1885 Three Piece Side Saddle Riding Habit. Double breasted boned jacket with notched lapel, mother of pearl buttons, sleeve gathered at shoulder, over- skirt with side hook & eye closures, button and loop, fall front leggings, leather stirrups, braided trim. via suzilove.com Whitaker Auction whitakerauction.smugmug.com
1815 Arundel Fete Dress and Baronial Helmet, English. White dress with purple bodice and hem with matching shawl and plumed headdress. Skirt of white crape over white satin, a double row of novel and elegant trimmings on the bottom, two falls of the crape, set on full, are edged with silk. Body comes high on each side of the bosom and is shaped so as to display the neck and shoulders, and both body and sleeves are formed and trimmed in the most exquisitely tasteful manner. A superb cord and tassels confines the waist and ties in front. The Baronial Helmet is striking and made of white sarsnet or satin and white lace and superbly ornamented with feathers. Jewelry set, or Grand Parure, of necklace, bracelets. ear-rings, and small French locket of pearl. White kid slippers and gloves. Full Dress for evening would most likely be a dress of silk or satin, perhaps with a transparent overlay of netting, tulle etc., embellished with taffeta, ruffles and ribbons, and with a full range of accessories including a Grand Parure of tiara and other matching jewelry. https://books2read.com/SuziLoveFashionWomen1815-1819
La Belle Assemblee: Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. Many of the fashion plates seen in La Belle Assemblée and The Repository of Arts were designed by Mrs. Bell who had her dressmaking showroom in Bedford Square, London, and was related to John Bell who published La Belle Assemblée. It seems that she designed for at least two fashion magazines and so there is a cross-over of designs in different magazines.
Grand Parure: A Parure is a matched set of jewelry, including a necklace, bracelet, earrings, pin etc. and a Grand Parure often includes a tiara or other headdress.
1823 Couple In Walking Dress, French, as worn in Europe and England in the Regency Era. Redingote, or Coat, with matching hat, neck frill of Gros de Nice lace. Gentleman in tailcoat, short length brown trousers, yellow vest, high white cravat, top hat and black shoes. via Modes Françaises L’Indiscret, France.
1823 Couple In Walking Dress, French. Redingote, or Coat, with matching hat, neck frill of Gros de Nice lace. Gentleman in tailcoat, short length brown tro users, yellow vest, high white cravat, top hat and black shoes. via Suzi Love ~ suzilove.com & Modes Francaises L’Indiscret, France.1823 Couple In Walking Dress of Coats, Hats, Shoes etc. #Regency #Fashion Share on X
1845 Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Collage Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Front and Back Views Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Three Waist Views Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1845 Sleeve and Waist Views Of Woman’s Dress, Probably Made In England. Silk Taffeta and glazed linen plain weave. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1818 ca. Elegant black evening dress as would have been worn in the times of Jane Austen when attending evening events, such as dinners, concerts, musical evenings or the opera. British, Empire style, or high-waisted dress of machine-made silk net, embroidered with silk, trimmed at the hem with padded black satin rouleaux and rosettes, long straight sleeves under shoulder puffs. Machine-made net was a very popular background for embroidery and laces in early 1800s and the airy texture suited loose and flowing Empire style fashions. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1818 ca. Black Evening Dress, British. High-waisted dress of machine-made silk net, embroidered with silk, trimmed at the hem with padded black satin rouleaux and rosettes, long straight sleeves under shoulder puffs.
Machine-made net was a very popular background for embroidery and laces in early 1800s and the airy texture suited loose and flowing Empire style fashions. via Suzi Love suzilove.com
Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1818 ca. Black Evening Dress Of Machine Made Net, British. #Regency #JaneAusten #Fashion. https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
“No, she was a very sober- minded young lady, sufficiently well-read in novels to supply her imagination with amusement, but not at all unreasonably influenced by them.” Jane Austen ~ Sanditon (1817)
1818 ca. Lemon Dress, England. High-waisted, or Empire style, as worn in the times of Jane Austen, or Regency Era. Linen and lace dress with short puffed sleeves. via Los Angeles County Museum of Art, California, USA. collections.lacma.org. https://books2read.com/SuziLoveFashionWomen1815-1819
1840-1880 ca. Burgundy and White Silk Jacket, Russian. #Romantic #Fashion #Russia via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org
1840-1880 ca. Burgundy and White Jacket, Russian. Silk, metal, and cotton. Brooklyn Museum Costume via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org