Easy to read overview of what an older lady did, wore, and how she lived in Jane Austen and Bridgerton’s time. Information for history buffs and pictures for readers and writers of historical fiction. Older Lady’s Day Regency Life Series Book 5 by Suzi Love books2read.com/suziloveOLD
1819 Gardens of the Tuileries Near the Rue de Rivoli, Paris, France. Woman in a red walking dress, or Redingote, or Pelisse, modeled after British riding dresses and worn with a high white bonnet with feathers, or plumes. The skirt remains fairly narrow and the waist is fairly low, indicating the transition into 1820 styles. In the background are women walking with children. From Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris.
Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898.
1809 February Walking or Carriage Dress, English. Polanese coat, Saragossa mantle of spring green Virgnia cloth, trimmed round the edges and up the front of the coat with black velvet bindings, and edgings of gold lace. High puckered collar, confined round the throat with a gold cord and acorn tassels. Belt of black velvet, and rich gold clasp. Military cap formed of the same material, and trimmed also with black velvet and gold. Short white lace veil falling from the edge of the cap just below the chin. Half-boots of green kid or cloth, calashed and bound with black, and laced with gold cord. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Cartoons For Riders At The Hunt. Typical comical scenes from The Bridgertons and Jane Austen’s Daily Lives. From: 1860 Mr. Sponge’s Sporting Tour by Robert Smith Surtees. via Google Books (PD-100)
1817 June Blue Riding Costume, English. Loose riding habit with a train on the skirt, high white neck frill on the shirt underneath, and rows of decoration on the shoulders and cuffs of the habit jacket, an extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
1817 June Blue Riding Costume, English. Loose dress with a train, high white neck frill, extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
1815 White Dress and Reticule, French. White dress, green bonnet with pink trim to match the adorable pink reticule and green gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Jane Austen and her contemporaries would have worn this style of outdoor walking outfit and flowered hat.
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1807 Gentleman’s Everyday Outfit, French. Brown coat, high collared shirt, and vest simply tied, wit a cravat and a black hat and a cane. Brutus style hair cut of curled hair. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is what men wore in the times of Jane Austen for city and country life.
1807 Two Ladies and a Gentleman, English. Lady in lavender walking dress with fur trim, reticule or bag, fitted bonnet with tassel and yellow gloves. Lady in white evening dress with salmon tunic caught up at one side and evening turban. Man in long blue overcoat with contrasting collar, high white cravat, yellow gloves, tall boots, and top hat. Typical of the sort of outfits ladies and gentlemen in Jane Austen’s times would have worn while out walking, visiting friends or for an evening event, like a dinner party. A long coat, or Redingote or Pelisse for warmth when outdoors, and all matched with the essentials, day or night, of hats and gloves. via Le Beau Monde, or Literary and Fashionable Magazine, London, U.K.
1818 November ‘Fashionables Of 1818’ By George Cruikshank.Couple walk arm-in-arm with the man wearing Dandy costume of bell-shaped top-hat, trousers strapped under high-heeled boots without spurs and jauntily carried cane. Much shorter lady wears enormously high bonnet, striped over-dress over frilled white muslin, skirt above ankles, and carries a large ermine muff. Via British Museum, London, UK. britishmuseum.org (PD-Art)
These are the sort of outfits a couple would wear in Jane Austen’s times although these are exaggerated in caricatures to poke fun at the extremes of Regency fashion when women’s hats were so large and high that a lady was dwarfed by her devotion to fashion and a gentleman’s collar and neckcloth were so high he couldn’t turn his head to speak to the lady.
1806-1809 ca. Unissued One Pound Banknote. Issued in Alton, Hampshire, UK. The type of currency used by Jane Austen and her brother when dealing with the family’s finances. Issuer Alton Bank. Unissued banknote. (obverse) Emblem with initials, floral design and crown on top at left. Text at centre. Design printed in black. via British Museum.
A pound was a lot of money for the majority of people during the Regency, so the general population didn’t trust flimsy paper banknotes. A metal coin held its value in gold or silver, whereas paper banknotes were easily lost or damaged and very easy to forge. The original banknotes were merely a piece of paper that promised payment for a set amount and were issued by individual banks. The Bank of England used these notes from its inception in 1694 and regional banks continued issuing them until the changes to the Act in 1844. By the mid 1700s, notes started to become standardized, with ten and five pound notes appearing, but as they were all hand-lettered and signed they were viewed with skepticism. Most transactions were therefore done with metal coins, with many shopkeepers routinely biting down on a coin to ensure it was legitimate.