Category Archives: Regency Fashion

1800 Jane Austen Style Embroidered White On White Muslin Robe, British. #JaneAusten #RegencyFashion #HistoricalFashion

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1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread.
via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

About 1800 Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases, Muslin embroidered with cotton thread Fabric made in India, gown made in England Given by Miss Frances Vickers Museum no. 444-1888 (2013) Victoria and Albert Museum, London.

By the end of the 18th century, rigidly tailored garments for both men and women were replaced by styles made for ease and comfort, resulting in the neoclassical style of the 1780s. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1800 Jane Austen Style Embroidered White On White Muslin Robe, British. #JaneAusten #RegencyFashion #HistoricalFashion books2read.com/SuziLoveFashionWomen1800 Share on X
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19th Century Early Jane Austen Era Men’s Brown Trousers With Drop Down Front flap, or ‘Fall’. #Bridgerton #JaneAusten #RegencyEra #Men #HistoricalFashion

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19th Century Early  Brown Trousers, American. Button waist, drop down front flap, or fall, and extra fabric in the back for easy movement. via Metropolitan Museum New York City, U.S.A. metmuseum.org https://books2read.com/SuziLoveFashionMen1800-1819

19th Century Early Brown Trousers With Drop Down Front flap, or 'Fall'. #Regency #Men #Fashion
19th Century Early Brown Trousers With Drop Down Front flap, or ‘Fall’. #Regency #Men #Fashion
19th Century Early Brown Trousers With Drop Down Front flap, or 'Fall'. #Regency #Men #Fashion
19th Century Early Brown Trousers With Drop Down Front flap, or ‘Fall’. #Regency #Men #Fashion
19th Century Early Brown Trousers With Drop Down Front flap, or 'Fall'. #Regency #Men #Fashionhttps://books2read.com/SuziLoveFashionMen1800-1819
19th Century Early Brown Trousers With Drop Down Front flap, or ‘Fall’. #Regency #Men #Fashion
19th Century Early Jane Austen Era Men's Brown Trousers With Drop Down Front flap, or 'Fall'. #Bridgerton #JaneAusten #RegencyEra #Men #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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1785–1800 ca. Cotton Breeches, American or European, With Drop Front Flap and Buttoned Leg Openings. #RegencyEra #HistoricalFashion #JaneAusten #breeches

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1785–1800 ca. Cotton Breeches, American or European. Man’s cotton breeches, drop down, or fall, front opening, button fastening at the waist, extra material in the back allows more movement for riding etc., and buttons secure the leg openings so they can be fitted to wear with boots for riding. via Metropolitan Museum, NYC, U.S.A. These are the sort of pants that the men Jane Austen knew would have worn for riding or in the country.

1785–1800 ca. Cotton Breeches, American or European. Man's cotton breeches, fall front opening, button fastening at waist, extra material in the back allows more movement for riding etc., buttons secure leg openings. via Metropolitan Museum, NYC, U.S.A.

1785–1800 ca. Cotton Breeches, American or European, With Drop Front Flap and Buttoned Leg Openings. #RegencyEra #HistoricalFashion #JaneAusten #breeches https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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1820 Short Sleeved Ball Gown of Embroidered Silk Net, British. #RegencyFashion #Historicalfashion #sewing

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1820 Ball Gown of Embroidered Net, British. Silk satin and silk net embroidered with metal and trimmed with silk blonde bobbin lace, hand sewn.  Short-sleeved ball gown comprising of an underdress of silk satin and an overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. The dress has a low  oval neckline, puffed short sleeves, a wedge shaped front bodice panel,  and a medium high waist. The skirt has a central front panel, wedge shaped panels and the centre back panels are tightly gathered at the waist.

From the Museum Curator: ‘Women saved their most elaborate dresses for special occasions such as balls. Lavish gowns embellished with gold thread or sparkling beads glittered in the artificial light of the dancing room. Thin, gauzy materials created a soft dreamy look. These light materials also prevented the wearer from getting too hot while dancing in stuffy, overcrowded spaces’. Victoria and Albert Museum, London, UK

1820 1. Front Hem Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 2. Back Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 3. Side Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 4. Bodice Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 7. Sleeve. Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 5. Hem Ball Gown of Embroidered Net, British. Puffed short sleeves, underdress of silk satin, overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. Low oval neckline, wedge shaped front bodice panel and medium high waist, or, not quite Empire line. collections.vam.ac.uk
1820 Short Sleeved Ball Gown of Embroidered Silk Net, British. #RegencyFashion #Historicalfashion #sewing. https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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19th Century Early Bridgerton and Jane Austen Style Silk and Glass Reticule, Or Bag, French. #Bridgerton #JaneAusten #RegencyFashion #Reticule

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19th cent. Early. Reticule, or Bag, of silk, metal and glass, French, as carried in Jane Austen’s times. Silk ribbon work, with rosy glass beads, and silver purl flowers and backgrounding to the wreath motif. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

19th cent. Early. Reticule. Silk, metal and glass. French. Silk ribbon work, with rosy glass beads, and silver purl flowers and backgrounding to the wreath motif. metmuseum.org
19th Century. Early. Reticule. Silk, metal and glass. French. Silk ribbon work, with rosy glass beads, and silver purl flowers and backgrounding to the wreath motif. via Metropolitan Museum New York City, U.S.A. metmuseum.org

19th Century Early Bridgerton and Jane Austen Style Silk and Glass Reticule, Or Bag, French. #Bridgerton #JaneAusten #RegencyFashion #Reticule http://books2read.com/suziloveReticules Share on X
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1800 ca. Tan Corduroy Breeches As Worn By the Men in Jane Austen’s Life. Drop Down Front flap, or ‘Fall’. #JaneAusten #RegencyFashion #breeches

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1800 ca. Tan Corduroy Breeches. Drop down front flap, or ‘fall’, with two buttons, three silver metal buttons at the waistband, watch pocket, corner pockets with buttons, pieced back with waist tie, saggy back with extra fabric to allow for easier movement when riding or sitting, four buttons and silk ties at knee. via Whitaker Auction whitakerauction.smugmug.com. https://books2read.com/SuziLoveFashionMen1800-1819.

Typical of a gentleman’s breeches worn during the early 1800s, or the Regency Era, or Jane Austen’s times. They have a front flap, or fall, which unbuttons and drops down and a back waist tie to adjust the waist size and there are buttons and ties to secure the breeches below the knee.

1800 ca. Tan Corduroy Breeches. Drop down front flap, or 'fall', with two buttons, three silver metal buttons at the waistband, watch pocket, corner pockets with buttons, pieced back with waist tie, saggy back with extra fabric to allow for easier movement when riding or sitting, four buttons and silk ties at knee. via Whitaker Auction whitakerauction.smugmug.com

1800 ca. Tan Corduroy Breeches. Drop down front flap, or ‘fall’, with two buttons, three silver metal buttons at the waistband, watch pocket.
1800 ca. Tan Corduroy Breeches. Drop down front flap, or 'fall', with two buttons, three silver metal buttons at the waistband, watch pocket, corner pockets with buttons, pieced back with waist tie, saggy back with extra fabric to allow for easier movement when riding or sitting, four buttons and silk ties at knee. via Whitaker Auction whitakerauction.smugmug.com

1800 ca. Tan Corduroy Breeches. saggy back with extra fabric to allow for easier movement when riding or sitting.
1800 ca. Tan Corduroy Breeches. Drop down front flap, or 'fall', with two buttons, three silver metal buttons at the waistband, watch pocket, corner pockets with buttons, pieced back with waist tie, saggy back with extra fabric to allow for easier movement when riding or sitting, four buttons and silk ties at knee. via Whitaker Auction whitakerauction.smugmug.com

1800 ca. Tan Corduroy Breeches. Drop down front flap, or ‘fall’
1800 ca. Tan Corduroy Breeches. Drop down front flap, or 'fall', with two buttons, three silver metal buttons at the waistband, watch pocket, corner pockets with buttons, pieced back with waist tie, saggy back with extra fabric to allow for easier movement when riding or sitting, four buttons and silk ties at knee. via Whitaker Auction whitakerauction.smugmug.com

1800 ca. Tan Corduroy Breeches. four buttons and silk ties at knee.
1800 ca. Tan Corduroy Breeches. Drop down front flap, or 'fall', with two buttons, three silver metal buttons at the waistband, watch pocket, corner pockets with buttons, pieced back with waist tie, saggy back with extra fabric to allow for easier movement when riding or sitting, four buttons and silk ties at knee. via Whitaker Auction whitakerauction.smugmug.com

1800 ca. Tan Corduroy Breeches. four buttons and silk ties at knee.
1800 ca. Tan Corduroy Breeches As Worn By the Men in Jane Austen's Life. Drop Down Front flap, or 'Fall'. #JaneAusten #RegencyFashion #breeches https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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1815 Bridgerton and Jane Austen Styled Couple With Lady In Evening Dress and Gentleman Wearing Stirrup Trousers. #Bridgerton #RegencyFashion #JaneAusten

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1815 French Couple. Lady in evening dress with scooped neckline on low-cut pink bodice, floral headpiece and long white gloves. Gentleman in brown tailcoat and stirrup trousers, vest, and casual necktie. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

The sort of fashionable outfits and items worn or carried by Jane Austen and her contemporaries when out in public. Ladies outfits for evening were accessorized with gloves, headdresses and jewelry and often dresses were of this shorter length for dancing. Gentlemen were always heavily accessorized as well with the essential of gloves, coats, waistcoats and neatly tied cravats. For more about the fashions of 1815, take a look at History Notes Books 23 and 28 men’s and women’s regency Era fashions.

Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? What was fashionable for women at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Book 28 for 1815-1819 in History Notes Includes fashions for mourning, riding, dresses, hats, shoes, reticules or bags, underclothing, accessories.

Fashion Men 1800-1819 History Notes Book 23 What was fashionable for men in early 1800s, or  Jane Austen’s time, or Regency Era? Suits, hats, shoes, underclothing, fashion accessories, military and bedroom fashions. French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world.

1815 French Couple. Lady in evening dress with scooped neckline on low-cut pink bodice, floral headpiece and long white gloves. Gentleman in brown tailcoat and stirrup trousers, vest, and casual necktie. Fashion Plate via Suzi Love ~ suzilove.com & Journal des Dames et des Modes, or Costume Parisien.
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1815 Bridgerton and Jane Austen Styled Couple With Lady In Evening Dress and Gentleman Wearing Stirrup Trousers. #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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1805 Regency Group of Fashionable Ladies and Gentlemen. #Regency #Fashion #JaneAusten

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1805 Regency Group of Ladies and Gentlemen dressed as Jan Austen and her family and friends would have dressed. Ladies in dresses, bonnets, shawls, gloves, and carrying a reticule, or bag, and a parasol. Gentlemen in tailcoats, overcoats, trousers, vests, cravats, hats, boots and shoes and carrying walking sticks. via Men And Women In Costumes, 1804-1829.
The Miriam and Ira D. Wallach Division, The New York Public Library, U.S.A.

1805 Regency Group of Ladies and Gentlemen. Ladies in dresses, bonnets, shawls, gloves, and carrying a reticule, or bag, and a parasol. Gentlemen in tailcoats, overcoats, trousers, vests, cravats, hats, boots and shoes and carrying walking sticks. via Men And Women In Costumes, 1804-1829. The Miriam and Ira D. Wallach Division, The New York Public Library, U.S.A.
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1816 August Jane Austen Or Bridgerton Style Walking Costume With Blue Pelisse and Turned-Up White Satin Hat. #Bridgerton #RegencyFashion #JaneAusten #HistoricFashion

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1816  August Walking Costume, or Pelisse, or Coat, English. Round dress, composed of cambric and trimmed with lace. The body is let in with a profusion of lace. Plain long sleeves, very full, except at the wrist where the fulness  is confined by small plaits, sleeve finished by double frill of lace. Over the dress is a Pelisse of blue and white shot sarcenet, lined with white sarcenet and trimmed with white satin. Pelisse sleeve is very full and finished at the wrist by a cuff and bows of ribbon. Pelisse is made half high and finished at neck with a triple fall of rich lace but the neck is bare. White satin hat is turned up in front and ornamented with flowers. Kid gloves, blue kid shoes and a parasol. We are indebted for this tasteful dress to Mrs. Gill of Cork Street, Burlington Garden, London. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

Definition: Pelisse Or Redingote: Woman’s long, fitted coat often worn open in front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French word developed from English words, riding coat.  reefer. Single- or double-breasted, fitted, tailored, over-all coat usually made from sturdy fabric. Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters. #Regency #Fashion #History

1816 August. Walking Costume, or Pelisse, or Coat, English. High waisted blue pelisse over a white dress, wide shawl collar with lace over layer, long sleeves, high flowered bonnet with ribbon ties, yellow gloves and a parasol. Fashion Plate via Rudolph Ackermann's 'The Repository of Arts'.
1816 August. Walking Costume, or Pelisse, or Coat, English. High waisted blue pelisse over a white dress, wide shawl collar with lace over layer, long sleeves, high flowered bonnet with ribbon ties, yellow gloves and a parasol. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1816 August Jane Austen Or Bridgerton Style Walking Costume With Blue Pelisse and Turned-Up White Satin Hat. #Bridgerton #RegencyFashion #JaneAusten #HistoricFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
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1807 Healthful Dipping In Jane Austen Times. Lady in chemise preparing to dip in spa waters. #Underclothing #JaneAusten #RegencyFashion

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1807 Healthful Dipping. Lady in her white linen chemise, or shift, preparing to take a  dip in the spa waters. Scenes of Spa life. By F.  Eginton, New Bath Guide. ‘How the ladies did giggle and set up their clacks, All the while an old lady was rubbing their backs.’ From Anstey’s ‘The New Bath Guide’. In Jane Austen’s novels, the resorts of Brighton, Scarborough, Cromer, Lyme and the fictional Sandy ton or Sanditon all get mentions. Women bathed in the sea, via bathing machines pulled down to the water’s edge, or promenaded along beautiful walkways, such as in Cheltenham, near Bat in Britain. Visiting seaside resorts became very popular during the Regency years. Le Beau Monde, or fashionable society, went to spa and beach towns to ‘take the waters’ or to holiday in a fashionable town. To see and be seen. Ladies dressed in light muslin gowns but added colorful accessories to make outfits more interesting.

Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name replaced by ‘Chemise’.  

1807 Healthful Dipping. Lady in her white linen chemise, or shift, preparing to take a dip in the spa waters. Scenes of Spa life. By F. Eginton. New Bath Guide. How the ladies did giggle and set up their clacks, All the while an old lady was rubbing their backs. From Anstey’s 'The New Bath Guide'. Suzi Love - suzilove.com
1807 Healthful Dipping. Lady in her white linen chemise, or shift, preparing to take a dip in the spa waters. Scenes of Spa life. By F. Eginton. New Bath Guide. How the ladies did giggle and set up their clacks, All the while an old lady was rubbing their backs. From Anstey’s ‘The New Bath Guide’. Suzi Love – suzilove.com
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