1896 Sainted Prince Vladimir. Porcelain egg. Oval medallion on a golden background depicts Vladimir-wearing crown, a red mantle, and holding a cross. https://books2read.com/suziloveEasterAfter the painting by Victor Vasnetsov. Imperial Porcelain Factory, St Petersburg. Porcelain, overglaze polychrome painting and gilding/ Height: 11.4 cmOn the one side in an oval medallion on a golden background with plant ornament is a depiction of the Sainted Prince Vladimir wearing a crown and red mantle and holding a cross. The green frame is embellished with a garland of leaves. On the reverse, in another green frame with a garland of leaves on a pale blue background is an ornamented Greek cross with Christ Pantocrator in the centre. A pattern of stars and rosettes surrounds the cross.The prototype for the painting was the image of St Vladimir created by Victor Vasnetsov in St Vladimir’s Cathedral in Kiev.
20th Century Early Easter Egg. Side 1. The Resurrection of Christ. The Descent into Limbo. Side 2. The Most Orthodox Prince St. Vladimir. Made By Lukutin Factory Russia. Papier-mache and silk, painted in oil gilded and lacquered.
The production of the famous Fabergé jewelry firm that created eggs with surprises from gold, silver and precious stones won the world recognition. Jewelry miniature eggs
were very popular gifts and objects of collecting among rich Russians at the turn of the 20th century. They were used for making necklaces, pendants and bracelets that were worn during the Easter Week according to the well-established traditions.
Imperial and private fabrics and works, best artists, jewelers and craftsmen took part in creating Easter souvenirs.
1906 Swan Imperial Faberge Surprise Easter Egg. Commissioned by Tzar Nicholas II and presented to the Dowager Empress Maria Feodorovna for her 40th wedding anniversary. Faberge Easter Egg, Russia.
1887 Resurrection Imperial Faberge Egg. Yellow gold, rock crystal, rose-cut-diamonds, pearls, brilliant diamonds and various colored enamels. One of Faberge’s masterpieces and is essentially a jewel.
1898 Lilies Of The Valley Imperial Faberge Easter Egg, Russia. An imperial Easter egg presented by Nicholas II to his wife, Empress Alexandra Fiodorovna, for Easter 1898. Gold, diamonds, rubies and pink guilloché enamel with lily-of-the-valley flowers (pearls/diamonds) and contains a hidden portrait. From The Fabergé firm, St Petersburg made by Michael Perchin. Height is 20 cm opened. Via Collection of the Fund ‘The Link of Times’.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
19th Century Second Half. Paper Mache Easter Egg, Russian.#Easter Resurrection of Christ, Cathedral of Christ the Savior. via Hermitage Museum, Russia. hermitagemuseum.org
1885 The Hen Egg, Imperial Faberge egg, Russia. Gold, rubies and enamel. Height: 6.4 cm. Made by The Fabergé firm, St Petersburg
An imperial Easter egg presented by Alexander III to his wife, Empress Maria Fiodorovna, for Easter 1885. The Hen, was made by Faberge at the behest of Emperor Alexander III for Empress Maria Fedorovna in 1885, possibly to mark the 20th anniversary of their betrothral. It imitates a natural egg and is golden, covered with a white opaque enamel. Inside there is a surprise in the form of a chicken figurine which held in its beak a ruby egg (presently lost). Via The Hermitage Museum, Russia.
1890-1900s Porcelain Easter Egg. Inscription “Christ is risen!”. The Kornilov Brothers Factory, St Petersburg. Via Hermitage Museum Faberge Easter Egg, Russia. books2read.com/suziloveEaster
A porcelain Easter egg from the 1890–1900s featuring the inscription “Christ is risen!” was a traditional Russian Orthodox Easter gift. They were produced by both the Kornilov Brothers Factory and the Imperial Porcelain Factory in St. Petersburg. The State Hermitage Museum in St. Petersburg has a large collection of Imperial-era porcelain Easter eggs. These eggs were exchanged, hung on ribbons, or placed on stands during Easter as a symbol of life’s renewal. The words “Christ is Risen!” was a traditional Russian Easter greeting.
