1814 Couple In Walking Ensembles, French. Gentleman in a brown tailcoat with a notched collar and back pockets, vest, white breeches tied under his knees, red fob at the waist, white stockings, high white shirt collar, white cravat, top hat and cane. Lady in adorable pink Redingote with capes.
Light-Hearted look at an Older Lady’s Life In Jane Austen’s Times, or early 1800s. An easy to read overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. Older Lady’s Day, Regency Life Series, Book 5, by Suzi Love. books2read.com/suziloveOLD
The older lady’s day usually started with her toilette in her bedroom, where her maid helped her dress for the day and styled her hair. After that, she would join her family downstairs for breakfast unless she preferred a tray with either tea or hot chocolate in her bedroom as she prepared for her busy day. Her day would be made up of speaking with the housekeeper and the cook about the week’s menus, assuring that the servants were all available that day and no one was ill, and checking the list of foods needed. She would also enquire if the laundry was up to date and that they had enough good linen to make up all the beds before extended family members and guests arrived. If she was in the country and hosting a weekend house party, she would assign rooms to the guests on her lists and query that all was in readiness for their arrival.
1815 May. Walking Dress, or Pelisse, or Redingote, English. Purple walking dress with wide collar, high white lace neck frill, and white trim down the vertical opening, white reticule, and a high white plumed hat. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. Google Books (PD-180) suzilove.com Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition: Walking Dress Or Pelisse Or Redingote Woman’s long, fitted coat often worn open in front to show off the dress underneath. Walking Dress Or Pelisse are the terms used in English fashion plates, while Redingote is seen in European fashion plates, especially the French one, Journal des Dames et des Modes, or Costume Parisien.
1817 White Percale Dress, French. Dress has layers of decoration above hem, black velvet Spencer, or jacket, wide brimmed straw hat trimmed in blue, neck scarf and walking shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Spencers: Short jackets worn for warmth over the high-waisted Empire style gowns said to have originated when Earl Spencer tore the tails off his coat in a hunting accident. In support of military men fighting wars everywhere, fashions for Spencers leaned towards military style embellishments, such as loops, buttons, and braids. Puffed sleeves over long straight sleeves were also very popular. Jane Austen and her friends and family wore Spencers over their high-waisted dresses.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
1815 July Seaside Walking Dress. A high dress, of short walking length, made of French cambric or jaconot muslin, trimmed at the feet with treble flounces of French work, gathered into a rich bead heading, and laid upon the dress, at a suitable distance, one above the other, the body made with open fronts, worn with a full ruff of the French work, corresponding to the trimming at the feet; a long sleeve, drawn alternately across the arm, terminates with a broad wristband, worn plain over the hand. French bonnet of white satin, edged and tied under the chin with satin ribbon of celestial blue; ornamented with a rich plume of white feathers, edged to correspond. French mantle of the twilled silk en suite, richly embroidered at the ends in shaded silks, composing roses or lilies of the valley. Patent silk stockings. Slippers, or half-boots, or blue kid, or primrose colour. Gloves to correspond.
The bodies of the morning and promenade costume continue to be worn with cross or handkerchief fronts, and are generally trimmed, agreeably to the texture of the dress, with quilled tull or ribbon. The quilled ribbon is also predominant in single rows at the feet of all dresses composed of silk, bombazeen, or fancy prints. The prevailing colours are primrose, celestial blue, and evening primrose; the waist short, and the fullness of the petticoat carried to the back. Ruffs of French work are universally worn, except in full dress. The length of the petticoat continues not to exceed meeting the top of the boot and the color of the latter corresponds with the glove, mantle, and trimming of the bonnet.
1808 Gentleman’s Ball Outfit, French. Long tailcoat, black knee breeches, white stockings, high white cravat, white stockings, black shoes and gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Typical Gentleman’s outfit as worn by men to balls and evening events in Jane Austen’s Times.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1806 Gentleman’s Daily Outfit, French. Bottle green tailcoat, knee breeches, snowy white cravat, white stockings, flat black shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life. https://books2read.com/SuziLoveFashionMen1800-1819
1809 February Walking or Carriage Dress, English. Polanese coat, Saragossa mantle of spring green Virgnia cloth, trimmed round the edges and up the front of the coat with black velvet bindings, and edgings of gold lace. High puckered collar, confined round the throat with a gold cord and acorn tassels. Belt of black velvet, and rich gold clasp. Military cap formed of the same material, and trimmed also with black velvet and gold. Short white lace veil falling from the edge of the cap just below the chin. Half-boots of green kid or cloth, calashed and bound with black, and laced with gold cord. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1817 June Blue Riding Costume, English. Loose riding habit with a train on the skirt, high white neck frill on the shirt underneath, and rows of decoration on the shoulders and cuffs of the habit jacket, an extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
1817 June Blue Riding Costume, English. Loose dress with a train, high white neck frill, extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
1815 White Dress and Reticule, French. White dress, green bonnet with pink trim to match the adorable pink reticule and green gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Jane Austen and her contemporaries would have worn this style of outdoor walking outfit and flowered hat.
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.