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1800-1819 Women’s Fashions In Bridgerton Family And Jane Austen’s Times In A Box Set. #Bridgertons #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on July 11, 2023 by Suzi LoveJuly 11, 2023

An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent. This set includes books 12, 25, 26, 27 and 28.

https://books2read.com/SuziLoveFashionWomenBoxSet

Reader Or Writer of Regency Era? Love Jane Austen fashions? What was fashionable for women in Jane Austen's times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Reader Or Writer of Regency Era? Love Jane Austen fashions? What was fashionable for women in Jane Austen’s times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
1800-1819 Women's Fashions In Bridgerton Family And Jane Austen's Times In A Box Set. #Bridgertons #RegencyEra #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomenBoxSet Share on X
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Posted in 1800s, 1800s women's fashion, art, Australia, bedroom fashion, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Corset, dancing, Dress Or Robe, England, Europe, fashion accessories, France, Google Books, hats, History, History Notes, Jane Austen, London, mourning, Quotations, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Book 24, Corset, Dress Or Gown, fans, fashion accessories, Fashion Plate, Fashions Of London and Paris, gloves, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, Le Beau Monde, mourning, Napoleon Bonaparte, Regency Fashion, Regency Women, reticule or bag, riding, shawls, Shoes, Spencer, Suzi Love Books, The Lady's Monthly Museum, The Repository Of Arts, underclothing, weddings

1802 Bridgerton and Jane Austen Style Dress Bodices and Two Cute Bonnets. #Bridgertons#Regency #Hats #JaneAusten

Suzi Love Posted on July 8, 2023 by Suzi LoveJuly 8, 2023

1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionWomen1801-1804

1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1802 Jane Austen Style Dress Bodices and Two Cute Bonnets. #Bridgertons #Regency #Hats #JaneAusten https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, fashion accessories, France, hats, Jane Austen, London, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion

1812 Two French Ladies In White Dresses With Accessories. #Regency #JaneAusten #Fashion

Suzi Love Posted on July 5, 2023 by Suzi LoveJuly 5, 2023

1812 Two Ladies, French. Orange sleeveless Redingote over a white dress with high neck frill and interesting sleeves. High-waisted white dress with blue pattern on the short sleeves and hem. Both with gloves, matching bonnets and shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1812 Two Ladies, French. Orange sleeveless Redingote over a white dress with high neck frill and interesting sleeves. High-waisted white dress with blue pattern on the short sleeves and hem. Both with gloves, matching bonnets and shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
https://books2read.com/SuziLoveFashion1810-1814
1812 Two Ladies, French. Orange sleeveless Redingote over a white dress with high neck frill and interesting sleeves. High-waisted white dress with blue pattern on the short sleeves and hem. Both with gloves, matching bonnets and shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1812 Two French Ladies In White Dresses With Accessories. #Regency #JaneAusten #Fashion. https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s, 1800s women's fashion, Couple, Dress Or Robe, Europe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, France, gloves, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion, sewing, Shoes

1818 Brown Silk Dress, English, As Worn By the Bridgertons. #Bridgerton #RegencyFashion #HistoricalFashion #metmuseum

Suzi Love Posted on July 3, 2023 by Suzi LoveJuly 3, 2023

1818 Brown Silk Dress, English. Regency Fashion.  Empire style, high-waisted dress with long sleeves, and with dark brown velour trim on the square neckline and hem. via The Metropolitan Museum, New York City, USA.   metmuseum.org

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1818 Brown Silk Dress, English. Regency Fashion.  Empire style, high-waisted dress with long sleeves, and with dark brown velour trim on the square neckline and hem. via The Metropolitan Museum, New York City, USA.   metmuseum.org
1818 Brown Silk Dress, English, As Worn By the Bridgertons. #Bridgerton #RegencyFashion #HistoricalFashion #metmuseum books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
 Fashion Women 1815-1819 History Notes Book 28
What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women's lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding  fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. 
 
D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, Metropolitan Museum NYC, Regency Fashion

“Laugh as much as you choose, but you will not laugh me out of my opinion.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote

Suzi Love Posted on July 2, 2023 by Suzi LoveJuly 2, 2023

“Laugh as much as you choose, but you will not laugh me out of my opinion.” Jane Austen Pride and Prejudice Quote. (1813) #JaneAusten #Quote

"Laugh as much as you choose, but you will not laugh me out of my opinion." Jane Austen Pride and Prejudice Quote. (1813) #JaneAusten #Quote
https://books2read.com/SuziLoveFashion1810-1814
“Laugh as much as you choose, but you will not laugh me out of my opinion.” Jane Austen Pride and Prejudice Quote. (1813) #JaneAusten #Quote
"Laugh as much as you choose, but you will not laugh me out of my opinion." Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote. https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s, 1800s women's fashion, England, Jane Austen, Quotations, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Jane Austen, Quotations, Regency Fashion, Suzi Love Images

1818-1820 ca. Gold Silk Redingote, French. #RegencyEra #Fashion #France

Suzi Love Posted on June 29, 2023 by Suzi LoveJune 29, 2023

1818-1820 ca. Gold Redingote, French. Gorgeous Regency Fashion French Redingote of gold silk with the same fabric used to create a trailing pattern down the bodice and front opening. Short puffed sleeves over long straight sleeves in a leg-of-mutton style. via Metropolitan Museum, New York City.   metmuseum.org

1818-1820 ca. Gold Redingote, French. Gorgeous Regency Fashion French Redingote of gold silk with the same fabric used to create a trailing pattern down the bodice and front opening. Short puffed sleeves over long straight sleeves in a leg-of-mutton style. via Metropolitan Museum, New York City.   metmuseum.org
1818-1820 ca. Gold Silk Redingote, French. #RegencyEra #Fashion #France. https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
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Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? https://books2read.com/SuziLoveFashionWomen1815-1819

Posted in 1800s women's fashion, Coat or Pelisse Or Redingote, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, France, Metropolitan Museum NYC, Redingote Or Pelisse Or Coat, Regency Fashion, sewing

1816 White short length dancing dress as worn by the Bridgertons and Jane Austen. Multiple frills above hem and a black bodice. #Bridgerton #RegencyEra #JaneAusten #HistoricalFashion

Suzi Love Posted on June 27, 2023 by Suzi LoveJune 27, 2023

1816 Ball Dress, French, as worn by the Bridgertons and Jane Austen. White short length dancing dress, multiple frills above hem, black bodice with a back bow, hair braided and pinned into an upswept evening style. Fashion Plate  via  Journal des Dames et des Modes, or Costume Parisien.

Women’s clothing came in the late 1810s came in a wide range of styles to suit every season and occasion. When attending assemblies or balls, ladies in Jane Austen’s times women wore Empire style dresses which were usually of light fabric and floaty in style and often of a shorter length suitable for dancing.

1816 Ball Dress, French. White short length dancing dress, multiple frills above hem, black bodice with a back bow, hair braided and pinned into an upswept evening style.Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1816 Ball Dress, French. White short length dancing dress, multiple frills above hem, black bodice with a back bow, hair braided and pinned into an upswept evening style.Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1816 White short length dancing dress as worn by the Bridgertons and Jane Austen. Multiple frills above hem and a black bodice. #Bridgerton #RegencyEra #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
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Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, cartoon, Customs & Manners, dancing, Decorative Item, Dress Or Robe, England, fashion accessories, Google Books, Jane Austen, London, mourning, postal, Regency Era, Regency Fashion, riding, sewing, shoes, Suzi Love Images, weddings | Tagged 1800s women's fashion, Bridgerton, dancing, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Jane Austen, Journal des Dames et des Modes, Regency Fashion, sewing, Shoes

1810-1813 ca. Blue and Silver Shot Silk, Empire style dress, with long sleeves, British. #RegencyFashion #JaneAusten

Suzi Love Posted on June 26, 2023 by Suzi LoveJune 26, 2023

1810-1813 ca. Blue and Silver Shot Silk, Empire style dress, with long sleeves, British. One-piece dress in silver and blue shot silk with a pattern of dark blue flowers. High waist, square back neckline and dropdown bib-front. Bodice interior lined with cream cotton panels. Full-length sleeves have gathered sleeve head and extended cuffs over hands, with silk floss-corded trim at band. Five paneled skirt gathered at centre back and designed to be worn over a small back bustlepad. Cotton tape drawstring attached to interior of bodice and with blue silk ribbon ties at back. The high waist, bib-front and columnar skirt made this Empire dress less restrictive than many other 19th-century styles. Beneath this light, free flowing garment lay several layers of underwear. A shift and petticoat were worn, as well as a soft corset with a busk. Via australiandressregister.org

Probably belonged to Devonshire woman, Ann Deane (mother of Mary Deane, who married pastoralist and founder of Springfield sheep station, William Pitt Faithfull). Ann married Thomas Deane at Upton Pyne in Devon in 1807, and by 1813 had given birth to four of her six children. The dress travelled to Australia with Ann Deane when she and her son Robert, daughters Ann and Mary, and grandson Edgar migrated to New South Wales in early 1838. Ann Deane’s husband Thomas had died over a decade earlier, and her children had been receiving an annuity of 1000 pounds a year from their Uncle Robert Deane, a captain in the West India Company marines, who died in 1827.

When the Deane family embarked upon the three-month sea voyage to Australia they brought a range of objects and material from England, including sketches and paintings of English landscapes and seascapes (by daughters Ann and Mary), scrapbooks filled with newspaper clippings, recipes and poetry, books many of which were inscribed with affectionate messages from friends left behind and a number of eighteenth- and nineteenth-century dresses. After arriving in Sydney Ann’s daughters, Ann and Mary, established a private school for young ladies in Macquarie Place. The school operated until 1844, when Mary married Faithfull, and it was through this union that the dress found its way to Springfield sheep station in Goulburn. Mary and Faithfull had nine children between 1845 and 1859, and their eldest daughter Florence became the caretaker of the dress once her mother and aunt had passed away. Florence Faithfull became an avid collector, keeping hundreds of items left by family members when they moved away or died.

In the early 1950s Florence’s niece and namesake, Florence ‘Bobbie’ Maple-Brown, was faced with the momentous task of sorting through the remarkable collection of material that had accumulated for over 100 years at Springfield. During renovations of the main homestead Bobbie converted two rooms of the nine-bedroom mansion into what was to become known as the Faithfull Family Museum. The blue silk dress and many others collected during the nineteenth and twentieth centuries were hung in a wardrobe in the family museum, springing to life now and again when younger generations of the Maple-Brown family used them for dress-ups.

1810-1813 ca. Blue and Silver Shot Silk, Empire style dress, with long sleeves, British. #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, Jane Austen, Regency Fashion
1804-1805 ca. Collage View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1804–1805 ca. Jane Austen Style Evening Dress, French. #RegencyFashion #JaneAusten #HistoricalFashion #dress

Suzi Love Posted on June 25, 2023 by Suzi LoveJune 25, 2023

1804–1805 ca. Evening Dress, French. Narrow white dress of sheer cotton mull, probably from India, and with sheer short sleeves, extra wide neckline, vertical white embroidery which was very fashionable at the time.  The cotton fabric was probably imported from India already embroidered with heavy white cotton thread in transparent mull. At the beginning of the nineteenth century, this sort of dress was considered shocking and immodest after the wider hooped dresses of the eighteenth century. This style of dress was worn by most women in Jane Austen’s time, but only the wealthy could afford the best quality mull.  Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier.

From the museum curator:  “On December 24, 1803, Jerome Bonaparte (1784—1860), brother of Napoleon, wed Elizabeth Patterson (1785—1879) of Baltimore. The beautiful and fashionable young American was married in a dress of muslin and lace that, according to a contemporary, “would fit easily into a gentleman’s pocket.”  Although originally thought to have been Patterson’s wedding dress, the formal gown illustrated here probably dates from 1804, when this type of vertical white embroidery became fashionable. Napoleon had the marriage annulled in 1805. Jerome was made king of Westphalia in 1807 and he married the princess of Wurttemberg. Elizabeth, banned from France by the emperor, remained in Baltimore with her son, Jerome Napoleon Bonaparte (1805—1870). Metropolitan Museum, New York City, USA. 

1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Back View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. Front View Of White Cotton Mull Gown With Vertical White Embroidery, French. Vertical white embroidery was very fashionable in the early 1800s, with the sheer cotton mull probably imported from India already embroidered with this heavy white cotton thread. These daring items of clothing copied the Grecian idea of loosely draped clothing and were the first of many changes to women’s outfits. Heavy fabrics were abandoned, especially in summer, in favor of lighter materials that allowed women to move about easier. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1804-1805 ca. White Gowns. Vertical embroidery down the front of two white cotton mull dresses. Outer fabric is transparent and both dresses have long trains, short square bodices, and short sleeves. via Metropolitan Museum New York City, U.S.A. metmuseum
1804–1805 ca. Jane Austen Style Evening Dress, French. #Regency #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, Europe, France, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, France, Jane Austen, Metropolitan Museum NYC, Regency Fashion, sewing
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman’s Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory

Suzi Love Posted on June 23, 2023 by Suzi LoveJune 11, 2023

1830-1840 ca. Woman’s Corset, English.  Cotton sateen, quilted, with cotton twill and cotton plain-weave tape.  Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA.  via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory. https://books2read.com/SuziLoveCorsetBook18 Share on X
HN_18_D2D_Corsets 1830-1850
HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18
Posted in 1800s, 1800s women's fashion, Corset, England, Romantic Era, Suzi Love Images, underclothing, Victorian Era | Tagged 1800s women's fashion, Corset, Los Angeles County Museum, Romantic Era Fashion, underclothing

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