1804 Fawn Drap Riding Habit in Jane Austen style. High-waisted dress with a full skirt and train, skirt buttoned at the side, long straight sleeves, velvet snug hat, Fichu around her neck, riding crop, two views of hairstyles. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
1820-1840 ca. Reticule, Or Purse, France. Bag of plain weave white moiré silk embroidered in colored silks using satin, stem, knot and couching stitches. Shape is five-sided, flat, with a scalloped top. Borders of flower wreaths. Embroidered on one side with a greyhound and with a long-tailed bird on the other. Worked as two separate panels, joined. Lined in pale blue taffeta. Blue and white silk cord. via Cooper Hewitt, New York City, USA. collection.cooperhewitt.org
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring. http://books2read.com/suziloveReticules
1863 Traveler’s Chest, French. Sewing Tools, Ruby Perfume, Aide de Memoire or Notebook, etc. Inside lid with theatre curtains. via Ruby Lane Antiques. rubylane.com
1806 Two Ladies In White Dresses, French. One with pink sleeves, pink trim, tan shawl, long gloves and straw bonnet. Other with long tan gloves, lemon paisley shawl, pink bonnet, Fichu or shoulder shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. These fashionable ensembles with a variety of fashionable and practical accessories would have been worn by Jane Austen and her family and friends during the day when out walking in the park or visiting village shops. Hats were a necessity to protect fair skin from the sun and scarfs and shawls added color and warmth to an outfit.
Definition Fichu: Draped scarf or shawl worn about shoulders and tied in knot at breast, with ends hanging down loosely. Word, meaning negligee or careless, first used to describe breaking away from stiff collar of the past.
1864 Silk corset, made to be worn over a chemise. Made in France or Britain. Aqua blue silk lined with linen, edged with machine-made lace, reinforced with whalebone, metal, lined with cotton twill. The front has fastenings and the back has lacings. The wearer of this corset could dress without help because the steel ‘split busk’ fastens in front. The front fastening was invented in 1829 but did not become common until the 1850s. The whalebones press into the waist to shape the hipline into an extravagant curve, to flatter and support the fashionable cage crinoline. In the 1860s women relied on voluminous skirts, in addition to corsets, to make their waists appear small.
Flossing, or embroidery, to stop bones poking through fabric, edged with machine-made lace, reinforced with whalebone, metal fasteners, V-shaped front for better fit & extra shaping. The front has fastenings and the back has lacings. There are fewer bones in the back of the corset than the front and none over the hips. Trimmed at the top edge with a narrow band of machine-made lace. Stiffened with whalebone and machine-stitched with an incised swivel latch to lock the busk fastening. Boned at the centre front, back and diagonally from the side to back and sides to front. The boning is hand-stitched into place. Metal eyelets. Lined with cotton twill. The corset reaches the top of the hips and is gored at the bust and hips.
During the 19th century, corsets were made from a variety of materials and shapes changed often. Sometimes breasts were pushed up and almost over the top and waists could be tiny and other curves were emphasized. By the end of the 19th century, corsets weren’t laced so tightly because wide crinolines created the illusion of tiny waists. There are fewer bones in the back of the corset than the front and none over the hips. From the late 1840s to the 1860s skirts were full and bell-shaped, at which point corsets were relatively short and not particularly tightly laced, since the massive skirts made all waists look proportionally small.
The corset was worn over the chemise and it moulded the figure of the wearer into the fashionable shape of the day. These shapes ranged from slender to curvaceous and everything in between during the 19th century. Like the chemise, the corset in the 19th century was made of a wider variety of materials, in this case blue silk lined with linen. It did not need to be very tightly laced, for the illusion of a small waist was created by the very wide circumference of the crinoline.
Credit : Given by the Burrows family. Museum number:T.169-1961. The donors of this corset linked it to a 1864 marriage in the family. Victoria and Albert Museum, London, U.K.
1807 Regency Couple, French.Dressed As In Jane Austen’s times.Back view of a lady’s white dress with a cute back bow, long draping scarf with knotted ends, and straw bonnet with a blue ribbon and bows. Gentleman in a long grey coat, orange vest, extremely high collar of a ruffled shirt, tight taupe pants tucked into topped boots, and with a fashionable short curly hairstyle. Fashion Plate via Costume Parisien.
1808 Lady In A High-Waisted White Dress Reading A Book Outdoors, French. Dress has short puffed sleeves and is worn under a frilled Pelerine, or shoulder cape, long tan gloves, walking shoes and a white country style hat with a blue bow. The lady is leaning on a post and reading a book. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics.
Definition Pelerine: Tippet or shoulder cape, usually waist-length, with long, pointed ends in front. Popular in England and colonial America.
Writing Regency Era Fiction Or Nonfiction? Need more information on Older Gentleman’s Day in early 1800s, or the Bridgerton family or Jane Austen’s Regency Era. A lighthearted overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where an older man went, what he wore, and how he managed the family’s finances and his estates. Older Gentleman’s Day Regency Life Series Book 3 books2read.com/suziloveOGD
1805-1810 ca. High-Waisted White Muslin Evening Dress, Possibly Made in France. Embroidered in white cotton in French knots, with collars, border, and vertical stripe in chain stitch with a design down the front of vine tendrils and acorns. Low square neck with draw-cord, ‘stomacher’ front closing over inner lining flaps. Straight cut skirt gathers at back and fastens with tape tie. Long oval train, short sleeves with ‘vandyke’ trimming. An evening ensemble typical of the early 19th century love of Neo-classical where this high-waisted dress with short sleeves copies Greek and Roman shape and dress as seen in sculptures from the time. White muslin fabric was usually imported from India but in the case, made in Europe to imitate Indian materials. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk. https://books2read.com/SuziLoveFashionWomen1805-1809
Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.
Travel and Luggage By Suzi Love History Notes Book 10. How did people travel in Bridgerton’s and Jane Austen’s times? What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. books2read.com/SuziLoveTravel
