830
https://books2read.com/SuziLoveCorsetBook17
HN_17_D2D_Corset_1810-1830
Posted in 1800s, 1800s women's fashion, Corset, Regency Era, Romantic Era, Suzi Love Images, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Corset, Regency Fashion, Romantic Era Fashion, sewing, underclothing, USA, Vintage Textile, weddings

1830 ca. Quilted Buff Canvas Corset, English. #Corset #RomanticEraFashion #BritishHistory #Underclothing

Suzi Love Posted on November 4, 2024 by Suzi LoveNovember 4, 2024

1830 ca. Quilted Buff Canvas Corset, English. Quilted canvas, wood, boning, and brass. Self lined, quilted with back stitch. 

Front fastening, shoulder straps, and brass eyelets for back. The wide centre front busk may be of wood and these stays are boned from the waist through the centre of the bust gussets, with three bones at each side and on each side of the back lacing. The rest is quilted, the top is over a cord foundation, and there are gussets at the hips. Eyelets in the back and strap lacing are of brass and machine inserted. On the left of the centre busk at hip level, is a tape stretched so that it ties horizontally. The top and straps are bound with tape. Self lined, quilted in back stitch, the waist is herringboned, and the bases of the bust and hip gores are button-holed. via Victoria and Albert Museum, London, UK.  collections.vam.ac.uk       

1830 ca. Quilted Buff Canvas Corset, English. Quilted canvas, wood, boning, and brass. Self lined, quilted with back stitch. 

Front fastening, shoulder straps, and brass eyelets for back. The wide centre front busk may be of wood and these stays are boned from the waist through the centre of the bust gussets, with three bones at each side and on each side of the back lacing. The rest is quilted, the top is over a cord foundation, and there are gussets at the hips. Eyelets in the back and strap lacing are of brass and machine inserted. On the left of the centre busk at hip level, is a tape stretched so that it ties horizontally. The top and straps are bound with tape. Self lined, quilted in back stitch, the waist is herringboned, and the bases of the bust and hip gores are button-holed. via Victoria and Albert Museum, London, UK.  collections.vam.ac.uk

HN_18_D2D_Corsets 1830-1850
HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18

Posted in 1800s, 1800s women's fashion, Corset, England, Romantic Era, Suzi Love Images, underclothing | Tagged 1800s women's fashion, Corset, Romantic Era Fashion, underclothing, Victoria and Albert Museum

19th Century Early. Jane Austen Or Bridgerton Style Linen Petticoat, American. #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on October 11, 2024 by Suzi LoveOctober 10, 2024

19th Century Early.  Linen Petticoat, American.    via Credit:Gift of Mrs. George Nichols, 1964  via Metropolitan Museum, New York City, USA.

In Jane Austen’s years of the early nineteenth century, women often wore light-weight dresses under which was worn a range of underclothing to stop gowns appearing transparent and sticking to a lady’s body. To preserve modesty, underclothing included a chemise next to the skin, then a corset, and then petticoats to give shape to a dress and to keep it away from her body.

19th Century Early.  Linen Petticoat, American. #RegencyEra #JaneAusten #Fashion
HN_25_D2D_fashwomen1801-1804
https://books2read.com/SuziLoveFashionWomen1801-1804
HN_25_D2D_fashwomen1801-1804 https://books2read.com/SuziLoveFashionWomen1801-1804

Posted in 1800s women's fashion, Bridgerton, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Jane Austen, Metropolitan Museum NYC, petticoat, Regency Fashion, underclothing

Want to know what Jane Austen wore? Elegant and pretty fashions from the early 1800s, or Regency Era. #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on September 28, 2024 by Suzi LoveAugust 28, 2024

What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. History Notes Book 26 Fashion Women 1805-1809.
https://books2read.com/SuziLoveFashionWomen1805-1809

The Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given in France to the period when Napoleon built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s. Jean-Jaques Rousseau advocated copying peasants and returning to a simpler life and more natural fashions. Unrestricting clothing was part of the new Democracy in France and these simpler and flowing fashions were adopted all over Europe, including Britain and despite the continual wars being fought against France during the early 1800s. Not even war stopped fashions from being copied everywhere.

HN_26_Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon's first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
HN_26_D2D_FsshionWomen1805-1809 
https://books2read.com/SuziLoveFashionWomen1805-1809
HN_26_D2D_FsshionWomen1805-1809
Posted in 1800s women's fashion, art, Australia, bedroom fashion, Canada, cartoon, Coat or Pelisse Or Redingote, Corset, Dress Or Robe, England, Europe, fashion accessories, France, Google Books, hats, History, History Notes, Jane Austen, London, mourning, Quotations, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Book 26, Corset, Dress Or Gown, fashion accessories, Fashion Plate, Fashions Of London and Paris, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, mourning, Napoleon Bonaparte, Regency Fashion, riding, shawls, Shoes, Spencer, Suzi Love Books, The Lady's Monthly Museum, The Repository Of Arts, underclothing, weddings | Leave a reply

1800-1819 Women’s Fashions In Bridgerton Family And Jane Austen’s Times In A Box Set. #Bridgertons #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on September 25, 2024 by Suzi LoveSeptember 22, 2024

An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe, so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet

Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.  

The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits. 


This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.


HN_24_Fashion Women 1800-1819 Box Set History Notes Book 24 An overview of the first twenty years of the 19th century. These books look at what was fashionable for women in Jane Austen's times, or the early 1800s. Wars were being fought around the globe so women's fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Fashion Women 1800-1819 Box Set History Notes Book 24 An overview of the first twenty years of the 19th century. These books look at what was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
HN_24_D2D Fashion Women 1800-1819  Box Set
https://books2read.com/SuziLoveFashionWomenBoxSet
Posted in 1800s, 1800s women's fashion, Australia, bedroom fashion, Bridgerton, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Dress Or Robe, England, Europe, Fashion, fashion accessories, Google Books, hats, History Notes, Jane Austen, mourning, Regency Era, Regency Fashion, Reticule or Bag, riding, sewing, shoes, Spencer, travel, U.S.A, weddings | Tagged 1800s women's fashion, bedroom fashion, Book 24, Bridgerton, court clothing, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, History Notes, Jane Austen, mourning, Redingote Or Pelisse Or Coat, Regency Fashion, reticule or bag, riding, sewing, Shoes, Spencer Or Short Jacket, underclothing

1780 Linen Stays and Panier, or Hoop Petticoat, England. #corset #Georgian #Fashion #underclothing

Suzi Love Posted on September 24, 2024 by Suzi LoveSeptember 22, 2024

1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. Stays: Brown linen twill and baleen. Panier: Woman’s hoop petticoat, or pannier, of linen plain weave and cane 1750-1780. via Los Angeles County Museum of Art, California, USA. collections.lacma.org

1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. collections.lacma.org
1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. collections.lacma.org
HN_15_D2D_Corsets 1700-1790

Posted in 1700s, 1700s Womens Fashion, Corset, England, Georgian Era, Georgian Fashion, underclothing | Tagged 1700s Women's Fashion, Corset, Georgian era, Georgian Fashion, Los Angeles County Museum, petticoat, Suzi Love Images, underclothing | Leave a reply

1807 Healthful Dipping In Jane Austen Times. Lady in chemise preparing to dip in spa waters. #Underclothing #JaneAusten #RegencyFashion

Suzi Love Posted on September 15, 2024 by Suzi LoveSeptember 2, 2024

1807 Healthful Dipping. Lady in her white linen chemise, or shift, preparing to take a  dip in the spa waters. Scenes of Spa life. By F.  Eginton, New Bath Guide. ‘How the ladies did giggle and set up their clacks, All the while an old lady was rubbing their backs.’ From Anstey’s ‘The New Bath Guide’. In Jane Austen’s novels, the resorts of Brighton, Scarborough, Cromer, Lyme and the fictional Sandy ton or Sanditon all get mentions. Women bathed in the sea, via bathing machines pulled down to the water’s edge, or promenaded along beautiful walkways, such as in Cheltenham, near Bat in Britain. Visiting seaside resorts became very popular during the Regency years. Le Beau Monde, or fashionable society, went to spa and beach towns to ‘take the waters’ or to holiday in a fashionable town. To see and be seen. Ladies dressed in light muslin gowns but added colorful accessories to make outfits more interesting.

Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name replaced by ‘Chemise’.  

1807 Healthful Dipping. Lady in her white linen chemise, or shift, preparing to take a dip in the spa waters. Scenes of Spa life. By F. Eginton. New Bath Guide. How the ladies did giggle and set up their clacks, All the while an old lady was rubbing their backs. From Anstey’s 'The New Bath Guide'. Suzi Love - suzilove.com
1807 Healthful Dipping. Lady in her white linen chemise, or shift, preparing to take a dip in the spa waters. Scenes of Spa life. By F. Eginton. New Bath Guide. How the ladies did giggle and set up their clacks, All the while an old lady was rubbing their backs. From Anstey’s ‘The New Bath Guide’. Suzi Love – suzilove.com
HN_26_D2D Fashion Women 1805-1809
https://books2read.com/SuziLoveFashionWomen1805-1809
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
Posted in 1800s, 1800s women's fashion, cartoon, England, Jane Austen, London, Regency Era, Regency Fashion, Suzi Love Images, underclothing | Tagged 1800s women's fashion, Bath, Cartoons, chemise, google books, Jane Austen, Regency Fashion, Suzi Love Images, underclothing | Leave a reply

What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty. #RegencyFashion #JaneAusten #HistoricalFashion #nonfiction

Suzi Love Posted on September 5, 2024 by Suzi LoveAugust 19, 2024

What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. History Notes Book 26 Fashion Women 1805-1809.
https://books2read.com/SuziLoveFashionWomen1805-1809

What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon's first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
HN_26_D2D_FsshionWomen1805-1809 
https://books2read.com/SuziLoveFashionWomen1805-1809
HN_26_D2D_FsshionWomen1805-1809
Posted in 1800s, 1800s women's fashion, Australia, bedroom fashion, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Corset, dancing, Dress Or Robe, England, Europe, fashion accessories, France, hats, History, History Notes, Jane Austen, London, mourning, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, British history, Corset, Dress Or Gown, fashion accessories, Fashion Plate, Fashions Of London and Paris, gloves, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, mourning, Napoleon Bonaparte, Redingote Or Pelisse Or Coat, Regency Fashion, riding, shawls, Shoes, Spencer, Suzi Love Books, The Lady's Monthly Museum, The Repository Of Arts, underclothing, weddings | Leave a reply

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  • Tradition of Birthday Parties #history #customs #birthday
  • 1800 Riding Dress For A Young Man of Jane Austen’s Acquaintance. Blue cutaway coat and loose pants tucked into high black riding boots. #JaneAusten #ridingfashion #RegencyFashion #France
  • 1816 November. Bridgerton and Jane Austen High-waisted, Striped Evening Dress With Short Puffed Sleeves. #bridgerton #RegencyFashion #JaneAusten
  • 1770 Ca. Back Lacing Blue and Cream Silk Corset, European. #GeorgianEra #Corset #HistoricalFashion
  • 1830-1850 Halted Mail Coach #travel #regencyera #victorianera

Recent Comments

  1. Suzi Love on Book Hooks: Petunia and the Pearl Diver. Petunia was too well spoken for a brothel worker. #Regencyromance #historicalromance #London #mfrw
  2. Bianca White on Book Hooks: Petunia and the Pearl Diver. Petunia was too well spoken for a brothel worker. #Regencyromance #historicalromance #London #mfrw
  3. Suzi Love on Book Hooks: Petunia and the Pearl Diver. Petunia was too well spoken for a brothel worker. #Regencyromance #historicalromance #London #mfrw
  4. Suzi Love on Book Hooks: Petunia and the Pearl Diver. Petunia was too well spoken for a brothel worker. #Regencyromance #historicalromance #London #mfrw
  5. Suzi Love on Book Hooks: Petunia and the Pearl Diver. Petunia was too well spoken for a brothel worker. #Regencyromance #historicalromance #London #mfrw

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