1798 White Dress, French. Gold and black back insert to match gold stripes on the hem, white shawl with gold stripes, gold hat with black decoration. Via Journal des Dames et des Modes or Costume Parisien.
1830s Silk and Leather Shoes, Or Slippers, American. Flat black shoes with ankle ties and square toes. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1800s Typical Game Bird Dishes Served during the 1800s. These are the sort of dishes Jane Austen’s family would have eaten on a regular basis. Banded Partridges, Roast Partridges, Roast Surrey Fowl, Larded Guinea Fowl, Roast Plovers, Stuffed Capons, Roast Gosling and Roast Pigeons. From: 1850s- 1860s Mrs. Beeton’s Books of Household Management. via Google Books (PD-150)
Textile of block-printed white cotton in madder colours with pencilled blue. The cotton is printed with 9.5 octagonal panels intended to be cut out and applied to patchwork quilts. Each panels contains a bunch of flowers. Around the inner border is an inscription of Princess Charlotte of Wales married to Leopold Prince of Saxe-Coburg May 2, 1816. In the borders are three Prince of Wales feathers, the Royal Arms, and a crown on each side. At the end of the textile is printed a rectangular panel containing the manufacturers name and in a corner is the name ‘G. Swindels’.
This quilt has an excise stamp for 1816 and is inscribed ‘John Lowe and Co. Furniture Printers, Shepley Hall’, providing the name of the only identifiable manufacturer of these panels, although there are likely to have been others. John Lowe was a well-known firm of calico printers with large cotton factories and extensive bleaching grounds close to the River Tame near Ashton-under-Lyne in Lancashire.
Hand-quilting is done on a frame using needles called ‘betweens’. The stitches are executed with one hand; the other hand is kept underneath the quilt to feel for the needle. Small, uniform stitches (usually a ‘running stitch’) are taken through the three layers to form a decorative design. In ‘piecing’ or ‘patchwork’, small pieces of fabric are sewn together to produce a decorative design. The most enduring method in Britain is done by hand, and is known as ‘piecing over paper’. The pattern is first drawn onto paper and then accurately cut. Small pieces of fabric are tacked round each of the shapes, and then joined together from the back using overstitch. Most of the quilt top visible here has been pieced over paper, but in some areas the fabrics have been applied directly on to the earlier quilt that forms the wadding.
Victoria and Albert Museum, London, England.
1816 Blue Riding Habit, French. High-waisted blue riding dress with a train, the long full skirt being necessary to cover a lady’s legs and preserve her modesty when riding side saddle. These riding habits were usually designed by men and were in two pieces, a jacket and a skirt, worn over a shirt. A military style bodice decoration, high pointed collar and a knotted pink dotted cravat worn underneath that imitate male styles, or even Dandy fashion. Sleeves are very long as was the trend in French riding habits. Yellow gloves and a masculine style beaver hat. This print was designed by Horace Vernet and engraved by Pierre Baquoy. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Although, there are very similar riding habit fashion plates in other magazines.
The type of outfit Jane Austen and her friends would have worn if they went horse riding. https://books2read.com/SuziLoveFashionWomen1815-1819
1817 Pink Morning Walking Dress, French. High-waisted,high frilled neckline, long straight sleeves, triple layer of frills above the hem, bonnet with plumes, or feathers to decorate, and tied under the chin with pink ribbon, pink shoes and gloves. Most likely has white muslin dress with the white neck frill underneath the dress. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Morning Walking Dress: Worn out shopping, walking in a city park or the country estate. Presentable and warm, more fashionable than Morning Dress but not overly accessorized.
1817 Bridgerton and Jane Austen Style High-Waisted Pink Morning Walking Dress, French. #RegencyFashion #JaneAusten #Bridgerton https://books2read.com/SuziLoveFashionWomen1815-1819
1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1831-1850 ca. Reticule, English. Round bag of crimson silk with embroidery and a drawstring. via Museum Of London.
1819 Pale Blue Redingote, Pelisse or Walking Dress, French. Blue redingote with pink bow showing off gorgeous neck frills and bonnet of castor decorated with tassels. The type of outfit young Regency Era ladies would have worn if they were out shopping on Bond Street, walking in a park, or taking a carriage ride through Hyde Park. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1801 Typical Gentlemen’s Fashions for the early 1800s, or Regency Era, or Jane Austen’s times. Fashion Plates via Journal des Dames et des Modes, Costume Parisien.
Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, a walking stick, cane or riding crop, handkerchief, fobs, a watch and perhaps a quizzing glass or eye glass.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X