The Viscount’s Pleasure House. Irresistible Aristocrats Book 1 By Suzi Love. Three naive country ladies coerce their way into London’s most infamous brothel and the last Sultan’s gala. Disenchanted Viscount tutoring three Regency Ladies. What could go wrong?
The Viscount’s Pleasure House allows Justin, the most notorious Viscount in London, to fund his search for his missing mother and sisters. But after three years catering to the sordid whims of the perpetually bored Upper Ten Thousand in early Victorian times, the Virile Viscount announces his retirement.
Justin plans to sell his exotically themed brothel and cease all Arabian Nights held on his estate, a desperate attempt to cleanse his blackened soul and perhaps revive his deadened sexual interest. So when Lady Chrissie Wellsby begs Justin to tutor her two friends in the amorous arts in exchange for information about his family, Justin is torn. For though he’ll do anything to discover the whereabouts of his family, including teaching three naive ladies how to act like well-schooled courtesans, he loathes being forced into this last performance as a sex God served by his harem.
Having Chrissie willingly act as his sex slave stirs the world-weary viscount into the wildest performance ever given at the Sultan’s tent, but does little to convince Chrissie that he has fallen head over heels in love with her and put his rakish ways behind him. Justin enjoys a wonderful reunion with his family but feels cheated of his chance at love until Chrissie’s friends encourage her to trust the newly reformed viscount.
Chrissie organizes one final gala at the Pleasure House, an erotic night of lovemaking for two to prove her love for Justin and show him she longs to be his wife. https://books2read.com/suziloveTVPH The Viscount’s Pleasure House. Irresistible Aristocrats Book 1 By Suzi Love.
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Days and nights used to be counted separately, so the important night was often the night before rather than the night of, which is why some parts of the world celebrate Christmas on Christmas Eve. Therefore, the twelve days of Christmas actually begin on the eve of December 25th, the first night, and end on January 6th, which is Epiphany. The day of December 26 is the first day and the eve of December 26 the second night.
The famous Twelfth Night is the eve of Epiphany and the twelfth day is Epiphany itself. During these twelve days, traditional roles were relaxed or turned upside down so that masters waited on their servants, men were allowed to dress as women and women as men. These crazy antics can also be seen in modern Christmas pantomimes in which authority is mocked, women play male leads and the leading older female character is played by a man.
Twelfth Night
The Twelfth Night festival marked the onset of the winter solstice, the point in late December when the sun, whose daily arc had reached its lowest and darkest.
Twelfth Night is the eve before the twelfth day of Christmas or the Epiphany celebration, which commemorates the adoration of the Magi before the infant Jesus and marks the final night of the Christmas season. Twelve Nights,” which extended from the 25th of December to the 6th of January. The Twelve Nights were religiously observed by numerous feasts, and were regarded by the ancient Germans as among the holiest and most solemn of their festivals.
In Tudor England, the Twelfth Night marked the end of a winter festival that started on All Hallows Eve. A King or Lord of Misrule would be appointed to run the Christmas festivities, and the Twelfth Night was the end of his period of rule. Shakespeare’s play, Twelfth Night, or What You Will, was originally written to be performed as a Twelfth Night entertainment. After Twelfth Night, the Carnival season starts and lasts until Mardi Gras. In some places, Twelfth Night celebrations include food traditions such as the king cake or tortell.
In the Bavarian and Styrian Alps the Twelve Nights are called “Rumor Nights,” on account of their visions of ghosts and hobgoblins, when priests and prudent housewives, with prayer and invocation, holy-water and burning incense, fumigate dwelling and outhouse, and sprinkle their cattle with salt. Hence these nights were also called “Fumigating Nights.” As an additional protection against “witches’ feet” and “devils’ paws,” the initials of the holy magicians were formerly inscribed upon the door-posts. On the dreaded Twelfth-night, when Frau Holle, or Berchta, issues with her fearful train from her wild mountain home, where she dwells among the dead, she is generally preceded by the faithful Eckhart, an old man with a long beard and a white wand, who warns every one of her terrible approach.
Want a HOT Regency Romance for the holidays? “You want me to be your mistress?” The Countess of Dorchester’s sculpted brow rose in an exaggerated show of disbelief. #christmas #holidays #RegencyRomance #HistoricalMystery #EroticHistoricalRomance books2read.com/suziloveFTAV
Drama and romance at the Duke Of Sherwyn’s snowbound country estate in the English countryside in December. Michael Brandon travels to introduce the woman he loves to family but is shocked when his missing brother, presumed dead for years, arrives at the country estate of the Duke Of Sherwyn where several people are stranded due to a severe snow storm. https://books2read.com/suziloveDS December Scandal, Book 3, Scandalous Siblings Series.
At the end of the winter term, schoolmasters would set their pupils to work on Christmas Pieces, samplers of writing on superior paper with engraved borders, to show parents how they had progressed during the year. By about 1820, the engraved borders were enhanced with color and the children’s pieces became more decorative.
However, the custom of sending cards at Christmas was started in the United Kingdom in 1843 by Sir Henry Cole. Postage had been standardized three years earlier and Cole was a civil servant who had played a key role in initiating Uniform Penny Post. He wanted ordinary people to become more interested in the new ‘Public Post Office’. With his artist friend John Horsley, they designed the first card which was issued from a periodical, Felix Summerley’s Home Treasury, and were sold for 1 shilling each.
The card was lithographed, hand-colored, had three panels and was in a rustic frame of carved wood and ivy. The outer two panels showed people caring for the hungry and the naked. The centre panel showed a family of three generations having Christmas dinner, although the temperate classes strongly objected to the idea of a child being given a glass of wine with dinner.
New railways carried more post, and a lot faster, than a horse and carriage so the Post Office offered a Penny stamp. Cards became even more popular when they could be posted in an unsealed envelope for one halfpenny. Christmas cards became truly popular when printing improved and cards could be produced in large numbers, around 1860. By the early 1900s, the custom had spread over Europe and especially in Germany.
Early cards usually pictured Nativity scenes, but in the late Victorian times, robins and snow-scenes became popular because the postmen wore red uniforms and were nicknamed ‘Robin Postmen’. Snow-scenes were also popular because they were a reminder of the very bad winter of 1836.
Snow scenes reflected the snowy and often harsh northern hemisphere winters when opening and reading Christmas cards was an enjoyable family experience. In 1860, Charles Goodall & Son, a British publisher of visiting cards, began mass producing cards to be used for visits during the Christmas period. These Christmas and New Year’s visiting cards were decorated with simple designs such as a twig of holly or flowers.
Sales of cards grew and designs and sizes changed. The first cards were meant to appeal to the masses and encourage them to send large numbers by post, so rather than focus on religious images, they showed sentimental or humorous images of family and children, fanciful designs of flowers, fairies, or reminders of the approach of spring. Religious themes of nativity scenes, children looking at the manger, or angels and candles remain popular to the modern day.
Cards could be shaped like bells, a fan, a crescent, a circle, or a diamond and were folding, decorated with jewels, iridescent, embossed, and carried either simple Christmas and New Year greetings or had verses and carols written in them. The next year, Mr W.C.T. Dobson produced a sketch symbolizing the ‘Spirit of Christmas’ which sold many more than the previous thousand and the novelty caught on.
Many artists became famous for their annual illustrations that became postcards and cards. Printing technology became more advanced in the age of industrialisation and the price of card production dropped. With the introduction of the halfpenny postage rate, the Christmas card industry industry increased until in 1880 11.5 million cards were produced.
“Bells are musics laughter.” By Thomas Hood (1799-1845), British poet and humorist.
Bells hold a long time association with Christmas. In Victorian times, carol singers used small handbells to play the tune of the carol. Sometimes there were bells without singing – Church bells are rung after sunset to signal the start of the Christmas Eve service, the first of Christmas. In England, the bellman goes round at midnight ringing his bell, and rattling off a stanza or two, for the gratuity which he confidently anticipates; while watchmen, firemen, rate-collectors, postmen, chimney-sweeps, street scavengers, the errand-boys of your baker, butcher, poultry merchant, and green-grocer, even to the hired singers in the churches all expect their Christmas-box. In Victorian times, carol singers used small hand bells to play the tune of the carol and sometimes there were bells without singing. Church bells are rung after sunset to signal the start of the Christmas Eve service, the first of Christmas.
The Bellman
The Bellman stands full face, shouting with wide-open mouth and ringing his hand-bell.
In his left hand he holds out his verses headed by a little figure of Napoleon wearing a huge tricorne and holding a gigantic sword:
‘This little Boney-says he’ll come At merry Christmas time,
But that I say is all a hum Or I no more will rhyme
Some say in Wooden house he’ll glide, Some say in air Balloon,
E’en those who airy schemes deride. Agree his coming soon.
Now honest people list to me, Though Income is but small, I’ll bet my Wig, to one Penney, He does not come at all.’ Hand-colored etching and aquatint.
Legend has it that during the 17th century, craftsmen created straight white sticks of candy in the shape of shepherds’ crooks at the suggestion of the choirmaster at the Cologne Cathedral in Germany. The treats were given to children to keep them quiet during ceremonies at the living creche, or Nativity scene, and the custom of passing out the crooks at such ceremonies soon spread throughout Europe.
‘The legends of the candy cane are many, including that the cane was shaped like a “J” for Jesus, the three red stripes symbolized the Holy Trinity, the hardness of the candy represented the Church’s foundation on solid rock and the peppermint flavor reflects the use of hyssop, an herb referred to in the Old Testament.’ via Encyclopedia Britannica
In celebrations of Saint Nicholas Day, candy canes are given to children as they are also said to represent the crosier of the Christian bishop, Saint Nicholas; crosiers themselves allude to the Good Shepherd, a title associated with Jesus. Some people explain the symbolism of a striped cane as white representing Christ’s purity, red the blood he shed, and the three red stripes the Holy Trinity.
In the mid 1600s, sugar roses were added but weren’t popular so plain white canes remained until red stripes were added around 1890. In 1847, a German immigrant living in Wooster, Ohio, U.S.A. looped candy canes that he brought with him from Europe over the boughs of his Christmas tree.
In 1919, Bob McCormack of Albany, Georgia, made candy canes for family, friends and local shopkeepers. The canes were bent by hand as they came off the assembly line into the ‘J’ shape of a shepherd’s crook, so breakage was often over 20 percent. In the 1920s, a cherubic child in a red-and-white hat sold peppermint candy cane to Albany natives in an advertisement for Bob’s candy company. McCormack was the first manufacturer to wrap his candy in cellophane. Bobs moved to a larger facility in the 1930s so that it could expand its product lines and was one of the few candy companies to remain solvent during the Great Depression.
As the economy improved, people bought more sweet treats, but Bobs Candy was then leveled by a tornado and, as the company had no tornado insurance, they had to rebuild on their own. By August 1940 the company was back in business and employed McCormack’s three children.
During World War II (1941-45), when sugar was rationed, coconuts were in short supply, and pecans were expensive, Bobs took advantage of a plentiful local product—the peanut—and sold peanut-butter crackers and vacuum-packed peanuts. During the 1950s, Bobs began making money with such innovations as break-proof packaging, moisture-proof candy wrappers.
In 1952, Bob McCormack’s brother-in-law, Catholic priest Gregory Keller, invented the Keller Machine which automated the process of twisting soft candy into spiral striping and then cutting them into precise lengths as candy canes.
Harding Keller invented the Keller Machine around 1950 for his brother-in-law Bob McCormack. The machine twisted and cut stick candy, allowing for the mass production of the company’s signature candy canes and other items. – Courtesy of Farley’s and Sathers Candy Company, Inc.
First, candy sticks cut to the desired length enter the machine. Each stick is bent individually, but the machine has a system of multiple grippers and rollers to continually bend the sticks, one after the other. As each stick enters the machine, it is positioned in a gripper which holds the straight portion of the cane with the part to be bent protruding out. Each gripper has on one side a curved die which the protruding end will be bent over. The candy stick is first bent to a right angle as it is moved past and put into contact with an inclined face. The patent application describes two potential versions of the mechanism which complete the bending process.
The first version of the mechanism has a chain around two sprockets on which are mounted bending rollers. Each bending roller is attached to a cam which rides along another inclined face to move the roller along the protruding surface of the cane to complete bending it around the die. In the second version, the chain and sprockets are replaced by a wheel on which the bending rollers are mounted. In modern candy cane production, the sticks are wrapped in cellophane before they are bent.
By the middle of the century, Bob’s company – originally the Famous Candy Company, then the Mills-McCormack Candy Company, and later Bobs Candies, had become one of the world’s leading candy cane producers.Bobs Candies was sold to Farley’s and Sathers in Spring 2005. Farley’s and Sathers merged with the Ferrara Candy Company which continues to make candy canes under the Bobs name.
By the middle of the century, Bob’s company – originally the Famous Candy Company, then the Mills-McCormack Candy Company, and later Bobs Candies, had become one of the world’s leading candy cane producers.
How did they celebrate Christmas in Bridgerton and Jane Austen times? Historical information about the traditions of Christmas through the centuries, including the religious aspects, decorations, games, food and plays. History Of Christmases Past has lots of information and images about Christmas through the centuries, including religious aspects, decorations, games, food and plays. Historic images show how some traditions have changed while many have remained the same through the centuries. books2read.com/suziloveHOCP