1851-1860 ca. Queen Victoria’s Ivory Silk Satin Dancing Slippers, English. Made by Richard Gundry, Gundry and Co., Soho Square, London, U.K.


1851-1860 ca. Queen Victoria’s Ivory Silk Satin Dancing Slippers, English. Made by Richard Gundry, Gundry and Co., Soho Square, London, U.K.


1816 July Opera Dress, English. Dress of white lace worn over a rich soft white satin slip. Skirt trimmed in a style of peculiar elegance, with lace festooned at regular distances, festoons edged by plain band of byas satin and finished by pearl ornaments of a very novel and pretty shape. Lace body is cut byas and richly ornamented round the bosom with pointed lace. Plain long sleeve, very full, except towards the wrist, which is nearly tight to the arm, and elegantly finished with lace. Hair ornamented with a wreath of French roses, parted in front, and simply dressed in loose curls, which fall very low on each side. Hind hair forms a tuft at the back of the head. Necklace, ear-rings, and bracelets of pearl. White satin slippers, and white kid gloves and a blush colored French silk scarf. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Gorgeous Regency Era clothing came in a wide range of styles to suit every season and occasion. Ladies in the Bridgerton series and in Jane Austen’s times wore Empire style dresses which were usually made of light fabric and floaty in style. By the later 1810s, stripes were very popular and lace and frills were added to make the dress more individual.


1800 ca. Brown Silk Trousers, French. Though these pants are French, the men in Jane Austen’s life would have worn similar trousers. Drop down front flap, or ‘fall’, buttoned waist front and back, extra fabric in the back for ease of movement and ties at calves to hold in place. via Metropolitan Museum, N.Y.C., U.S.A.





1820 ca. Silk Spencer, British. Made of silk and willow. Short length, long sleeves, extensive decoration on shoulders, sleeves and wrists. Military style braiding on the spencer in support of all the soldiers fighting wars across the world. The sort of jacket worn by fashionable Regency ladies over their light and flowing Empire dresses. Credit Line:Catharine Breyer Van Bomel Foundation Fund, 1987 via Metropolitan Museum New York City, U.S.A. metmuseum.org
Definition Spencer: Short jackets cut to match the high waistlines of Empire dresses. They often copied military styling, such as braiding, shoulder decoration, buttons and loop fasteners, and wrist adornments. They were generally of complex construction, often with a diamond shaped piece in the back. Said to have originated in an accident to Lord Spencer while hunting when his coat tails were torn off and he wore it as a short jacket.






1820 ca. Military Style Silk Spencer With Braiding In the Style of the Bridgertons and Jane Austen. #Bridgerton #JaneAusten #RegencyFashion #BritishHistory books2read.com/suziloveSpencers

1801 Typical Gentleman’s Suit, French. Normal outfit worn by men in the times of Jane Austen, or the Regency Era, or the early 1800s. Blue tailcoat with brass buttons, taupe breeches tied beneath the knees, white stockings, black dress shoes, black hat, gloves and cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, a walking stick, cane or riding crop, handkerchief, fobs, a watch and perhaps a quizzing glass or eye glass.


Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. This is the world Jane Austen lived in and the fashions she wore. books2read.com/SuziLoveFashionWomen1800


1808 Gentleman’s Ensemble, French. Drap Redingote or coat, black hessian boots with heart shaped front, black top hat. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien. Typical gentleman’s outdoor ensemble as worn by men in Jane Austen’s time, or the Regency Era. https://books2read.com/SuziLoveFashionMen1800-1819
Hessian Boots: Named after German mercenaries who fought alongside British. Soft, highly polished calfskin, knee high, heart-shaped top and decorated with tassel. Boot shaped like stirrup so rider could insert feet into stirrups and be kept securely in place. Tassels were designed to wear with breeches and didn’t suit tight fitting new trousers that dandies like Beau Brummell wore in 1800s so Hessians replaced by other boots e.g. Wellington.


‘Omnibuses, under the name of carrosses a cinq sous, were started in Paris in 1662. Seven vehicles to carry eight passengers each, all inside, were built, and on March 18th, 1662, they began running. The first one was timed to start at seven o’clock in the morning, but an hour or two earlier a huge crowd had assembled to witness the inauguration ceremony, which was performed l)y two Commissaires of the Chatelet, attired in their official robes. Accompanying them were four guards of the Grand Prevot, twenty men of the City Archers, and a troop of cavalry. ‘
In 1828, George Shillibeer, a London coach builder, visited Paris where he was impressed by the efficiency of the new horse-drawn bus service. The following year, he started a single horse-drawn omnibus connecting Paddington and Regent’s Park to the City of London. Passengers were picked up and set down anywhere along the route and fares were paid on board, in contrast to short-stage coaches which had to be booked in advance.
This new omnibus was pulled by three horses and carried 22 passengers who sat inside and were protected from the weather. Fares were sixpence and one shilling, less than a hackney cab or short-stage coach, but still too expensive for the lower classes.

In 1832, the London City monopoly of hackney carriages was removed, so horse buses expanded and within two years there were 620 licensed horse buses in London. By the Great Exhibition in 1851, London’s increase in visitors meant this number doubled and the number of routes increased to 150. By 1856, several bus operators were taken over by the new London General Omnibus Company until, with 600 omnibuses, they were the largest bus company in the world. In 1833, the first real steam omnibuses, the ‘Era’ and ‘Autopsy’ were invented by Walter Hancock, of Stratford, and started on the London roads. The ‘Era’ was the better omnibus of the two, and the most flattering things were said and predicted of it. Enthusiasts declared that omnibuses of this type would enable passengers to be carried at a cheaper rate and greater speed. The ‘Era’ ran from Paddington to the Bank, the same route as the horse-drawn omnibuses, and carried fourteen passengers, the fare being sixpence all the way. It travelled at the rate of ten miles an hour. Travel on these roads was also dangerous as highwaymen stopped and robbed anyone who came along. Male or female made no difference to highwaymen in Britain, nor to the bushrangers in Australia or the gangs on American roads, as they robbed indiscriminately and often with violence.
By the end of the 18th Century, however, travel as a pleasurable pursuit came into vogue and numerous guides were written for traveling all over the British Isles as well as on the continent. The 1812 ‘Tour Of Dr. Syntax’ was an ironic look at the new obsession of travel and travel guides. Before he set off for the Lake District, Dr. Syntax said to his wife, “You well know what my pen can do, and I’ll employ my pencil too: I’ll ride and write, and sketch and print and thus create a real mint: I’ll prose it here, I’ll verse it there and picturesque it everywhere. I’ll do what all have done before; I think I shall and somewhat more.” Georgian and Regency travelers were envious of aristocrats, even if they were of the nobility themselves, and loved to view all the British Great Houses.
A gentleman and his wife would even drive up to the front door of a mansion house and demand to be given a tour of the house. If they weren’t admitted, they would write in their journals of the inhospitable nature of the people on a particular estate. Thomas Pennant, William Mavor, and others, loved to write about these bad experiences and have them published. Paterson’s British Itinerary, a travel guide had 17 editions between 1785-1832 – it outlined the roads used by the stage and mail coaches, the tolls, the bridges, etc. This new touring craze created an industry of hospitality that encompassed more than simple mail coach trips from place to place, and more than a noble family traveling from their country seat to the Metropolis of London for parliamentary sittings. Inns had to improve the quality of the linens and meals if they wanted to attract the wealthier traveling class. Before that, many travelers carried their own linen, crockery, glasses, and utensils, as they didn’t trust the hygiene or standards of country inns.
Travel became something written about by poets with many sonnets written to the beauty of places like the Lake District in England, or the pyramids in Egypt. Inns became cleaner and more respectable so they could welcome travelers of the upper classes. This also meant that women could travel more as roads were slowly improved from rutted tracks that were only suitable for horse riding to roads that family coaches could travel along, though these roads were still narrow and subject to extremes of weather, such as flooding. The race was on to travel from places like London to Edinburgh in the fastest possible time.
1800s Omnibus History, France and England. #RomanticEra #VictorianEra #BritishHistory #Travel books2read.com/SuziLoveTravel Share on X
1819 February Pink Ball Dress, English. Underskirt with white lace hem, pink layer with intricate decoration, short puffed sleeves, low décolletage, or neckline, white shawl and white hat with pink feather. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. Women’s clothing came in the late 1810s came in a wide range of styles to suit every season and occasion. When attending assemblies or balls, ladies in Jane Austen’s times women wore Empire style dresses which were usually made of light fabric and floaty in style and often of a shorter length suitable for dancing. https://books2read.com/SuziLoveFashionWomen1815-1819
Definition Ball Dress: At the end of the 1810s, ball or dancing dresses had higher hemlines that rose several inches above the ankle so ladies wouldn’t trip on their hens or flounces and make a spectacle of themselves.
Definition Aigret, aigrette, egret: Plume of feathers or jeweled ornament in shape of feathers worn on head or hats. During the early 19th century, or Jane Austen’s lifetime, or during the years of the Bridgerton series, the favorite feathers were osprey and heron.


1816 October Half-Dress. A gown of lilac sarsnet, cut low round the bust, which is trimmed with pink ribbon, disposed so as to form a wreath; the shape of the back is marked by hands of pink, and a large bow, in the French style, ornaments the middle of it at bottom. The back is full; a plain light front forms the shape in a most becoming manner. Long full sleeve, composed of clear muslin, trimmed at the wrist with a single row of lace, and finished by a pink bow. Fichu to correspond, very full trimmed round the throat with lace. The bottom of the skirt is edged with pink, and trimmed with a single flounce of blond lace, set on very full, and surmounted by a wreath of French roses. Cornette composed of tulle, finished by a quilling of blond round the face, and fastened by a pink bow under the chin; a bow to correspond ornaments it on the forehead, and a bunch of flowers is placed very far back on the head. The style of this cornette, though French, is so simply elegant and becoming, that we have not for some time seen any half-dress cap to equal it. Plain gold ornaments. White kid gloves, and white kid slippers with pink rosettes. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Half Dress: Between undress and full dress, respectable outfit without an excess of formal accessories and might be worn either day or evening. Could include Afternoon Dress, such as Afternoon Walking Dress and even Evening Dress if not a very formal evening occasion, such as a theatre attendance or dinner engagement.
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

