1809 September. Garden Promenade Dresses. Empire style gowns, shawls, hats, and parasols for walking in the park, to see and be seen, in London or at fashionable resorts. More elegant than walking dresses, which are usually morning dresses with outerwear and more elaborate headdresses. These are the sort of ensembles that Jane Austen and her family and friends would have gone walking in. Foreground lady has a silk shawl mantelet trimmed with an amber silk fringe and fastened on the bosom with a pebble brooch, amber hoop earrings, white Morocco leather shoes, York tan gloves and a blue parasol with a fringe. Straw hat with flowers. Background lady wears a Nun’s hood that falls over her shoulders and holds a purple parasol. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1817 September Glengary Riding Habit, English, as would have been worn during Bridgerton and Jane Austen’s times. Pale blue cloth, richly ornamented with frogs and braiding, front braided on each side and fastens under the body of the habit, which slopes down on each side to define the figure. Epaulettes and jacket are braided to correspond with the front as is the bottom of the sleeve which is braided nearly half-way up the arm. Habit shirt is of cambric with a high standing collar and trimmed with lace. Cravat of soft muslin is richly worked at ends, tied in a bow, narrow lace ruffles at the wrists. Headdress is a Glengary cap of blue satin, trimmed with plaited ribbon of various shades of blue and a plume of feathers. Blue kid gloves are worn and half-boots. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
1818 September 18th Le Palais Royal de Paris. ‘A Peep at the French Monstrosities’. Two English tourists dressed as dandies walk arm-in-arm under the arcade of the Palais Royal, interested in the promenading courtesans. Their dress is rather similar to that of the Englishmen, but the latter wear bell-shaped top-hats, while the Frenchmen have flower-pot shaped hats. By George Cruikshank. Via British Museum, London, UK. britishmuseum.org (PD-Art)
Easy to read overview of what an older lady did, wore, and how she lived in Jane Austen and Bridgerton’s time. Information for history buffs and pictures for readers and writers of historical fiction. Older Lady’s Day Regency Life Series Book 5 by Suzi Love books2read.com/suziloveOLD
1890 Cotton Twill Corset, England or Germany. Machine stitched with front hooks and back lacing and made in two parts. Brown corset with the bones covered with a darker cotton twill, black fabric covered busks and a trimming of black machine-made cotton lace. Lined with white cotton twill and the top and bottom are bound with reddish brown tape.
The front fastens with a busk and the backs are provided with metal eyelets for a lace. The corset is hip length, curving to a rounded point in the front and less deeply at the back. The bones are close-set and splayed out at the bust and hips, and at the tops are trimmed with fancy stitching in cream. There is a band of dark brown cording at the top, covering the breasts. At the waist there is a V-shaped band in darker brown stitching. With metal fastenings. via http://collections.vam.ac.uk/item/O351699/corset-unknown/
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing. https://books2read.com/SuziLoveCorsetBook20
1809 February Walking or Carriage Dress, English. Polanese coat, Saragossa mantle of spring green Virgnia cloth, trimmed round the edges and up the front of the coat with black velvet bindings, and edgings of gold lace. High puckered collar, confined round the throat with a gold cord and acorn tassels. Belt of black velvet, and rich gold clasp. Military cap formed of the same material, and trimmed also with black velvet and gold. Short white lace veil falling from the edge of the cap just below the chin. Half-boots of green kid or cloth, calashed and bound with black, and laced with gold cord. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1817 June Blue Riding Costume, English. Loose riding habit with a train on the skirt, high white neck frill on the shirt underneath, and rows of decoration on the shoulders and cuffs of the habit jacket, an extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.
1817 June Blue Riding Costume, English. Loose dress with a train, high white neck frill, extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.
1807 Gentleman’s Everyday Outfit, French. Brown coat, high collared shirt, and vest simply tied, wit a cravat and a black hat and a cane. Brutus style hair cut of curled hair. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is what men wore in the times of Jane Austen for city and country life.
1807 Two Ladies and a Gentleman, English. Lady in lavender walking dress with fur trim, reticule or bag, fitted bonnet with tassel and yellow gloves. Lady in white evening dress with salmon tunic caught up at one side and evening turban. Man in long blue overcoat with contrasting collar, high white cravat, yellow gloves, tall boots, and top hat. Typical of the sort of outfits ladies and gentlemen in Jane Austen’s times would have worn while out walking, visiting friends or for an evening event, like a dinner party. A long coat, or Redingote or Pelisse for warmth when outdoors, and all matched with the essentials, day or night, of hats and gloves. via Le Beau Monde, or Literary and Fashionable Magazine, London, U.K.
1818 November ‘Fashionables Of 1818’ By George Cruikshank.Couple walk arm-in-arm with the man wearing Dandy costume of bell-shaped top-hat, trousers strapped under high-heeled boots without spurs and jauntily carried cane. Much shorter lady wears enormously high bonnet, striped over-dress over frilled white muslin, skirt above ankles, and carries a large ermine muff. Via British Museum, London, UK. britishmuseum.org (PD-Art)
These are the sort of outfits a couple would wear in Jane Austen’s times although these are exaggerated in caricatures to poke fun at the extremes of Regency fashion when women’s hats were so large and high that a lady was dwarfed by her devotion to fashion and a gentleman’s collar and neckcloth were so high he couldn’t turn his head to speak to the lady.
