1800 ca. Brown Striped Trousers, American or European. Button front waistband, small drop down flap, or fall, pockets, and with extra fullness in the back for ease of movement. via Metropolitan Museum, N.Y.C., U.S.A. The style of men’s pants that replaced breeches as the fashionable pants item for men in Jane Austen’ times.
1810-1820 ca. Pantaloons, Probably Military, British. The type of pants worn by men in Jane Austen’s times when wars were being fought all over the world, especially in Europe. Machine-knitted white cotton decorated with cream silk braid on sides and fronts as seen on Hussar uniforms. Cut to fit the leg and button bottom at waist with three buttons. Front fall buttons over five buttoned fly, two horizontal pockets at front below waistband and fob pocket in waistband. Four metal buttons for braces, two front and two back. Cotton ‘puff’ centre back waist and two linen tapes for waist adjustment. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
Pair of men’s pantaloon trousers made of machine-knitted white cotton and decorated with cream silk braid applied down the sides and on the fronts. This imitates the hussar uniforms of the period and appeared on fashionable men’s dress. The pantaloons are cut to fit the leg and button at the bottom with three buttons. The pantaloons fasten at the front with front falls buttoning over a five buttoned fly. There are two horizontal pockets at the front below the waistband and a fob pocket in the waistband. There are four metal buttons for braces, two at the front and two at the back. These probably are original. There is a cotton ‘puff’ at the centre back waist and two linen tapes for waist adjustment.
Pantaloons also brought the glamour of military uniform into men’s fashionable dress, especially when teamed with Hessian boots. Uniforms worn by the various armies during the Napoleonic Wars (1793-1815) were often very colourful and lavishly adorned with braid and tassels. It is hardly surprising that some of these attractive trimmings should have infiltrated fashion, particularly when nationalistic feelings ran high. Civilian pantaloons were often ornamented with military-style braid that was applied in a vertical band of topside Russia braiding. They were not, however, generally decorated on the front, which suggests that this pair was for military use. The silk braid is applied in the form of an Austrian knot, which was a popular motif on pantaloons of the light cavalry such as the hussars and light dragoons.
“Her own thoughts and reflections were habitually her best companions. ” Jane Austen Mansfield Park (1814)
1760 ca. Traveling Ink Set. Rectangular Shagreen case with hinged cover which opens to reveal an unmarked silver mounted inkwell and sander, a pen, and a desk seal.
Definition Shagreen: Type of rough untanned skin, sometimes made from a donkey or a horse, but often from a shark or a stingray.
1800-1820 ca. Small Pieces Of Drawing Room Furniture as would have been used in houses where Jane Austen lived. Side tables, book tables, chest and foot stool. Collage by Suzi Love.
Lady Laura Jamison believes her extraordinary olfactory senses will sniff out her perfect match, but will Richard St. Martin, the Earl of Winchester, prove her theory wrong? The Earl says he has no time for their family friend and mad scientist, Lady Laura, yet when he’s with her, passion and desire explode. Can Richard resist Laura’s obvious charms and choose instead a passive and pleasing wife? Probably not! Scenting Scandal By Suzi Love Book 2 Scandalous Siblings Series. books2read.com/suziloveSS
1800 North Side Of Cavendish Square, London, U.K. By Thomas Malton (1748-1804) British. Aquatint of the north side of the square. (PD-Art)
1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone. Corset: deep point, hip flaps, lacing at the back, Netherlands.
Description: Quilted linen corset with vertical tunnels and with ribs. Whalebone stiffening, point on front, hip flaps, front shoulder straps of fabric plus long narrow linen strips to tie. Lined and has chamois leather at armpits, front point and waist. Linen corset with a deep thickened point at the front, hip flaps, and lacing at the back. Fully quilted with vertical tunnels, with ribs. Thickened tip at the front is slightly triangular. Above for round shape due to wide horizontal rib. Flares from the waist into hip phlangers, or fingers. Lacing eyelets and criss-crossed lacing at the back.
Front shoulder straps are of the fabric with very long linen straps with narrower linen strap, total 110 cm, and two horizontal linen loops on top of the backs. There is a narrow linen strip on all seams and along all edges. Armpits and the front point are reinforced with chamois leather and chamois leather is at the waist with straps attached. Via Mode Museum Province of Antwerp
Corsets 1700-1790 History Notes Book 15 This book shows how body wraps, stomachers and stays were worn during the 1700s. They created a variety of fashionable silhouettes to suit the elaborate fashions worn for court and daily life during the 18th Century. Wearing the correct underclothing was essential for keeping garments in place and giving the best fashion display.
1750-1770 Ca. Back Lacing Linen Corset, European. #GeorgianEra #Corset #HistoricFashion https://books2read.com/SuziLoveCorsetBook15 Share on X
1801 November 9th Playing Cards. Men and women play cards at round table. Supreme Bon Ton Plate 2. Published by S W Fores. Men and women play cards at round table. Man and woman talk to players. Woman sleeps in upright chair, two others, one with parasol and other fan, walk off arm-in-arm.Men: High-waisted coats, high collars, huge neck-cloths, with pumps or Hessian boots. Women: High-waisted dresses, short sleeves, long trains, very low necklines, short ringlets, two in caps. Via British Museum, London, UK. britishmuseum.org (PD-Art)
In Jane Austen’s times, cartoons posted in the windows of shops were one of the main ways people found news. Common people couldn’t afford newspapers so cartoonists ridiculed the people and the places with cartoons of the daily events happening in London and other cities. The ridiculous fashion trends of the late 1700s and early 1800s were easy targets for satirical cartoons as was the addiction to gambling by women and men alike.
