Category Archives: Romantic Era

1820-1840 ca. Hand-Embroidered Wedding Corset, Connecticut, USA. #Regency #Corset #RomanticEra

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1820-1840 ca.  Hand-Embroidered Wedding Corset,   Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset.  The back closure has ivory eyelets for the lacing.  The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textiles

1820-1840 ca. 1 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 2. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 3 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 4. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 5. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 6 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
HN_17_D2D_Corset_1810-1830 https://books2read.com/SuziLoveCorsetBook17
HN_17_D2D_Corset_1810-1830

1800s Top Hat Styles During the 1800s #Regency #Romantic #Victorian

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Top Hat Styles Chart during the 1800s, from the Regency Era through to the Victorian years. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides. https://books2read.com/SuziLoveFashionMen1800-1819

Top Hat Styles Chart during the 1800s, from the Regency Era through to the Victorian years. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides.
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819

1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping. #RomanticEra #Fashion #BritishHistory

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1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping, English. Cotton printed in soft pink, red, white, and green floral motif on light brown, edged with green silk satin piping and lined with linen and cotton. Sleeves tightly gathered, loose at elbow, skirt gathered from tight fitting bodice edged with green satin piping. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.From the Museum: Soft colours and floral patterns are a distinctive feature of many 1830s day dresses. Here, pink, red and white flowers harmonise with the brown ground and green piping. The construction of the sleeves is also interesting as they are tightly gathered at the top and loose around the elbow. This accentuates the slope of the shoulder and the tightness of the wrist.

1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1800-1830 ca. Basket Shaped Knit and Glass Beads Bag As Carried By The Bridgertons and Jane Austen. #Bridgerton #JaneAusten #RegencyFashion #reticule #Germany

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1800-1830 ca. Drawstring Bag, German. Basket-shaped, Ecru cotton knit embroidered with colored glass beads in design of grapevine on upper half, open work embroidered with weaving motif on lower half. Wired at center, cardboard at base. Green silk cord drawstring. The Elizabeth Day McCormick Collection via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
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What was fashionable for outer wear in Bridgerton and Jane Austen’s time? Different names in different countries: Pelisse, Redingote, Or Walking Dress. #Bridgerton #JaneAusten #RegencyEra #Historicalfashion

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What was fashionable for outer wear in past centuries?  Different names in different countries: Pelisse, Redingote, Coat, Or Walking Dress. The Bridgertons and Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters.   http://books2read.com/suzilovePelisse

HN_5Pelisse, Redingote, Or Walking Dress. History Notes Book 5 By Suzi Love. What was fashionable for outer wear in past centuries? Call them what you like: Coat, Pelisse, Redingote, Walking Dress, Promenade Dress. Take a look at what was being worn by women, men, and children. books2read.com/suzilovePelisse books2read.com/suzilovePelisse
Pelisse, Redingote, Or Walking Dress. History Notes Book 5 By Suzi Love. What was fashionable for outer wear in past centuries? Call them what you like: Coat, Pelisse, Redingote, Walking Dress, Promenade Dress. Take a look at what was being worn by women, men, and children. books2read.com/suzilovePelisse
History Notes Book 5 books2read.com/suzilovePelisse
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1830 ca. Quilted Buff Canvas Corset, English. #Corset #RomanticEraFashion #BritishHistory #Underclothing

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1830 ca. Quilted Buff Canvas Corset, English. Quilted canvas, wood, boning, and brass. Self lined, quilted with back stitch. 

Front fastening, shoulder straps, and brass eyelets for back. The wide centre front busk may be of wood and these stays are boned from the waist through the centre of the bust gussets, with three bones at each side and on each side of the back lacing. The rest is quilted, the top is over a cord foundation, and there are gussets at the hips. Eyelets in the back and strap lacing are of brass and machine inserted. On the left of the centre busk at hip level, is a tape stretched so that it ties horizontally. The top and straps are bound with tape. Self lined, quilted in back stitch, the waist is herringboned, and the bases of the bust and hip gores are button-holed. via Victoria and Albert Museum, London, UK.  collections.vam.ac.uk       

1830 ca. Quilted Buff Canvas Corset, English. Quilted canvas, wood, boning, and brass. Self lined, quilted with back stitch.  Front fastening, shoulder straps, and brass eyelets for back. The wide centre front busk may be of wood and these stays are boned from the waist through the centre of the bust gussets, with three bones at each side and on each side of the back lacing. The rest is quilted, the top is over a cord foundation, and there are gussets at the hips. Eyelets in the back and strap lacing are of brass and machine inserted. On the left of the centre busk at hip level, is a tape stretched so that it ties horizontally. The top and straps are bound with tape. Self lined, quilted in back stitch, the waist is herringboned, and the bases of the bust and hip gores are button-holed. via Victoria and Albert Museum, London, UK.  collections.vam.ac.uk

HN_18_D2D_Corsets 1830-1850
HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18

Fashion Must Haves In Bridgerton and Jane Austen’s Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Regency #JaneAusten #Georgian #Victorian

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HN_3-4-5_Fashion Accessories- Reticules, Spencers, Redingotes. #Regency #Fashion #History books2read.com:suziloveReticules books2read.com:suziloveSpencers books2read.com:suzilovePelisse
HN_3-4-5_Fashion Accessories- Reticules, Spencers, Redingotes. #Regency #Fashion #History books2read.com:suziloveReticules books2read.com:suziloveSpencers books2read.com:suzilovePelisse
  • Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets.
  • Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
  • Pelisse Or redingote Or Walking Dress: Coat worn over clothing of both sexes for warmth and protection from the elements.
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Are you following my Pinterest Boards? Images galore for history, books, Regency Era, fashion and writing. #RegencyEra #books #History #Pinterest #SuziLove

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Pinterest Boards By Suzi Love.

I love Pinterest for keeping thousands of historical images in some sort of order. And I love using Pinterest Boards as inspiration for my romance books. What about you? Do you use Pinterest for planning something, or just for fun? Need more hints for what to do with your boards and pins? Take a look at these fascinating articles on Pinterest. if you want even more Pinterest information and tips for becoming a power user, check out my Suzi Love Pinterest Boards

Are you following my Pinterest Boards? Images galore for history, books, Regency Era, fashion and writing. #Regency #books #Historyhttp://www.pinterest.com/suziloveoz/
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1820-1830 ca. Collections of Reticules, or Ridicules, Or Purses. #Antiques #RegencyEra #RomanticEra

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1820 ca. Collection of Reticules, or Purses. Silk silver gauze, netting, fine crochet. Bags have drawstrings, chains and tassels. via Ruby Lane Auctions. #RegencyFashion #JaneAusten #British

Definition Of A Reticule; Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket, so women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring. These Reticules, or bags, were the forerunners of our modern day purses.

bag_1820 ca. Collection of Reticules, or Purses. Silk silver gauze, netting, fine crochet. Bags have drawstrings, chains and tassels. via Ruby Lane Auctions.
1820 ca. Collection of Reticules, or Purses. Silk silver gauze, netting, fine crochet. Bags have drawstrings, chains and tassels. via Ruby Lane Auctions.
bag_1830 ca. Collection of Four Tiny Purses, or Reticules with drawstrings to close. via Ruby Lane Antiques.
1830 ca. Collection of Four Tiny Purses, or Reticules with drawstrings to close. via Ruby Lane Antiques.
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