1818 December 11th A dandy fainting or – an exquisite in fits. Scene a private box opera. A dandy lies back fainting in a chair, his limbs rigid, supported by three others while a fourth (left) draws the curtain, cutting off a view of the (distant) stage where a singer is posturing. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1818 September ‘A Nice Gentleman’ By George Cruikshank. A grotesque dandy walks outdoors sucking a cane. Inscribed with names of food, e.g. red carbuncled rose is ‘Currant Jelly’, shallow broad-brimmed hat is ‘Calves Head Jelly’ and ‘Pancake’, cravat which covers neck, cheek and chin is ‘Puff Paste’, loose short trousers are ‘White Sugar Bags’, handkerchief ‘Blow Monge’ and long spurs ‘Gilt Gingerbread’. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1800s Early Tattersall’s Horse Auctions, London, U.K.. Top sporting venue for Regency Life in London. ‘A mixture of persons of nearly all ranks’. By Pierce Egan. Via Wikimedia Commons (PD-ART)
In Jane Austen’s and Bridgerton times, or the Regency Era, horse riding was a vital mode of transport and Tattersall’s was the best place to buy and sell horses. Tattersall’s was established in 1773 near Hyde Park Corner for the sale by auction of horses, carriages, hounds and harnesses. Sales during the winter months were every Monday and Thursday, and on Mondays only during the spring and summer. On the mornings when there was no sale, Tattersall’s was a meeting place for fashionable sporting gentlemen.
Pierce Egan’s Description of Tattersall’s
A masquerade could scarcely exhibit more motley groups than the attendants of this place of fashionable resort. There were Peers, Baronets, Members of Parliament, Turf gentlemen and Turf-servants, Jockies, Grooms, Horse-dealers, Gamblers, &c. There you might see the oldest and some of the best blood in England, disguised like coachmen.
From: 1820 Sporting Anecdotes by Pierce Egan via Google Books (PD-150)
Lover of Jane Austen and the Regency Era fashions? History Notes Book 25. #JaneAusten #RegencyFashion #HistoricalFashion books2read.com/SuziLoveFashionWomen1801-1804
Continue reading →1818 ‘The Stamford Dandy or A Modern Peeping Tom’. Lord Stamford rides past a row of houses looking through his
glass at a woman who stands at an open first-floor window. Other women watch him from the two other windows. Dressed as a dandy with red tailcoat, high white collar and cravat, black top hat and wearing loose white trousers. Artist not known. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1816 Crossing The Pont des Arts, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) suzilove.comThis plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV’s famous battle cry, “Ralliez-vous à mon panache blanc!” and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back various styles, especially those denoting luxury, from the Ancien Regime. The woman on the left wears an ‘old-fashioned’ lace collar and the resurgence of luxury materials, such as fur are indicative of feminine styles of the Restoration period. (PD-Art) Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes De Paris
This navy double breasted wool tailcoat has M-notched lapels, kite-shaped rear seaming, and black silk covered buttons. The sleeves are gathered at the shoulders and there is a high collar.
Quilting has been added to the inside chest and lower neck areas and brown velvet has been added to line the cuffs. The pockets are concealed in the tails and have been lined with brown chintz. via Kerry Taylor Auctions. kerrytaylorauctions.com
1819 Typical Gentleman’s Outfit, French. The type of outfit worn by Jane Austen’s male family and friends. Brown cutaway coat with extra long tails, white trousers, high white cravat, heeled black boots with spurs, gloves, black top hat and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1815 White Walking Dress, English. Lady reading outside. Aqua pelisse, or coat, open to reveal a yellow lining, yellow gloves, high bonnet with feathers and blue shoes. Jane Austen and her family and friends would have worn this style of walking ensemble and as Jane Austen was very fond of reading, it’s easy to picture her looking like this. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
George Bryan “Beau” Brummell (June 7th 1778 – March 30th 1840) Arbiter of men’s fashion and friend of the Prince Regent, the future King George IV. Established mode of dress for men that rejected overly ornate fashions for understated but perfectly fitted and tailored clothing. Look based on dark coats, full-length trousers rather than knee breeches and stockings, with immaculate shirt linen and an elaborately knotted cravat. 1855 Engraving of Beau Brummell from an article in Harper’s New Monthly Magazine.
