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Do You Know What A Half Parure Is? 1806 Muslin Dress With Train, Shawl and Half Parure Jewelry Set. #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on May 1, 2026 by Suzi LoveApril 19, 2026

1806 Short-Sleeved White Muslin Dress With Train. Bodice and sleeves have ribbon decoration, evening flowered headdress, half parure of necklace and ear bobs, and gorgeous Indian hand-loomed green shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Definition Half Parure: A Parure is a matched set of jewelry, including a necklace, bracelet, earrings, pin etc. A half Parure didn’t include a jewelled headdress, or tiara.

Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.

1806 Jane Austen Style Short Sleeved White Muslin Dress With Train, French. Bodice and sleeves have ribbon decoration, evening flowered headdress, half parure of necklace and ear bobs, and gorgeous Indian hand loomed green shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Do You Know What A Half Parure Is? 1806 Muslin Dress With Train, Shawl and Half Parure Jewelry Set. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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Posted in 1800s, 1800s women's fashion, Decorative Item, Dress Or Robe, Europe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, jewelry, Journal des Dames et des Modes, Regency Fashion, shawls, Shoes

1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket, American. #Regency #Underclothing #RomanticEra

Suzi Love Posted on April 30, 2026 by Suzi LoveApril 25, 2026

1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.

Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name shift was replaced by ‘Chemise’.  

Corset:  French term for stays. Structured bust supporting or body shaping foundation garment. Tightened by laces and often with reinforcing e.g. boning, cording and flossing. 

From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.

1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.
1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket, American. #RegencyFashion #Underclothing #RomanticEra https://www.bookbub.com/profile/suzi-love Share on X
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Posted in 1800s, fashion accessories, Jane Austen, Regency Era, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, chemise, Chicago History Museum, Corset, petticoat, Regency Fashion, Romantic Era, underclothing, USA, Victoria and Albert Museum

1802 Bridgerton and Jane Austen Style Dress Bodices and Two Cute Bonnets. #Bridgertons#Regency #Hats #JaneAusten

Suzi Love Posted on April 29, 2026 by Suzi LoveApril 25, 2026

1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionWomen1801-1804

1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1802 Jane Austen Style Dress Bodices and Two Cute Bonnets. #RegencyFashion #Hats #JaneAusten https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
HN_25_D2D_Fashion Women 1801-1804 
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, France, hats, Jane Austen, Regency Era, Regency Fashion, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, Fashion Plate, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion

Love After Waterloo: There’d been nowhere safe to hide a lady and her son at Waterloo. #HistoricalEroticRomance #MilitaryRomance #Waterloo #RegencyRomance #ReadARegency

Suzi Love Posted on April 29, 2026 by Suzi LoveJanuary 13, 2026

Love After Waterloo by Suzi Love.
Despite Wellington’s victory over Napoleon four days earlier, soldiers, to use the term loosely, still lingered around Waterloo. They and deserters from both sides had joined local famers in picking through the remains of bodies, uniforms, and armory to pilfer anything of value. There’d been nowhere safe to hide her and her son, Daniel, so Lady Melton’s’ brothers had packed what remained of their equipment and taken them, along with a few wounded British soldiers, to the Captain’s quarters, knowing that his orders were to protect whoever remained of French stragglers and deserters. 

Anne’s twin brothers hadn’t lingered, because Wellington and what was left of his British troops were marching back towards Brussels and Brendon’s skills as a physician were urgently needed. Benjamin, an aide to Wellington, had stayed to organize the repatriation of their soldiers and the departure of their sister and nephew. Neither twin had understood her reluctance to join Captain Belling and his group and had ignored her pleas to stay with them in Europe, stating firmly that it was time that she and Daniel returned to London.


They hoped that Anne could reopen their townhouse in London and prepare for when they could join her, optimistically within a few weeks. She wasn’t quite so optimistic. Napoleon was an egotist. He wasn’t the type to accept defeat easily, and she imagined he’d already be making plans for a triumphant return in the future, despite the carnage left behind at Waterloo when he and his remaining troops retreated. Her brothers had reported that the plains had been covered with the dead and the dying, both men and horses. 

https://books2read.com/suziloveLAW

LAW_When Lady Melton and son join antagonistic Captain Belling and last group of wounded British soldiers evacuating Waterloo, she expects clashes with army deserters.What she doesn’t anticipate is how much she and her son will need the belligerent Captain after they reach London. #RegencyRomance #MilitaryRomance https://books2read.com/suziloveLAW
Love After Waterloo: There’d been nowhere safe to hide a lady and her son at Waterloo. #HistoricalEroticRomance #MilitaryRomance #Waterloo #RegencyRomance #ReadARegency books2read.com/suziloveLAW Share on X
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Posted in England, Europe, France, Love After Waterloo, Regency Era, Suzi Love Books | Tagged Battle of Waterloo, europe, France, Love After Waterloo, military romance, Regency Era, Regency romance

“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote

Suzi Love Posted on April 28, 2026 by Suzi LoveFebruary 27, 2026

“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote https://books2read.com/SuziLoveFashion1810-1814

"There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me." Jane Austen Pride and Prejudice (1813)
"There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me." #PrideandPrejudice (1813) #JaneAusten #RegencyEra #Quote… Share on X
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Posted in 1800s, 1800s women's fashion, Dress Or Robe, England, Jane Austen, Quotations, Regency Era, Suzi Love Images | Tagged 1800s Or 19th Century, Jane Austen, Quotations, Regency Fashion

1780-1820 ca. Brown Leather Boots, British, As Worn In Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #Shoes

Suzi Love Posted on April 26, 2026 by Suzi LoveMarch 8, 2026

1780-1820 ca. Brown Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org

shoes_1780-1820 ca. Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1780-1820 ca. Brown Leather Boots, British, As Worn In Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #Shoes #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
HN_23_D2D_Fashion Men 1800-1819
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Posted in 1700s, 1700s Mens fashion, 1800s, 1800s Mens Fashions, England, Georgian Era, Georgian Fashion, Regency Era, Regency Fashion, shoes, Suzi Love Images, U.S.A | Tagged boots, Bridgerton, Georgian Fashion, Jane Austen, Metropolitan Museum NYC, Regency Fashion, Shoes

1756-1762 ca. Gold and Enamel Étui, French. #GeorgianEra #France #Antiques #WritingToools

Suzi Love avatarPosted on April 26, 2026 by Suzi LoveApril 25, 2026

1756-1762 ca. Gold and Enamel Étui, French. Probably by Jean Ducrollay, 1756-62, Paris. via Metropolitan Museum New York City, U.S.A. metmuseum.org
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Posted in 1700s, Box Or Container, Decorative Item, Europe, France, Georgian Era, History, household, Suzi Love Images, travel, Writing Tools | Tagged antiques, Box Or Container, Etui Or Necessaire, France, Georgian era, Suzi Love Images, Writing Tools

1810 Gentleman’s Daily Outfit Of Green Tailcoat and Double-breasted White Waistcoat. #Regency #JaneAusten #Fashion

Suzi Love Posted on April 26, 2026 by Suzi LoveApril 25, 2026

1810 Gentleman’s Relaxed Daily Outfit. Green tailcoat, double-breasted white waistcoat, knotted white cravat, striped Nankin trousers with straps under the foot and red fob at the waist, holding a top hat and a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.

1810 Gentleman's Daily Outfit Of Green Tailcoat and Double-breasted White Waistcoat. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
HN_23_D2D_Fashion Men 1800-1819
Posted in 1800s Mens Fashions, Coat or Pelisse Or Redingote, fashion accessories, France, Jane Austen, Regency Era, shoes, Suit, Suzi Love Images | Tagged 1800s men fashion, British history, cravat, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, Journal des Dames et des Modes, pants, Regency Fashion, Tailcoat, Vest or Waistcoat

1826 Silk and Linen Riding Habit, American. #RegencyEra #HistoricalFashion #Riding

Suzi Love Posted on April 24, 2026 by Suzi LoveMarch 15, 2026

1826 Silk and Linen Riding Habit, American. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1826 Silk and Linen Riding Habit, American. via Suzi Love ~ suzilove.com & Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1826 Silk and Linen Riding Habit, American. #RegencyEra #HistoricalFashion #Riding https://books2read.com/suziloveYLD Share on X
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s women's fashion, Dress Or Robe, Regency Era, riding, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Dress Or Gown, Metropolitan Museum NYC, Regency Fashion, riding, USA
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman’s Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory

Suzi Love Posted on April 23, 2026 by Suzi LoveMarch 8, 2026

1830-1840 ca. Woman’s Corset, English.  Cotton sateen, quilted, with cotton twill and cotton plain-weave tape.  Designed to be worn over a chemise and petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA.  via Los Angeles County Museum of Art. via Los Angeles County Museum of Art, California, USA. 

1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman’s Corset, English. Cotton sateen, quilted, with cotton twill and cotton plain-weave tape. Designed to be worn over a chemise and a petticoat. This corset is designed to be easy to tie and fasten so a woman could manage it by herself. The front ties are pulled tight and tied at the waist. Center back length: 15 7/8 in. (40.32 cm) via Los Angeles County Museum of Art, California, USA. 
1830-1840 ca. Woman's Quilted Cotton Sateen Corset, English. #Corset #RomanticEra #BritishHistory. https://books2read.com/SuziLoveCorsetBook18 Share on X
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HN_18_D2D_Corsets 1830-1850. https://books2read.com/SuziLoveCorsetBook18
Posted in 1800s, 1800s women's fashion, Corset, England, Romantic Era, Suzi Love Images, underclothing, Victorian Era | Tagged 1800s women's fashion, Corset, Los Angeles County Museum, Romantic Era Fashion, underclothing

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  • Do You Know What A Half Parure Is? 1806 Muslin Dress With Train, Shawl and Half Parure Jewelry Set. #RegencyFashion #JaneAusten #HistoricalFashion
  • 1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket, American. #Regency #Underclothing #RomanticEra
  • 1802 Bridgerton and Jane Austen Style Dress Bodices and Two Cute Bonnets. #Bridgertons#Regency #Hats #JaneAusten
  • Love After Waterloo: There’d been nowhere safe to hide a lady and her son at Waterloo. #HistoricalEroticRomance #MilitaryRomance #Waterloo #RegencyRomance #ReadARegency
  • “There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote

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  2. Suzi Love on Book Hooks: Earl of Winchester has no time for mad scientist Lady Jamison yet when he’s with her, desire explodes. #HistoricalMystery #RomCom #VictorianRomance #RegencyRomance
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