1818 Gentleman’s Outfit, French. Cutaway coat with a fur collar and extra long tails, blue trousers finishing at his ankles, blue vest, high white cravat, black shoes, black top hat, walking stick and cured hairstyle with small sideburns. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
The Duke of St. Martin asks Lady Rebecca Jamison, “Who protects you from the current set of fire-breathing dragons?” #HistoricalRomance #Mystery https://books2read.com/suziloveES
“And who protects you from the current set of fire-breathing dragons?”
She raised her chin. “I’ve outgrown such childishness.”
She lowered herself to the closest settee, a demonstration of ladylike maturity and a reprieve for her trembling knees.
“Pity.” His forehead furrowed into a pained frown. “Ah.
That’s why you wore a disguise. And why you came so late at night.”
She nodded. “The consortium watches our house and tracks our movements. In order to speak with you alone, I was forced to dress like this and sneak out the servant’s entrance in the dark. Although luckily, the syndicate’s inner circle doesn’t want me dead. Not yet.
“Wonderful!” He glared at her. “Your blithe not yet offers such comfort to my nerves.”
She glared back. “Oooh! I cannot explain if you interrupt with your sarcastic jabs.”
He dipped his head, and then waved a hand. “I apologize for my uncertain temperament this evening. Please, tell me about Peggy, and what she did at your Women’s Society.”
“She writes — No, she wrote the letters for women who wish to invest in stock ventures. We were trying to keep their identities, and their objectives, a secret.”
“Why? Because they’re women? Because jobbers stood for them in the Exchange?”
She raised a brow. “For someone only recently returned to London, you appear exceedingly well acquainted with the inside activities at the Exchange.”
He shrugged. “I’ve spent every spare moment since my return settling the family’s finances. Naturally, I’ve looked in at the Foreign Funds Room a time or two. Nobody in my position can afford to let bank balances sit idle, despite some labeling it as trade.”
“I’m impressed, Cayle. You detested accounts when your father wanted you to learn.”
Once more he shrugged, yet his show of nonchalance appeared overdone. “Perhaps it was more of not liking the methods of the educator, rather than the subject being taught.”
She shuddered at her recollection of the late duke’s disciplinary methods. “But you’re correct,” she said, pushing away images of birch rods twanging on bare flesh. “Some in our prudish society frown upon a gentleman of your caliber frequenting auction rooms. But, for a woman, it’d be an outrage.”
His eyes fixed upon her, all signs of his earlier fatigue vanished. “I can well imagine.”
“Though legally nothing prevents a woman from owning shares,” she said, assessing his concentration by the tense way he held his long, muscled body. “Visiting members are vetted at the door. Bank managers and jobbers pay eight guineas a year to enter the main Exchange room, yet self-righteous men evict females.”
“So, is it your gender that sees you under threat?”
“Not merely our gender. When the consortium heard we invested in secret, and often did very well, at first they became alarmed. Then, they became angry. Very angry indeed.”
“I can well imagine men abhorring being bested by a female.”
ES_ Embracing Scandal Book 1 Scandalous Siblings Series D2D_ES_ https://books2read.com/suziloveES
19th Century Early Caroline Bonaparte Murat, Wife and Queen Consort Of Joachim, King Of Naples. Wearing a Grand Parure, or jewelry set of tiara, necklace, earrings etc, of red coral, pearls and diamonds. By Salomon-Guillaume Counis, after Nicholas-Francois Dun.
Want a glimpse into the life of a young lady in Jane Austen and the Bridgerton years? #bridgerton #RegencyEra #JaneAusten
Young Lady’s Day is Book 4 in the Regency Life Series. This book depicts the often-frivolous life and fashions of a young lady in the early 1800’s, but also gives a glimpse into the more serious occupations a young lady may undertake. Through historic images, historical information, and funny anecdotes, it shows how a young lady fills her day, where she is permitted to go, and who she is allowed spend time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. https://books2read.com/suziloveYLD
Love the life of Jane Austen and her stories? Fan of the Bridgerton series? Reader or writer of the early 1800s, or Regency Era? For information and pictures, try Regency Life Series by Suzi Love. Light-hearted series about Regency Era, or early 1800s. For writers, readers and history lovers.
Thes books use historic images, historical information, and funny anecdotes to give an overview of life through the late Georgian and the Regency years. A light-hearted look at the people, places, and fashions of the times, plus an easy to read overview of the politics and economics. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne.
Try Books 1-5 Regency Life Series by Suzi Love. Regency Overview – Young Gentleman’s Day – Older Gentleman’s Day – Young Lady’s Day – Older Lady’s Day
Regency Era Overview: Images, information and funny anecdotes give an overview of life in Jane Austen’s times or early 1800s. #Regency #JaneAusten #BritishHistory
1800 Block Printed Woven Muslin Robe. Open robe of block printed muslin with a fine trellis weave printed in blue, red, and brown, and with delicate floral trails. Empire style high-waisted dress with linen inner panels and lining. via Kerry Taylor Auctions kerrytaylorauctions.com
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
1800 Block Printed Woven Muslin Robe. Open robe of block printed muslin with a fine
trellis weave printed in blue, red, and brown, and with delicate floral trails. Empire style high-waisted dress with linen inner panels and lining. via Kerry Taylor Auctions kerrytaylorauctions.com1800 Block Printed Woven Muslin Robe. Open robe of block printed muslin with a fine
trellis weave printed in blue, red, and brown, and with delicate floral trails. Empire style high-waisted dress with linen inner panels and lining. via Kerry Taylor Auctions kerrytaylorauctions.com1800 Block Printed Woven Muslin Robe. Open robe of block printed muslin with a fine
trellis weave printed in blue, red, and brown, and with delicate floral trails. Empire style high-waisted dress with linen inner panels and lining. via Kerry Taylor Auctions kerrytaylorauctions.com1800 Block Printed Woven Muslin Robe. Open robe of block printed muslin with a fine
trellis weave printed in blue, red, and brown, and with delicate floral trails. Empire style high-waisted dress with linen inner panels and lining. via Kerry Taylor Auctions kerrytaylorauctions.com1800 Block Printed Woven Muslin Robe. Open robe of block printed muslin with a fine
trellis weave printed in blue, red, and brown, and with delicate floral trails. Empire style high-waisted dress with linen inner panels and lining. via Kerry Taylor Auctions kerrytaylorauctions.com1800 Block Printed Woven Muslin Robe. Open robe of block printed muslin with a fine
trellis weave printed in blue, red, and brown, and with delicate floral trails. Empire style high-waisted dress with linen inner panels and lining. via Kerry Taylor Auctions kerrytaylorauctions.comHN_12 D2D_RetailerBuyLink_HN_12 books2read.com/SuziLoveFashionWomen1800
19th Century Mid Dance Card or Aide de Memoire. Jeweled and enameled gold dance card with concealed timepiece. Lid with a blue enamel with rose-cut diamonds floral wreath, opening to compartment with watch dial, pencil, and notebook. via Sotheby’s Auctions. sothebys.com
1805-1810 ca. India Muslin Dress, English. Slight train, embroidered panel down centre between two lines of drawn-thread work, embroidery of cotton in chikan stitch and knots in scrolls and plume design. Elbow length sleeves with two insertions of embroidery in leaf pattern. via Manchester Art Gallery
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
1816-1817 ca. Man’s Linen Shirt, American. High collar, ruffles down front opening, fullness from gathered shoulders and sleeves for unrestricted movement. Beautifully created and monogrammed by Elizabeth Wild Hitchings for her husband, Benjamin Hitchings, a sea captain. Wives or servants regularly hand stitched shirts from 1800s-1840s, before sewing machines, but handiwork rarely recorded.
From The Creator: This shirt was created, from the linen fiber to the finished garment, by the donor’s great-grandmother, Elizabeth Wild Hitchings, for her husband Benjamin Hitchings, a sea captain, in 1816. It was common practice for a wife or servant to hand stitch family members’ shirts prior to the mid-19th century, but rarely was such handiwork recorded, making this case rare and intriguing. In addition, its elegant stitching makes it a perfect example of the familial care taken in sewing prior to the common possession and use of the sewing machine. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Captain Belling cleared his throat and turned to face Lady Melton. “I owe you an apology for not personally seeing to your comfort. I’ve not been at my most amicable recently. Our evacuation plans have changed five times in the past three days, because each messenger has brought worse news about conditions of the roads. Wellesley probably pictured us rounding up a fleet of comfortable carriages to transport the wounded to the coast, after which boats would magically whisk us across the Channel until, within a few days, the wounded would be under the care of a staff of competent physicians. Apparently, the first and largest batches of wounded soldiers managed that scenario and are, I hope, being loaded into the boats as we speak. Word is that the second group ran afoul of deserters on three separate occasions.”
“British or French?”
He shrugged. “Who knows? Men probably went rogue from many forces as soon as the battle turned and we became the winners. Napoleon was so confident of victory that he didn’t plan for retreat. So, retreating regiments were bottlenecked at the bridge at Sambre and soldiers ran away, rather than die during the chaos. Disenchanted soldiers from every country meet, form alliances, and will then kill without compunction, to stay free, or to appease their hunger for food and women. And every day, more will be on the roads.”
When she stiffened, he said, “Don’t worry. Our messengers reported where they’d seen large groups, and we’ll avoid those roads.” She sat still as a statue and listened. “I’d like to get to London without killing anyone else, because I’m tired of the fighting, tired of wars.”
She shuffled a few inches back towards him and laid her hand on his knee. “I’m sorry that I’ve added to your problems.” She looked down at her sleeping son. “Sorry you have two more passengers to worry about.”
“Our main problem is transport. The first groups needed the biggest wagons, so we must make do with inferior vehicles.”
“Daniel and I are used to cramped quarters. We’re grateful for whatever you arrange.”
“Humph. I’m glad to hear that.” When she gave him a puzzled look, he pointed to a mattress set at a right angle to her cot but with their ends almost touching. “I shall now be sleeping there.”
The small noise she made pleased him. She didn’t scream like a virginal girl would if told that a man would be sleeping in such close proximity, but sounded surprised to find that she’d pressed herself up against him.
Her hand flew to her mouth. “Oh, dear. I’ve taken your bed. I’ve forced you to use a mattress on the floor.”
He laughed softly. “Believe me, that’s far better than propping against a tree and trying to snatch an hour’s sleep before battle. Or squeezing between a sea of horses and men so you stay warm and don’t expire from frostbite.”
“How long have you been with Wellesley?”
He leaned forward and rested his arms on his knees. “Too damn long.”
“So you’re pleased to be going home?”
“Pleased? No. Resigned, yes. My friends, my fellow officers, were ordered back to Brussels. I feel guilty that I’m not with them.”
“But surely they will return home soon, now that we’ve defeated Napoleon?”
“We’ve thought the war finished several times before, and I fear this time may prove the same. Nobody can predict what the Corsican will do next.”
She squeezed his thigh. “You’re worn out, Gabe. Things will be better when you’re in London once again.”