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Tag Archives: 1800s Or 19th Century

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1880s-1890s Bust improvers added extra padding. #VictorianFashion #VictorianEra #Corset

Suzi Love Posted on September 22, 2026 by Suzi LoveSeptember 21, 2026

1880s-1890s Bust improvers.In the late Victorian years, the emphasis was on the silhouette so sometimes ‘bust-improvers’ were used to provide extra padding to the bust shape.

1880s-1890s Bust improvers.
1880s-1890s Bust improvers.
HN _20_D2D_Corsets 1880-1900

https://books2read.com/SuziLoveCorsetBook20

Posted in 1800s, 1800s women's fashion, Australia, Canada, Corset, England, Europe, History Notes, South Pacific, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1800s Or 19th Century, 1800s women's fashion, Corset, underclothing, Victorian fashion

19th Century Set of Damascened Calligrapher’s Tools, Turkey. #Writing #RegencyEra #antiques

Suzi Love Posted on August 31, 2026 by Suzi LoveAugust 29, 2026

19th Century Set of Damascened Calligrapher’s Tools, Turkey. via Sotheby’s Auctions. sothebys.com

books2read.com/SuziLoveWritingTools

19th Century Set of Damascened Calligrapher's Tools, Turkey. via suzilove.com & Sotheby's Auctions. sothebys.com
19th Century Set of Damascened Calligrapher’s Tools, Turkey. via Sotheby’s Auctions books2read.com/SuziLoveWritingTools #writing #history #19th
19th Century Set of Damascened Calligrapher’s Tools, Turkey. books2read.com/SuziLoveWritingTools #writing #history #19thcentury
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HN_13_D2D_Writing Tools books2read.com/SuziLoveWritingTools
HN_13_D2D_Writing Tools books2read.com/SuziLoveWritingTools

Posted in 1800s, Box Or Container, Decorative Item, England, Europe, History, household, Regency Era, Suzi Love Images, Writing Tools | Tagged 1800s Or 19th Century, antiques, decorative, household, Sothebys Auctions, Writing

19th Century Early. Gilt and Patinated Bronze Inkstand as found in Bridgerton and Jane Austen households. #Bridgerton #JaneAusten #RegencyEra #amwriting

Suzi Love Posted on August 31, 2026 by Suzi LoveAugust 29, 2026

19th Century Early. Gilt and Patinated Bronze Inkstand , or Encrier, or a little reservoir of ink. Rectangular base mounted with a round lidded ink pot with a porcelain container and a sand pot, each raised on winged lion feet, centered by a palm decorated columnar carrying handle, with two pen holes. via 1st Dibs Auctions 1stdibs.com

The type of inkstand that households would have in Bridgerton and Jane Austen households for writing letters and keeping track of estate matters.

19th Century Early. Gilt and Patinated Bronze Inkstand , or Encrier, or a little reservoir of ink. Rectangular base mounted with a round lidded ink pot with a porcelain container and a sand pot, each raised on winged lion feet, centered by a palm decorated columnar carrying handle, with two pen holes.  via 1st Dibs Auctions 1stdibs.com

HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
Posted in 1800s, Box Or Container, Decorative Item, France, History, household, Regency Era, Suzi Love Images, Writing Tools | Tagged 1800s Or 19th Century, 1st Dibs Auctions, antiques, decorative, household, Jane Austen, Writing, Writing Tools

Jane Austen 1811 Sense and Sensibility: The more I know of the world…” #RegencyEra #JaneAusten #Quote

Suzi Love Posted on August 30, 2026 by Suzi LoveAugust 19, 2026

“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility (1811)

Quote_JA_"The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!" Jane Austen ~ Sense and Sensibility  (1811)
https://books2read.com/SuziLoveFashion1810-1814
“The more I know of the world the more I am convinced that I shall never see a man whom I can really love. I require so much!” Jane Austen ~ Sense and Sensibility (1811)
Jane Austen 1811 Sense and Sensibility: The more I know of the world…” #RegencyEra #JaneAusten #Quote https://books2read.com/SuziLoveFashion1810-1814
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https://books2read.com/SuziLoveFashion1810-1814
HN_27_D2D_fashwomen1810-1814 https://books2read.com/SuziLoveFashion1810-1814
Posted in 1800s, 1800s women's fashion, England, Jane Austen, Quotations, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s Or 19th Century, 1800s women's fashion, Jane Austen, Quotations, Regency Era, Suzi Love Images
1812 ca. Collage View. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1812 Man’s Wool, Linen, and Cotton Coat With Shoulder Capes as worn in Jane Austen and Bridgerton years. #janeausten #bridgerton #regencyfashion

Suzi Love Posted on August 14, 2026 by Suzi LoveAugust 5, 2026

1812 Man’s wool, linen, and cotton long coat with four shoulder capes, European. Also called a Carrick Coat, a Driving Coat, or a Redingote in France. via Metropolitan Museum, NYC, USA. ~ metmuseum.org

A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life and the Bridgerton men would have worn this sort of warm and practical coat like this when riding his horse in inclement weather or when driving his carriage.

Definition: Carrick Coat: Or Garrick or Coachman’s coat, with capes, or  collars,  popular in 19th century for riding and travel.

1812 ca. Back View. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Back View. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Back View Black and White. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Back View Black and White. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View Black and White. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View Black and White. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 ca. Front View Black and White With Umbrella. Man's Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
https://books2read.com/SuziLoveFashionMen1800-1819
1812 ca. Front View Black and White With Umbrella. Man’s Caped Coat, Or Carrick Coat, European. Wool, linen, and cotton. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812 Man’s Wool, Linen, and Cotton Coat With Shoulder Capes as worn in Jane Austen and Bridgerton years. #janeausten #bridgerton #regencyfashion  https://books2read.com/SuziLoveFashionMen1800-1819
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HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819
Posted in 1800s, 1800s Mens Fashions, Australia, Canada, Carriage, Coat or Pelisse Or Redingote, England, Europe, France, Jane Austen, London, Regency Era, Regency Fashion, riding, Russia, sports, travel, U.S.A | Tagged 1800s men fashion, 1800s Or 19th Century, Bridgerton, Jane Austen, Metropolitan Museum NYC, Redingote Or Pelisse Or Coat, Regency Fashion
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com

1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 6, 2026

1799-1810 ca. Cotton Muslin Gown, Probably American. White cotton embroidered muslin, probably Bengal, all over sprigged broderie anglaise decoration,short sleeve with three pairs of inside ties to adjust the double-puff, ruffled edge, back tie at neckline and waist, ruched band above the slightly trained hem with scalloped sawtooth border and with cotton bodice lining. via whitakerauction.smugmug.com

These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.

The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion books2read.com/SuziLoveFashionWomen1800
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HN_12_D2D_RetailerBuyLink books2read.com/SuziLoveFashionWomen1800
Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images, U.S.A | Tagged 1700s Women's Fashion, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, USA, Whitaker Auctions

How did Jane Austen seal her letters? 1808 Silver Wax Jack With Coil Of Red Wax, Irish. #JaneAusten #RegencyEra #writing #postal

1808 Silver Wax Jack, Irish. By Robert Breading (active 1775–1822) Dublin. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org

How did Jane Austen seal her letters? Wax was melted by lighting the tip of a coiled wax length. This is called a wax jack. The melted wax blob was placed on the outside of a letter or document. A personal desk seal or a fob seal was pressed into the wax to identify the sender or owner of the document. Aristocrat families had their own coat of arms and others may have had their initials or their name on the seal.

1808 Silver Wax Jack With Coil Of Red Wax, Irish. #RegencyEra #writing #Jane Austen
How did Jane Austen seal her letters? 1808 Silver Wax Jack With Coil Of Red Wax, Irish. #JaneAusten #RegencyEra #writing #postal books2read.com/SuziLoveWritingTools
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HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
August 6, 2026 by Suzi Love Posted in 1800s, Canada, England, Europe, household, Jane Austen, postal, Regency Era, Suzi Love Images, U.S.A, Writing Tools Tagged 1800s Or 19th Century, household, Ireland, Jane Austen, Metropolitan Museum NYC, postal, Regency Era, Regency Life, Writing Tools

Want to know about music in the households of Jane Austen and the Bridgertons? Music history from the 17th, 18th, and 19th Centuries. #Music #Bridgerton #RegencyEra #JaneAusten #GeorgianEra

Suzi Love Posted on August 5, 2026 by Suzi LoveAugust 4, 2026

Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.

London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons.  And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.

books2read.com/suziloveMusicGeneral

books2read.com/suziloveMusicPiano

books2read.com/suziloveMusicViolins

HN_6-7-8 Music General History Notes
HN_6-7-8 Music General History NotesHN_6 Music General History Notes,
books2read.com/suziloveMusicGeneral
Love music? Love Jane Austen and the Bridgerton family? Treat yourself to a nonfiction book on music history. #Bridgerton #Music #History #JaneAusten https://books2read.com/suziloveMusicGeneral
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HN_7 D2D Retailer Buy Link Music Piano History Notes
books2read.com/suziloveMusicPiano
HN_7 D2D Retailer Buy Link Music Piano History Notes
Posted in 1700s, 1800s, 1900s, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, furniture, Georgian Era, Google Books, History, History Notes, household, Jane Austen, Music, Pastimes, Quotations, Regency Era, Romantic Era, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, Book 6, Book 7, Book 8, Bridgerton, Christmas, Georgian era, History, History Notes, Jane Austen, music, non-fiction book, piano, Regency Era, Suzi Love Books, Suzi Love Images, Victorian Era, violin

Want to know about music in the households of Jane Austen and the Bridgertons? Music history from the 17th, 18th, and 19th Centuries. #Music #Bridgerton #RegencyEra #JaneAusten #GeorgianEra

Suzi Love Posted on July 12, 2026 by Suzi LoveJuly 12, 2026

Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.

London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons.  And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.

books2read.com/suziloveMusicGeneral

books2read.com/suziloveMusicPiano

books2read.com/suziloveMusicViolins

HN_6-7-8 Music General History Notes
HN_7 D2D Retailer Buy Link Music Piano History Notes
books2read.com/suziloveMusicPiano
HN_7 D2D Retailer Buy Link Music Piano History Notes
Posted in 1700s, 1800s, 1900s, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, furniture, Georgian Era, Google Books, History, History Notes, household, Jane Austen, Music, Pastimes, Quotations, Regency Era, Romantic Era, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, Book 6, Book 7, Book 8, Bridgerton, Christmas, Georgian era, History, History Notes, Jane Austen, music, non-fiction book, piano, Regency Era, Suzi Love Books, Suzi Love Images, Victorian Era, violin

19th Century Late. Sterling Silver Five Piece Writing or Desk Set, Peru. #Writing #VictorianEra #Antiques

Suzi Love Posted on June 29, 2026 by Suzi LoveJune 14, 2026

19th Century Late. Sterling Silver Five Piece Writing or Desk Set, Peru (under German Company). Hinged cut crystal inkwell with beveled edges, wheel cut starburst at base, wax seal with blank matrix, blotter, dip pen and letter opener. Each with guilloche enamel featuring yellow rose with lush green leaves on pale blue background, trimmed with a lighter shade of blue enamel. Dip pen with allover pale blue guilloche enamel, pen nib marked 14k Gold Plated.

19th Century Late SterlingSilverFivePieceWritingorDeskSetPeru_Dippenwithpaleblueguillocheenamel_pennib14kGoldPlatedbatch.jpg ]
19th Century Late. Sterling Silver Five Piece Writing or Desk Set, Peru (under German Company). Hinged cut crystal inkwell with beveled edges, wheel cut starburst at base, wax seal with blank matrix, blotter, dip pen and letter opener. Each with guilloche enamel featuring yellow rose with lush green leaves on pale blue background, trimmed with a lighter shade of blue enamel. Dip pen with allover pale blue guilloche enamel, pen nib marked 14k Gold Plated.
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
Posted in 1800s, Box Or Container, Decorative Item, History, Suzi Love Images, Victorian Era, Writing Tools | Tagged 1800s Or 19th Century, antiques, decorative, household, Victorian Era, Writing, Writing Tools

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  • 1800 ca. Jane Austen’s Era Man’s Bicorn, Or Two Cornered, Black Silk Hat. #janeaisten #Regencyfashion #HistoricalFashion #Hats
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